Monographs: The Latest Architecture and News

Japanese architect Shigeru Ban stands out in the architectural world for his commitment to socially responsible design, his eagerness to respond to disaster-related emergencies, and his creativity in adapting solutions to local conditions. He pioneered the use of materials such as paper and cardboard, employing them to create high-quality low-cost shelters and even community amenities such as churches, containers for creating a Nomadic Museum, and mass timber to push the possibilities of responsible design. The works of the Pritzker Prize laureate are now explored in the latest monography by Taschen, “Shigeru Ban. Complete Works 1985–Today” led by author Philip Jodidio. The multilingual edition features texts in English, French, and German, and will become available on June 14, 2024.

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Throughout his distinguished career, Pritzker award winner Tadao Ando managed to trigger every human’s sensations upon entering his structures. It was never just the buildings’ forms that let the architect earn his status, but the manipulation of light and shadow and the impulsive sensation of sanctity that his buildings impose, are what led him to become one of the world’s most renowned architects.

To showcase Ando’s recent works and to honor their ongoing relationship with the architect, Oris House of Architecture have created a monograph titled Transcending Oppositions, celebrating his buildings and their relationship with the contemporary culture of Japan. Judging this book by its cover, readers will have a clear notion of what to expect, as the monograph reflects Tadao Ando’s architecture on fine print.

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The skylines of modern China are punctuated by architecture that amazes, inspires, and awes. Many of these towering structures are the work of the Beijing-based experimental practice MAD Architects, led by Ma Yansong.

People often ask what 'MAD' stands for; sometimes, I explain it stands for MA Design, but I like MAD (adjective) Architects better. It sounds like a group of architects with an attitude towards design and practice. I think it is important to practice architecture with an attitude, to be critical and sensitive to the issues and challenges in our world.

Louisa Hutton and Matthias Sauerbruch, of Berlin-based practice Sauerbruch Hutton, have recently published Archive 2 – a second series of monographic volumes dedicated to the work of their practice between 2006 and 2015. In the nine years between two sets of books, the architects have observed that "the expansion of the digital realm has had a profound effect on the way we perceive, discuss and produce architecture." As such, and on the occasion of their second volume, they are inviting people to share their thoughts "on the convergence of architecture in concrete, pixel and print."

Sigurd Lewerentz is one of Europe's greatest, relatively unsung 20th century architects. He was educated as a mechanical engineer at Chalmers University of Technology in Gothenburg, but it was an architectural apprenticeship in Munich that set him on his career path — a path that "led him to be revered as one of Sweden’s most eminent architects." This sought after reprint of Janne Ahlin's seminal monograph has now been made available once again.

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It's common to find an architectural monograph (or three) on an architect's bookshelf. Within the pages of these large, heavy, often expensive tomes lie a formalised portfolio of a studio's professional output, interspersed by essays penned by influential writers, thinkers or practitioners. They are sources of both information and inspiration, bringing architecture from around the world into your personal field of vision.

Recent years have seen a vast number of these types of books published on architects and their practices, begging the question: Why a Monograph? Are they simply part and parcel of a studio's creative process, or necessary tools for communication with the wider world? Perhaps more interestingly, what role does the recording of work in this way have for architects in enabling them to take stock and move forward? It will seek to examine how the print monograph has become a staple tool for self-promotion, reflection, and criticism in a world which is leaning towards a gradual digitisation of the discourse.