Migration: The Latest Architecture and News

Designed by MAD Architects, the FENIX Museum of Migration is scheduled to open in Rotterdam's City Harbor in 2025. Currently under construction, the museum is set to explore the global narrative of migration through art, architecture, photography, and history. Situated in a 16,000-square-meter warehouse built in 1923, once part of the world's largest warehouse, the building has historical significance as a key storage and shipping hub for the Holland America Line. New construction photographs showcase the assembly of the metallic helix, named The Tornado, taking shape above the historical warehouse.

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This article was originally published on Common Edge.

The phrase “Demography is destiny” is repeated more than once in Smaller Cities in a Shrinking World (Island Press). This new book by noted urban researcher Alan Mallach tackles, in meticulous and fascinating detail, the “wicked problem” of shrinking cities in the U.S. and across the globe. But it’s not only our cities that are shrinking—the countries that contain them are, too. I spoke with Mallach about the imperative of planning for this new demographic reality.

Architectural studio Parabase has been chosen for the development of several plots of Areal Walkeweg in Basel for the purpose of creating affordable apartments and an integrated migration center. The design solution, titled “Elementa,” reuses components from deconstructed cantonal properties, transforming the former columns and floor plates into walls and façade elements. The project was chosen following an open competition, where the international jury favored Parabase’s solution for its strong aesthetics combined with the creative reuse of prefabricated concrete elements.

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India recently overtook its sub-continental neighbor, China, to become the most populous country in the world with a demography of over 1.4286 billion people. As data from the United Nations also estimates an annual population growth rate of 0.7%, the country’s built environment is set to interact with a new discourse of demography and present its own perspective on how to build for billions. It is set to engage with new challenges of infrastructure, transportation, and adequate housing, which on the surface will force cities to constantly expand as a response to these dynamic needs. However, a critical look at the population distribution within the country reveals that the majority of Indians still live in rural areas as it caters to 65% of the population despite increasing rural-urban migration. This suggests a nudge in a different direction. One where the design and development of the rural areas take precedence over the cities. One that explores architecture in rural areas, its relationship with the cities, and its future as a primary framework to house the exploding population.

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3XN, a Copenhagen-based studio centered around cultural architecture, has just received the green light from the planning committee for their design of the new Migration Museum. At its current location in Lewisham in Southeast London, the Museum is an encompassing collective archive of the movement of people to and from Britain. Moreover, the project explores how these movements have shaped us as individuals, communities, and as a nation. The 21-story scheme creates a new, permanent home for the Migration Museum and student accommodation.

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Snøhetta unveiled the design of a new building and landscape design for the Vesterheim campus in Decorah, Iowa. The campus, which also contains the National Norwegian-American Museum and Folk Art School, explores the diversity of American immigration through the lens of the Norwegian-American experience. The new 8,000-square-foot building, known as “the Commons,” is set to become the entry point and main gathering space for the cultural campus. Aside from anchoring the site, the intervention also aims to strengthen the site’s connection to the city. The building is scheduled to be completed in the Summer of 2023.

The International Organization of Migration (IOM) and the Qatar Red Crescent are set to receive 27 tents designed by Zaha Hadid Architects (ZHA) to serve and support displaced populations. The donation is made by the Education Above All (EAA) Foundation, the Supreme Committee for Delivery & Legacy, and its human and social legacy program, Generation Amazing Foundation. The news was announced during the opening of a ZHA-EAA tent inside the FIFA Fan Festival in Doha, and it represents part of the country’s effort to ensure that the World Cup has a positive lasting effect after the closing of the tournament.

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Last week, the unthinkable happened, and war has returned to Europe. As of yesterday, 520,000 people have left Ukraine in the span of only five days, triggering a rapidly-growing refugee emergency and what is considered the largest exodus of people in Europe since the Balkan wars. Unless there is an immediate end to hostilities, as many as 4 million Ukrainians are expected to leave the country in the coming days and weeks, according to the UN. Military violence and indiscriminate bombardments upon residential areas and civil facilities like hospitals and kindergartens further escalate the humanitarian crisis.

When examining the world of African cinema, there are few names more prominent than that of Senegalese director Ousmane Sembène. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and European metropolises.

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Several recurring qualities and topics were explored at the 17th Venice Architecture Biennale, answering curator Hashim Sarkis' question of "How Will We Live Together". Sarkis called upon architects “to imagine spaces in which we can generously live together”, spaces that are unbound by spatial or social contracts, and are flexible enough to welcome individuals and make them find a sense of belonging in an entirely different habitat. Unlike decades ago, migration today is no longer considered as relocating from rural areas to cities, where people needed to be in proximity to their workplaces. Technological advancements, new work modules, and most notably the pandemic altered the way people perceive spaces, making it possible to complete at least 85% of day-to-day responsibilities from practically anywhere in the world. What we have learned from previous cases, and what we are observing now, is that the built environment needs to be flexible.

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“Abandonment Copies” is a research project created between 2016 and 2018 by artist Sandra Calvo consisting of a film, archives, drawings, interviews, and a video display which was exhibited in the Mexican pavilion during the 2021 Biennial of Venice. The project highlights architecture as a reflection of the migration process between Mexico and the United States, comparing and contrasting the houses where migrants work in the US and the ones they build in Mexico with the remittances they send.

Romania’s contribution to the 17th Venice Architecture Biennale showcases a new perspective on mass migration, a phenomenon with a wide array of causes, ranking high on the international public agenda. Titled Fading Borders and curated by architects Irina Meliță and Ștefan Simion, the exhibition explores the challenges and opportunities of migration and its consequences on the built environment. Using Romania as a study case, where three million people have left the country in the last decade in pursuit of a better life abroad, the curatorial project frames a conversation around the role of architecture in the successful management of the migration phenomenon, as territorial boundaries continue to fade around the globe.

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