The Australian Institute of Architects has announced the Creative Directors for the Australia Pavilion at the upcoming 19th International Architecture Exhibition - La Biennale di Venezia in 2025. Selected to lead this project, Dr. Michael Mossman, Emily McDaniel, and Jack Gillmer will present "HOME", a pavilion dedicated to Australia's natural environment and Indigenous knowledge systems.
3XN GXN and landscape architect DETBLÅ have won the commissions for the design of a new Centre for Coastal Nature and Sport Fishing in Assens, Denmark. The proposal features a subtle oval structure to showcase local stories of the natural environment. The building aims to enhance public awareness and appreciation of the marine environment, reflecting a growing understanding of the need for better marine stewardship. It will also act as a hub for knowledge exchange about the impact of humans and climate change on the sea.
Located in the municipality of Leogang in the Salzburgerland province, Austria, the Priesteregg Premium Eco Resort resides on a plateau at a height of 1100 meters. Opened in 2009, the resort comprises 15 chalets and three villas, and is surrounded by lush mountain pines, Alpine roses, and bilberry bushes. This setting offers relaxation and breathtaking views of the Leogang Steinberg Mountains, the Steinernes Meer with the Hochkönig, and Kitzbühl Schieferalpen.
The resort's development has been influenced by traditional agricultural land use, leading to a conservationist approach. This includes sustainable energy concepts, support for regional producers, and the use of natural materials in the entire resort. In the three villas, the W2 Manufaktur studio and architect Ulrich Stöckl have curated interiors that blend rustic Alpine style with modern luxury, featuring products from Dornbracht. Each villa uniquely combines natural materials, natural features, and a variety of the brand's fittings and fixtures.
In recent years, India has seen a resurgence of interest in natural building materials, a movement driven by escalating environmental concerns and a growing desire to revive traditional lifestyles. From the busy streets of Mumbai to the serene villages of Kerala, architects, builders, and communities are coming together to experiment with the potential of earth, bamboo, lime, and other organic materials in shaping contextually relevant structures that also embody India's contemporary ideals. The shift towards using natural materials and other vernacular resources reflects a movement towards sustainability and a deeper connection with nature.
The world’s most primitive construction materials are being used to create the most advanced buildings. In light of environmental crises, architects are focusing their efforts in designing better built environments for people and the planet. The results may often seem ‘greenwashed’, failing to address the root of ecological distress. Environmentally responsible architecture must aim not to reverse the effects of the ecological crisis, but instigate a revolution in buildings and how we inhabit them. Essays from the book The Art of Earth Architecture: Past, Present, Future envision a shift that will be a philosophical, moral, technological and political leap into a future of environmental resilience.
The Filipinos believe that man and woman first emerged from the nodes of a bamboo stalk. The Chinese view the caneas a symbol of their culture and values, reciting “there is no place to live without bamboo”. The plant is a symbol of prosperity in Japan and friendship in India. Along with myths and stories, strong structures made of bamboo flourished in pre-modernAsia. Built forms varied across the changing landscapes of Eastern countries, all sharing one aspect in common - a respect for natural ecosystems.
Nestled in the heart of the jungle, in the village of Francisco Uh May resides the AZULIK residence, within the same compound as the AZULIK UH MAY, a cultural center for the arts. Heavily influenced by the natural forms of nature itself, Roth’s home takes a biomorphic approach to design, challenging architectural conventions and presenting a harmonious relationship with nature.
Our world revolves. Not just literally, as it does around the sun, but in nature’s every aspect. Seasons cycle into each other (though more erratically each year), waves trace and retrace the beaches with the shifting tide, flowers open, close, and turn to follow the path of the sun. Even we are governed by these circular natural systems. Maintenance of our circadian rhythms, a human connection to light, is so essential to our health that it is a required element in many contemporary building codes.
https://www.archdaily.com/905578/revolutionary-nature-the-architecture-of-hiroshi-sambuichiKatherine Allen