The “Women in Architecture “exhibition by the Danish Architecture Center aims to open the conversation about women in architecture and showcase their often overlooked, yet substantial contributions to the field. The historical part of the exhibition celebrates untold stories and forgotten accomplishments of women in Denmark from the 1920s to the 1970s. The exhibition also gives the floor to contemporary architects, asking them to share their experiences as architects in Denmark today. To further explore this position, Tatiana Bilbao Estudio, Siv Helene Stangeland from Helen & Hard , and Ensamble Studio explore the theme of the event inspired by Virginia Woolf’s 1929 essay, “A Room of One’s Own”, in which she asserts that women must be financially independent if they are to be able to create works of significance. They must have a room of their own, in both a physical and metaphorical sense.
Marina Abramović: The Latest Architecture and News
"A Room of One’s Own": Tatiana Bilbao, Siv Stangeland and Débora Mesa Contemplate the Position of Women in Architecture at Danish Exhibition
New Exhibition at the Danish Architecture Center Celebrates Women in Architecture
The Danish Architecture Center (DAC) has opened its latest exhibition titled "Women in Architecture", which showcases the contributions made by female architects across the years. The exhibition highlights women in architecture across time, age, and geography, and explores projects designed by Danish architects such as Hanne Kjærholm, Karen Clemmesen, Lene Tranberg, Dorte Mandrup, and others, along with installations by international architectural studios such as Tatiana Bilbao Estudio, Helen & Hard, and Ensamble Studio.
Marina Abramovic Responds to Allegations of Misuse of Funds over Scrapped OMA-designed Museum
Following her decision to abandon plans for an OMA-designed, upstate New York museum, artist Marina Abramovic has spoken out in response to allegations that her institute may have improperly utilized funds raised through a crowdsourced fundraising campaign.
Marina Abramovic Ends Plans for OMA-Designed Art Institute After $2.2 Million Fundraising Campaign
Performance artist Marina Abramovic has ended plans for her OMA-designed upstate New York art institute, leaving questions about what happened to the $2.2 million she raised from a slate of celebrity patrons and nearly 5,000 Kickstarter donors.
When Abramovic first announced the project in 2012, she touted the plans as transformative for the town of Hudson, New York. To be known as the Marina Abramovic Institute (MAI), the facility was intended to create a new space for the “collaboration between art, science, technology and spirituality.”
Abramovic tapped OMA’s Rem Koolhaas and Shohei Shigematsu to design the space, located within an old 33,000-square-foot theater. Early architectural concepts were daringly experimental – ideas included a theater with seats that could be individually rolled away if visitors were to fall asleep during planned hours-long performances.
Performance Space: Marina Abramović at the Serpentine Gallery
One of the latest installations at London's Serpentine Gallery, where Smiljan Radic recently unveiled an ethereal pavilion, is Marina Abramović's performance installation entitled 512 Hours. Creating what has been described as "the simplest of settings" in one of the gallery's large spaces, the artwork employs Abramović's most frequently used material: herself. Coupled with the audience and a selection of common objects, the constantly changing sequence of events on display is the very first live installation by the artist displayed in the UK. Upon arrival, visitors are asked leave their baggage (including mobile phones, cameras and any other electronic equipment) behind in order to enter the exhibition. Find out more about what you can expect from it here.
Marina Abramović Secures Funding for OMA-Designed Art Institute in New York
New York-based, Serbian-born performance artist Marina Abramović has successfully secured funding via Kickstarter for phase one of an interdisciplinary performance and education center in Hudson, New York. The project, known as the Marina Abramovic Institute for the Preservation of Performance Art (MAI), aims to be the first crowdfunded cultural institution ever to be built as well as the only international arts center dedicated to presentation and preservation of long-durational work. With the help of Abramović’s “global community of collaborators,” OMA will now move forward with the project’s design development process. More information on the MAI’s design can be found here.
Marina Abramovic Launches Kickstarter to Build OMA-Designed Performance Center
Marina Abramovic, one of the most seminal performance artists of our time, has launched a Kickstarter campaign to help fund the transformation of an abandoned New York theater into an interdisciplinary performance and education center: Marina Abramovic Institute (MAI).
The institute, designed by Shohei Shigematsu and Rem Koolhaas of OMA, will be dedicated to the presentation and preservation of long durational work. Visitors will spend a minimum of six hours partaking in the Abramovic Method, a method that helps participants “develop skills for observing long durational performances through a series of exercises and environments designed to increase awareness of their physical and mental experience in the moment.” Needless to say, MAI will be unlike any other institute in existence.
A virtual tour of OMA’s design and more information after the break...