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Zaha Hadid Architects (ZHA) has been announced as the winner of the international design competition for the Napoli Porta Est masterplan, a large-scale urban regeneration project in Naples, Italy. The project, which includes the new Campania Region headquarters, aims to reconnect fragmented urban areas and revitalize a district that has long been considered isolated and unsafe due to inadequate public spaces and physical barriers.
Graffiti, as an art form, has a complex relationship with gentrification. On one hand, it has engaged the streets and urban fabric as a canvas for people to express themselves culturally and socio-politically. This expression could be a form of rebellion by ethnic minorities and disadvantaged groups in certain neighborhoods, or it can build up a sense of cultural uniqueness and social expression, giving a neighborhood a positive character and attracting newcomers. However, over the years, the latter has been an agent of gentrification, spiking up property values to accommodate richer residents and alienating the native communities of those neighborhoods.
In certain instances, artists recognize their role in this urban scheme and tweak their art form through its style, message, location, and action as direct forms of protest to fight against gentrification. From Brixton, Shoreditch, and Hackney in London, Williamsburg and Bushwick in New York, to The Canal Saint-Denis and Belleville in Paris, the use of graffiti on the streetscapes of these neighborhoods can either protest or inspire different forms of development.
Barcelona-based Miralles Tagliabue - EMBT under the direction of Benedetta Tagliabue, has completed its construction of the Centro Direzionale di Napoli train station and subway, an underground central station that combines the city's natural volcanic geography with the site's 1970's-built master plan designed by Kenzo Tange. The design focuses on art, architecture, and archaeology, also known as the "Triple A", giving the site a highly recognizable identity that contrasts its surroundings and historical context.
The second edition of EDIT Napoli, dedicated to independent designers, ran from 16 to 18 October 2020, in Naples, Italy. The first onsite fair of the country during this pandemic era was created by curators Domitilla Dardi, design curator of the MAXXI museum in Rome, Architecture sector, and Emilia Petruccelli, buyer and entrepreneur, in collaboration with the Assessorato alla Cultura e al Turismo del Comune di Napoli.
In the context of the ongoing financial crisis, cities and citizens are going through profound and as yet uncharted transformations. Tomorrow in Naples, Italy, UN-Habitat’s World Urban Forum will bring together mayors, international organizations, governments and civil- society organizations to discuss the Urban Future.
This debate aims to blur the boundaries between designers and politicians; researchers and eco- nomists, to highlight new policies and practices which do not require funding from strained public coffers. Can new forms of city development be thought about without the contribution of private enterprise? Can the political and design worlds find “Common ground” in the face of urban decay and austerity? How can policy making and urban planning come together to bring about appropriate norms for improving urbanites’ lives? This will be one of the focus areas for the ANMA Architects’ new foundation ANMA-F.
