The National Railway Museum and Malcolm Reading Consultants revealed the final concepts for the new Central Hall, created by five small to medium-sized international and UK practices. Shortlisted in November 2019, the 5 teams include a collaboration between 6a architects from UK and OFFICE Kersten Geers David Van Severen from Belgium, Atelier d’Architecture Philippe Prost from France, Carmody Groarke from the UK, Feilden Fowles from the UK, and Heneghan Peng Architects from Ireland.
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In a large-scale, central installation at the 2017 Chicago Architecture Biennial, the likes of 6a architects, Barozzi Veiga, Kéré Architecture, MOS, OFFICE KGDVS, and Sergison Bates—among others—have designed and constructed sixteen five meter-tall contemporary iterations of the renowned 1922 Chicago Tribune Tower design contest.
In this episode of GSAPP Conversations, Kersten Geers—co-founder of OFFICE KGDVS—and Amale Andraos discuss their shared obsession with books, and the integral role that book-making plays in their professional offices and teaching. In this podcast, Geers echoes Aldo Rossi’s call to evaluate architecture within a cultural context, positioning books as the best tool to create a place in which architectural work acquires value and meaning; a device to establish a context of ideas.
The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.
“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”
Located close to the French border, one Belgian city has become a biannual fixture on the calendar for those who work with interior space. Since its foundation in 1968, Kortrijk's (Courtrai in French) Biennale Interieur has been at the beating heart of interior-innovation, curated by leading figures such as Philippe Starck, Gio Ponti, and Verner Panton.
This year, for the Biennale's 25th anniversary, Kersten Geers and David Van Severen (Office KGDVS)—a practice with strong roots in the city itself—have been invited to make their mark on the exhibition's architectural and artistic programme. Their take on the show, entitled Silver Linings, marks a shift from the presentation of objects to the creation of full scale, complete interiors.
The 2016 Lisbon Architecture Triennale, which opened last week, is comprised of a constellation of exhibitions and satellites. One such show—eponymously named The Form of Form—is both an exhibition and a structure in itself – a sequence of rooms designed collaboratively by Mark Lee of Johnston Marklee, Kersten Geers of Office KGDVS, and Nuno Brandão Costa. If "one of architecture’s fundamental legacies is its own form," the curatorial statement declares, "this exhibition [builds] a dialogue that challenges notions of authorship and the limits of form."
Our editors look at hundreds of websites per week. What do they admire and appreciate the most? Organization and simplicity. Sites that are not only clean, but fast. We actively search for projects to include on our platform, so it’s crucial that when we visit a website we not only know where to look, but how to access information. Filters and facets are our best friends. Typological differentiation is important, but perhaps not as important as distinguishing between built and un-built projects (“Is that a render?” is a question that comes up at least once a day).
What happens when eight world-renowned architects are given carte blanche to design holiday homes on a dream site in Spain? This is precisely what French developer Christian Bourdais set out to discover with the launch of the Solo House project in 2010, and now, you can find out for yourself. Just two years after the completion of Solo Pezo, by Chilean architect Pezo von Ellrichshausen, the second of twelve houses is now emerging for tours and site visits. Solo OFFICE, by Office Kersten Geers David van Severen, will open its doors to visitors this week, October 9 through 11, as it nears fruition.
The Brussels-based design initiative MANIERA invites emerging architects to design series of limited edition furniture. This April, their first show opened with works by the Belgian architects OFFICE KERSTEN GEERS DAVID VAN SEVEREN and the Dutch artist and architect Anne Holptrop. The objects are on view in the loft-like living space of Kwinten Lavigne and Amaryllis Jacobs, the couple who founded MANIERA. Since both have a background in the art world, it’s not surprising that the design objects shown at MANIERA are more than just furniture, but rather a deliberate search for collisions between the realms of architecture, design and art.
French developer Christian Bourdais has enlisted eight architects to develop vacation homes on a 50-hectare nature reserve about two hours south of Barcelona. So far, so normal. However, each participant in the "Solo Houses" experiment was given what every architect dreams of (and hardly ever receives): carte blanche. The results, from the likes of Sou Fujimoto, Pezo von Ellrichshausen, and more, are stunning. See them all after the break...
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