Space exploration isn’t merely a testament to human ambition or a quest for new territories and resources. Our ventures beyond Earth’s atmosphere are driven by a deeper purpose: to understand better our place in the cosmos and to pioneer innovations that can transform life on our home planet.
Don Davis (American, born 1952). Stanford torus interior view. 1975. Acrylic on board, 17 × 22″ (43.1 × 55.9 cm). Commissioned by NASA for Richard D. Johnson and Charles Holbrow, eds., Space Settlements: A Design Study (Washington, DC: NASA Scientific and Technical Information Office, 1977). Illustration never used. Collection Don Davis. Image Courtesy of The Museum of Modern Art
The Museum of Modern Art New York has announced the opening of an exhibition focused on the first realized and unrealized projects that address ecological and environmental concerns. Featuring works by architects who practiced mainly in the United States from the 1930s through the 1990s, the exhibition titled “Emerging Ecologies: Architecture and the Rise of Environmentalism” is on view from September 17, 2023, through January 20, 2024. The over 150 works showcased reveal the rise of the environmental movement through the lens of architectural practice and thought.
Architecture is likely to exist in any place or physical space inhabited by human beings. Moreover, our inherent curiosity and exploratory spirit constitute an integral aspect of our humanity. Fueled by our inventive capacity, drives us to venture into future scenarios that we can explore as individuals and as a society. Consequently, the possibility of a future in space has sparked the imagination of scientists and designers, resulting in conceptual and science fiction designs where human beings inhabit space.
The inventive and imaginative human capacity can be traced through the work of artists such as Jean-Marc Côté, who, in the early 20th century, envisioned a series of retro-futuristic illustrations depicting what life would be like in the year 2000. There are also notable literary references, such as the works of Ursula K. Le Guin, renowned for her speculative fiction exploring humanity's journey as a spacefaring species. Undoubtedly, the future and space are two captivating topics that have inspired the development of a long-term vision for society in space.
https://www.archdaily.com/1001762/architecture-for-inhabiting-space-tessellated-reconfigurable-structures-for-adaptive-environmentsEnrique Tovar
A new award from NASA will support ICON in developing construction technology that could be used on the Moon and Mars. Image Courtesy of ICON/BIG-Bjarke Ingels Group
From inflatable and 3D-printed structures to entire habitats, architecture plays an unprecedented role in space exploration missions. As NASA plans for long-term human exploration of the Moon and Mars under Artemis and CHAPEA missions, new technologies are required to meet the unique challenges of living and working in another world. In response, figures like Buckminster Fuller, Foster + Partners, SOM, and BIG-Bjarke Ingels Group, in collaboration with emerging businesses such as ICON and SEArch+, have nourished the architectural catalog in outer space.
In the latest update, NASA awarded Austin-based company ICON a contract to continue ICON's Olympus construction system in partnership with BIG-Bjarke Ingels Group. The project will help build infrastructures such as landing pads, habitats, capsules, and roads on the lunar surface and Mars, using extrusion-based additive construction technology (3D printing) and local materials like lunar regolith. The contract runs through 2028 and supports Artemis, a mission for long-term human exploration of the Moon.
NASA and AI Space Factory developed LINA (Lunar Infrastructure Asset), an in-situ 3D-printed outpost to protect astronauts and critical missions on the Moon. The project is part of the Relevant Environment Additive Construction Technology (REACT), a multi-year collaboration to develop technologies for lunar surface constructions within the timeframe of the Artemis Mission: humankind’s return to the Moon. LINA is a step in the effort to expand civilization to Earth’s natural satellite and explore it in a sustainable way that minimizes human disturbance.
Inflatable Architecture has enabled the imaginations of environmental dreamers of all types. From figures like Buckminster Fuller to Ant Farm, inflatables promise to liberate people from the harsh conditions of nature or the tyranny of architecture. Originally developed by the US Military for radar enclosures on the arctic, inflatables were picked up by NASA before their secrets were bestowed upon the public who deployed them to solve all sorts of problems, from enclosing pools to stadiums.
