Museum Design: The Latest Architecture and News

Museums play a critical role in preserving local cultures, promoting a better understanding of our collective heritage, and fostering dialogue, curiosity and self-reflection. In recent years –and largely driven by the Covid-19 pandemic– technological advances have enabled users from all over the world to visit exhibitions virtually, at any time and from the comfort of their own home. However, although online tours are a good way of increasing accessibility, there is something about the in-person museum experience that will never get old: the ability to witness, embrace and closely admire artefacts, paintings and sculptures in their true form, as well as the chance to experience the unique ambiance and essence of a traditional museum setting. Viewing the Mona Lisa virtually will never live up to appreciating it face-to-face at The Louvre, for instance.

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The construction of the new building of Palmer Museum has begun. Located at Penn State, USA, and scheduled to open in the spring of 2024, the new 6600 square meters complex will expand nearly double the space of the current gallery to host the growing collection of more than 10,000 pieces. The design features a series of pavilions, educational areas, and courtyards to boost accessibility to the art collections for students, staff, and the public. The construction aligns with the 50th anniversary of the museum along with a multitude of events, including the exhibition of Allied Works' pieces of the design process for the new Palmer Museum.

Housing objects of artistic, cultural, historical and scientific importance, the term ‘museum’ is derived from the Latin language. In regards to classical antiquity, in Ancient Greek ‘mouseion’, meaning ‘set of muses’ was a philosophical institution, a place for contemplation and thought. These muses refer to the 9 muses in Greek mythology, the goddesses of the arts and sciences, and patrons of knowledge. Early museums’ origins stem from private collections of wealthy families, individuals or institutions, displayed in ‘cabinets of curiosities’ and often temples and places of worship. Yet these ‘collections’ are predecessors of the modern museum, they did not seek to rationally categorize and exhibit their collections like the exhibitions we see today.

In definition, the modern museum is either a building or institution that cares for or displays a collection of numerous artifacts of cultural, historical, scientific or artistic importance. Through both permanent and temporary exhibits, most public museums make these artifacts available for viewing and often seek to conserve and document their collection, to serve both research and the general public. In essence, museums house collections of significance, whether these be on a small or large scale.

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Following Qatar's ambitious museum-building project to further promote cultural institutes in the country, Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums has announced that OMA, Herzog & de Meuron, and ELEMENTAL will be designing three new museums in Doha that explore the themes of Islamic art, contemporary art, and evolution of the automobile industry respectively.

The new Kremlin museum set within the UNESCO protected museum ensemble in Red Square nestles a contemporary structure within the vast courtyard of a 19th-century building. Designed by Moscow-based practices NOWADAYS office and Meganom, the project will house the vast Armory collection, of which only 30% is currently available to the public with the Kremlin walls. The refurbishment of the historic Middle Trading Rows building, together with the new extension, complement each other, creating a diverse and complex museum experience.

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Landscape and design office Karres en Brands has won the international competition to design Norway’s National Logging Museum. Selected out of 136 submissions, the team's winning proposal was chosen by the jury and the Commission of Museums in Akershus for building connections to the regional wetlands and local history. Sited on Northern Europe's largest inland delta, the new museum will focus on Norway's cultural and natural heritage.

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Reacting to the influx of gargantuan, iconic museum buildings produced by China’s recent “museum boom,” MORE Architecture aimed to create an intricate, experiential space with their design for Ginkgo Gallery. The gallery, construction on which has now begun, was conceived as a humble merging of art and nature, part of a network of private museums in the Yangtze River Delta. Ginkgo Gallery also houses an auditorium and workshop space in an effort to make art a part of public life and educate children in contemporary art.

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Denmark’s natural landscape along the shoreline of Mossø lake was once home to a vibrant monastic community. All that remains are ruins and unearthed artifacts - the reminisce of an active, self-sustaining monastic compound.

Galmstrup, a London-based architecture firm that specializes in community and cultural projects, has designed a gallery building to house the excavated archaeological objects and remains on site – maintaining the strong connection between the ruins and the growing collection of artifacts.

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Pelli Clarke Pelli Architects has won an international contest for the Chengdu Natural History Museum in China, seeing off competition from firms such as Zaha Hadid Architects and FUKSAS. With a form inspired by the geological impact of shifting tectonic plates, and reflecting pools inspired by ancient irrigation systems, the scheme makes heavy reference to the surrounding natural landscape, while dominant features such as a tall central atrium form a visual connection with the built environment. Below, the architects offer their own description of the winning scheme.

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