Manifesta: The Latest Architecture and News

The city of Barcelona and the region are preparing to host Manifesta, the European nomadic biennial of art, architecture, and urbanism, which will celebrate its 15th edition on September 8, 2024. The event will take place in twelve cities over twelve weeks, where an extensive list of participants will materialize projects aimed at reimagining the future through art and architecture.

The first edition of Manifesta took place in Rotterdam in 1996. Over its 14 previous editions across 25 years, it has visited various European cities such as Luxembourg, Ljubljana, Frankfurt, San Sebastián, Trentino-South Tyrol, Murcia, Genk, Saint Petersburg, Zurich, Palermo, Marseille, and Pristina. One of the main pillars of Manifesta is based on critical urban research, promoting the construction of communities and cultural programs with a local identity that act as agents of change. While the nomadic character is a hallmark of the event, each city works with local artistic communities, citizens, and organizations to carry out projects that address issues inherent to the location.

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Manifesta 15 Barcelona Metropolitana has unveiled a decentralized biennial event spanning across the landscape of Barcelona. Taking place from September 8^th to November 24^th, this edition of Manifesta, the European Nomadic Biennial, introduces a regionalized strategy. Famous for its avant-garde exploration of global challenges through cultural lenses, the approach aims to empower citizens in catalyzing a socio-ecological transformation across Catalonia. The event aims to reimagine the role of culture in societal transformation through art, dialogue, and collective action.

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Design and innovation office CRA - Carlo Ratti Associati unveils the result of its Urban Vision and Urban Program for Manifesta 14, the European Nomadic Biennial in Prishtina, Kosovo, between July 22 and October 30, 2022. CRA’s project proposes a new methodology for reclaiming public space in the city. It starts with a series of open-ended design interventions to encourage citizen participation and foster feedback loops to create long-term effects on the built environment. During the 20th century, regime changes and political clashes brought considerable turbulence to Kosovo and its cities. As a result, Prishtina currently suffers from a substantial shortage of public space, but a large group of disenfranchised residents is eager to reverse this situation.

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Manifesta 14 recently announced that the 2022 edition of the European Biennial of Contemporary Art will take place in Prishtina, Kosovo. In preparation for the event, Carlo Ratti Associati has been commissioned to create an urban vision for the host city, focusing on sustainable solutions attuned to its current realities. The urban interventions showcase CRA's newly defined participatory urbanism methodology and explore how Prishtina could be transformed by the citizens' act of reclaiming public space.

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In 2020, the French city of Marseille is set to host Manifesta 13, the European Biennial of Contemporary Art. In preparation for the event, MVRDV has collaborated with thinktank The Why Factory (directed by MVRDV co-founder Winy Maas) in unveiling “The Grand Puzzle,” a 1200-page interdisciplinary pre-biennial research study of the urban potential for Marseille.

MVRDV produced the study through deep analyses of the city, such as interviews and spatial data, culminating in suggestions for possible urban interventions. As part of this engagement, the firm worked with The Why Factory, founded as “the think tank on the future city” at Technical University Delft, who collaborated with local architecture and design schools on the study. Having received overwhelmingly positive feedback, the work will now be “contextualized, analyzed, and refined as it becomes a tool for Marseillais to imagine possible futures for their city.” In addition, the study will serve as a point of inspiration for artistic and cultural interventions both before and during the Manifesta biennial.

Manifesta 12 creative mediator OMA has revealed the Palermo Atlas, an interdisciplinary urban study of Palermo that will inform the organization of 12th edition of Manifesta, the European Biennial of Contemporary Art, that will be held next year in the Italian city. Led by OMA partner Ippolito Pestellini Laparelli, the project outlines a blueprint for Palermo “to plan its future and as a research framework to ensure that Manifesta 12 achieves a long-term impact for the city and its citizens.”

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A photo posted by Manifesta Biennial (@manifestabiennial) on Nov 23, 2016 at 8:05am PST

OMA, led by partner Ippolito Pestellini Laparelli, have been chosen as the "Creative Mediators" for the 12th edition of Manifesta, which will be held in Palermo in 2018. The practice will assemble an interdisciplinary team to investigate the role of governance in the Italian city, and address how contemporary urban centers are affected by tourism, gentrification, migration and climate change. They will also work "with specialists from the fields of contemporary art, sociology, music, cinema and architecture" to develop a series of "interactive, interdisciplinary, performative and artistic interventions."

On June 11th, the European Biennial of Contemporary Art, also known as Manifesta, began its 100-day stint in this edition's host city, Zurich, Switzerland. The festival's center-piece is a timber raft floating on Lake Zurich, known as the Pavilion of Reflections. The temporary structure was designed and realized by Studio Tom Emerson and a team of thirty students from ETH Zurich. Constructed primarily of timber, Christian Jankowski, curator of Manifesta 11, describes the exhibit “as a floating multi-functional platform with a giant LED screen, a stand for spectators, a swimming pool and a bar.”

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Manifesta—a nomadic, European biennial of contemporary art which "responds to the new social, cultural and political reality that developed in the aftermath of the Cold War"—emerged in the 1990s. For the eleventh incarnation of the event, which will take place in Zurich during the summer of 2016, Studio Tom Emerson have developed designs for a floating island which "will constitute a new temporary landmark in the city." Located on Lake Zurich and hosting an open-air cinema and integrated swimming pool, the Pavillon of Reflections will act as the central node for the 100-day festival. Designed and realised by a team of thirty students from ETH Zurich, the pavilion aims to offer a space for dialogue and reflection on the specific artworks created for the biennial.