Founded in late 2017, named one of the "Most Innovative Companies in the World" in 2020, and selected as ArchDaily's Best New Practices of 2021, ICON is a construction company that pushed the boundaries of technology, developing tools to advance humanity including robotics, software, and building materials. Relatively young, the Texas-based start-up has been delivering 3D-printed homes across the US and Mexico, trying to address global housing challenges while also developing construction systems to support future exploration of the Moon, with partners BIG and NASA.
Featured on Times’ Next 100, as one of the 100 emerging leaders who are shaping the future, Jason Ballard, CEO and Co-Founder of ICON spoke to ArchDaily about the inception of the company, worldwide housing challenges, his ever-evolving 3D printing technology, and process, his partnership with BIG, and the future of the construction field on earth and in space.
The Apollo 11 Mission, departed Earth on July 16, 1969, and touched down on the moon 4 days later. This moment marked a milestone for humanity and, to this day, makes us reflect on how technological progress is bringing us ever closer to life beyond planet Earth.
With the help of 3D printers, highly developed and fully automated constructive technology, we have compiled a selection of 15 architectural projects that demonstrate that life on the moon and beyond is closer than we've ever imagined.
Bjarke Ingels Group has collaborated with NASA and ICON to create Mars Dune Alpha, a 3D-printed research habitat that will provide long duration habitation for astronauts on missions to Mars. The 1,700 sq.ft. structure, which is currently located at the Johnson Space Center in Houston, Texas, is designed by the award-winning architecture firm, 3D printed by construction developers ICON, and will soon be home to NASA's future crew.
February 2021 has been a historical month for Mars exploration. While humans have been exploring the red planet for well over 50 years, first landing on its surface in 1971 and then launching the first successful rover in 1997, this year has seen several firsts, namely the first time that three countries (China, United States, and the UAE) have launched three simultaneous probes.
Space has long captured our imaginations. Looking to the ocean above us, writers, scientists and designers alike have continuously dreamed up new visions for a future on distant planets. Mars is at the center of this discourse, the most habitable planet in our solar system after Earth. Proposals for the red planet explore how we can create new realms of humanity in outer space.
BIG has partnered up with ICON, a developer of advanced construction technologies, and with SEArch+ (Space Exploration Architecture) to imagine humanity’s home in another world. Working with NASA, the collaboration seeks to develop a “space-based construction system that could support future exploration of the Moon”.
AI SpaceFactory, a multi-planetary architectural and technology design agency, launched TERA, a high-tech and green eco-home designed for off-grid living on earth. Inspired by their NASA-award-winning Mars habitat MARSHA, the first TERA accepts limited pre-bookings on Indiegogo and will be available starting March 2020 for one year before it is recycled and reprinted elsewhere.
Architects often look for inspiration in anything and everything around them: forms, volumes, artwork, music, nature… But some sources (and projects) are just out of this world. Literally.
NASA has created an online library of 140,000 high-resolution photos, videos, and sound clips, all free and available for download. Here is a selection of images for your dose of interstellar inspiration.
AI SpaceFactory has been awarded first place in the NASA Centennial Challenge. The multi-planetary architectural and technology design agency’s Mars habitat MARSHA was awarded the overall winner in the long-running competition series, which saw 60 challengers in total. The MARSHA habitat offers a glimpse into what the future of human life could look like on Mars, with a 15-feet-tall prototype 3D printed during the final phase of the competition, including three robotically-placed windows.
SEArch+ and Apis Cor have won first place in the Virtual Construction level of NASA’s 3D-Printed Habitat Centennial Challenge, seeking to create sustainable shelters suitable for the Moon, Mars, and beyond. Using resources available on-site in these locations, the female-led, New York-based space research and design practice proposed the MARS X HOUSE, offering a robust, durable 3D-printed habitat using autonomous robotics.
Led by SEArch+ co-founder Melodie Yashar, the scheme employs evidence-based design for the form and constructability of the future habitat, intended for a crew of four to live and work on Mars for one Earth year. The habitat is designed to exceed radiation standards in order to ensure human health while connecting the crew with natural light and views of the Martian landscape.
Architecture and technology company AI SpaceFactory has completed the autonomous construction of MARSHA, a proposal for a Martian surface habitat for NASA. The 3D printed shelter is one of five finalists in an international competition to design and build a habitat for a crew of four astronauts on a mission to Mars. AI SpaceFactory formulated their own material – a “Martian polymer” that can be made from matter found or grown on the planet.
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