A little less than two years after the onset of a global pandemic, inclusion in the architecture profession is unfortunately still a limited conversation. A 2020 survey by the UK’s Architects' Journal revealed a sobering amount of obstacles for Black architects in the UK, and in the United States, prominent Black practitioners such as Mabel O. Wilson of Studio & have questioned the Eurocentric nature of a large amount of architectural study.
The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Mabel O. Wilson, Bryan Lee, and Akira Drake Rodriguez to discuss racism and cities, how the built environment can be an instigator of racism, protests, the tearing down confederate monuments, housing, blackness and whiteness, the key changes needed for a more equitable society, and more. Enjoy!
“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” To that end, Roberts conducted a series of interviews with experimental architects exploring new forms of practice, including this conversation with Mabel O. Wilson.
Mabel O. Wilson is a scholar and designer who has become a leading voice in discussions on space, politics, and memory in black America. She is the Nancy and George Rupp Professor of Architecture at Columbia University, as well as a professor in African American and African Diasporic Studies and the associate director of the Institute for Research in African American Studies. Her books include Begin with the Past: Building the National Museum of African American History and Culture and Negro Building: Black Americans in the World of Fairs and Museums. Her interdisciplinary practice Studio & is part of the architectural team that designed the Memorial to Enslaved African American Laborers at the University of Virginia. She is also a founding member of Who Builds Your Architecture? (WBYA), a collective that advocates for fair labor practices on building sites worldwide. We talked at an outdoor cafe near Columbia on one of the last warm days in fall 2019.
This fall, the Oslo Architecture Triennale had an open call for its 2019 curator. Now, they have announced the five proposals which have been shortlisted for 2017. Upon reading their bios below, you will quickly see the amount of multidisciplinary work each of the shortlisted teams is composed of, including architects, curators, writers, and various other thought-leaders.
In this third episode of GSAPP Conversations, Columbia GSAPP Associate Professor Mabel O. Wilson speaks with Sharon Sutton about the publication of her new book, When Ivory Towers Were Black, which tells the story of how an unparalleled cohort of ethnic minority students earned degrees from Columbia University’s School of Architecture (GSAPP) during a time of fierce struggles to open the ivory tower to ethnic minority students.
