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Lydia Kallipoliti: The Latest Architecture and News

2022 TAB Announces Record Numbers and Extension of Winning Installation Until 2024

Tallinn Architecture Biennale 2022: "Edible; Or, The Architecture of Metabolism" announced record numbers in its 6th edition after 3 months of exhibitions in Estonia's capital. From installations and a symposium to satellite events, the biennale received in its opening week a record of circa 3000 visitors between architects, planners, designers, and students from more than 20 countries. Due to the successful outcome, the Installation "Fungible Non-Fungible" will be installed until 2024 marking the beginning of the 7th TAB.

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Tallinn Architecture Biennale Opens on September 7, Under the Theme of “The Architecture of Metabolism”

Dedicated to the theme "Edible; Or, The Architecture of Metabolism," the 6th version of the Tallinn Architecture Biennale (TAB) 2022 opens on 7 September 2022, in partnership with ArchDaily and the curatorship of Lydia Kallipoliti and Areti Markopoulou, in collaboration with local advisor Ivan Sergejev. Divided into five thematic groups: Living machines, Lifecycle, Food and Geopolitics, Food Systems, and the Future Food Deal, the TAB invites audiences to reflect on food and architecture and to reimagine planetary food systems along with architecture's capacity to perform metabolic processes.

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Lydia Kallipoliti and Areti Markopoulou Appointed Head Curators of Tallinn Architecture Biennale 2022

The Estonian Centre for Architecture has announced “Edible. Or, the Architecture of Metabolism” as the topic for the next Tallinn Architecture Biennale 2022 (TAB 2022), while the selected head curators are architects Lydia Kallipoliti and Areti Markopoulou in collaboration with co-curator Ivan Sergejev.

Why Architects Need to Get Dirty to Save the World

Why Architects Need to Get Dirty to Save the World - Featured Image
Courtesy of the Estate of R. Buckminster Fuller

This article was originally published on Metropolis Magazine as "Why Architects Need to Get Dirty to Save the World."

Of all the terrarium-like experiments included in Lydia Kallipoliti’s The Architecture of Closed Worlds: Or, What Is the Power of Shit? (Lars Müller/Storefront for Art and Architecture), Biosphere 2 is the most infamous. A steel-and-glass structure baking in the Arizona desert, it represents the hope and hubris of re-creating Earth on Earth. The project was launched by an alternative living group with a taste for theater, and tanked by disastrous management by Steve Bannon (yes, him). As such, it illustrates the risky arc that courses through Kallipoliti’s 300-page volume—visions of utopia bending toward ultimate failure.