Offices: The Latest Architecture and News

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MVRDV has begun construction on an adaptive reuse project that will transform a former warehouse in Hong Kong’s newly designated business area of East Kowloon - the Kwun Tong district - into a “luxurious loft style working environment” for creative companies. The 14-story structure will be stripped down to its raw concrete bones and reconstructed with glass and stainless steel to provide up to 37 naturally lit, affordable office units.

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Berlin's Barkow Leibinger has won an invited competition to design a new hotel tower and conference centre as part of Berlin's largest hotel complex, the Estrel. Establishing a new gateway to the center of Berlin from Schönefeld International Airport, the tower will stand at 175 meters (578 feet) making it the tallest high-rise in Berlin to date. Located on the Sonnenalle at the intersection of the Ship Canal, S-Bahn and Autobahn, the site acts as a threshold between the heterogeneous industrial and residential periphery of the city and the historical neighborhoods of Neukölln.

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The design of PPG Place, by Philip Johnson and John Burgee, melds the notion of the modern corporate tower with a neo-gothic monument. Clad in almost a million square feet of glass manufactured by the anchor tenant PPG industries, the architects ingeniously rethought accepted practices in curtain wall design to create "the crown jewel in Pittsburgh's skyline." (1) The 1.57 million square foot complex was one in a series of high profile corporate projects completed during Johnson's controversial foray into postmodernism.

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In contrast with its traditional Milanese surroundings, the Pirelli Tower is one of the earliest examples of Modern skyscrapers in Italy. Affectionately called "Il Pirellone” (The Big Pirelli), the 127 meter tower stood as Italy’s tallest building from 1958 to 1995. The design of the structure, led by architect/designer Gio Ponti and engineer Pier Luigi Nervi, featured a tapered plan—as opposed to the conventional rectilinear volume which was prevalent in America—encouraging greater creative freedom during a time when skyscrapers typically lacked experimentation.

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When designing offices for creative companies, it's important to strike a balance between an efficient workplace, a fun space to be in, and an attention-grabbing signature for the company itself. That's exactly what Clive Wilkinson Architects did for the Barbarian Group, an advertising group in New York for whom they designed the Endless Table, a single desk which both seats all of their 125 staff members, but also defines spaces within the office, such as meeting rooms and cozy work nooks.