As the global climate crisis intensifies, the construction industry faces increasing pressure to reduce carbon emissions, prompting a fundamental reassessment of building practices. Dutch architecture firm MVRDV, known for its commitment to sustainability, presents an honest exploration of this challenge in "Carbon Confessions," an exhibition at Munich's Architekturgalerie. The exhibition provides insight into the firm's ongoing efforts, highlighting both its achievements and the obstacles encountered in the pursuit of carbon reduction.
The construction industry, traditionally reliant on the intensive use of non-renewable natural materials, is at a decisive moment to reevaluate its processes and mitigate its significant environmental impact. How can the growing demand for infrastructure, housing, healthcare, and education be met without depleting natural resources? While recycling initiatives are gaining traction, they remain insufficient. In this context, more innovative solutions are emerging, proposing the use of agricultural waste, such as sugarcane bagasse, to create sustainable and disruptive alternatives for construction.
It's been four years since the VELUX Group, together with partners EFFEKT architects and Artelia engineers, first embarked on Living Places. The experimental housing project demonstrated that building more sustainable homes using readily available products, materials and technologies is possible. Putting the ultra-low carbon housing concept to the test, VELUX conducted a study with 98 live-in guests to evaluate whether sustainable homes can also provide indoor comfort. Using a combination of environmental sensors and guest questionnaires, the findings reveal that the homes maintain a comfortable indoor climate in line with European Standards and had a positive effect on the well-being of guests, showing that building for planet can also greatly benefit people.
The 15-minute city has become an internationally recognized concept advocating for a people-centric urban model where residents should be able to meet most of their daily needs within a 15-minute walk or bike ride from their homes. The concept was introduced by Professor Carlos Moreno in 2015 following the COP21 conference in Paris, which concluded with the signing of the Paris Agreement. The idea proposes a practical and adaptable framework for introducing low-carbon mobility and creating a vibrant local economy to support more social interaction and more sustainable urban environments. Since then, the concept has been recognized with the 2021 Obel Award and has gained a notable recommendation in UN-Habitat's World Cities Report. Now, Professor Moreno is publishing the book titled “The 15-Minute City: A Solution to Saving Our Time and Our Planet” to showcase concrete examples and strategies for achieving better cities. ArchDaily had a chance to sit down with Professor Carlos Moreno to discuss these ideas, offering insight into Moreno’s urban thinking and the impact of this model.
Chinese temples have stood for centuries, battered by wind and earthquakes, without a crack or timber out of place. They employ an ancient technique called “bracket set construction” that requires no nails or metal parts to connect wooden structural elements. Scandinavian stave churches are nearly as durable. Unsurprisingly, there are plenty of trees in Sweden and all over China.
So what is with the hype about innovation in “mass timber” construction over the past few years? As Boyce Thompson argues in his thoughtful new book, Innovations in Mass Timber: Sequestering Carbon with Style in Commercial Buildings (Schiffer Publishing), this will be the next big thing in “green” tech for architects feeling guilty about their costly titanium skins and outsized carbon footprints. The color photos show some impressive buildings in places where the wood industry has always been healthy, such as the Pacific Northwest and Scandinavia. The Japanese build log cabins with imported material that might as well be gold.
For decades, our society has predominantly embraced an extractivist approach when formulating models for material manufacturing across diverse industries. While we now know that this model is unsustainable, a major question remains: So, how do we do it? We may be a while away from offering a definitive answer to this challenge. Still, it is exciting to note that, in a context marked by a challenging global and ecological horizon, the architectural community maintains a positive approach by pushing for a re-evaluation of what we make and how we make it.
This momentum may be gaining relevance due to the emergence of new, more environmentally conscious generations, such as Gen Z and Alpha. What is certain is that we are witnessing the development of new production philosophies, such as plant-based materials, which adopt practices aimed at favoring the use of resources derived from plants, reducing dependence on extractive processes, and promoting conscious and sustainable alternatives in various aspects of the manufacture and production of materials in architecture.
https://www.archdaily.com/1014260/harvesting-architecture-a-glimpse-into-3-plant-based-materialsEnrique Tovar
The sun’s influence on human life encompasses multiple dimensions, from biological and developmental aspects to religious-mythological connotations in civilizations such as the Egyptians and Romans. Moreover, this influence extends to its use as a natural resource within the realm of science. In scientific pursuits, the continuous search to harness the sun as an energy source has been a constant throughout the years. Within this context, the discovery of the photovoltaic effect and its application have paved the way in the history of solar panels, starting from the first observations of Becquerel to the initial prototypes of Charles Fritts in the 19th century.
Nowadays, the energy obtained from the sun through devices such as solar panels has become one of the most widely used sources in regions like North America and Europe, contributing to the efforts for a complete transition to clean energy. The momentum in this transition has motivated the development of new technologies, such as SolarLab facade systems, that challenge the preconceived idea of what a solar panel looks like and where it can be installed. These systems converge with architecture to integrate them as aesthetic elements, serving as cladding for both retrofit projects and new buildings.
https://www.archdaily.com/1011349/from-new-buildings-to-retrofit-projects-solar-facade-systems-for-a-circular-and-low-carbon-architectureEnrique Tovar
“ReviveR,” a new exhibition by MVRDV opened at the Shenzhen Women & Children’s Centre, focused on the different narratives surrounding its hosting building, from the role of play and social interaction, to the importance of fun environments for people of all ages, along with the need to reduce carbon emissions by applying principles of circularity. The exhibition is on display in the building’s 5th-floor auditorium from December 6, 2023, until February 28, 2024.
RSHP has just won the Jean Moulin competition held in La Défense, Paris, to design a low-carbon mixed-use development. The competition is a part of the Paris business district initiative to become the world's first post-carbon business neighborhood, launching “Empreintes,” aiming to revolutionize five urban sites at the district’s periphery. Through collaboration with neighboring city centers, the scheme hopes to create various sustainable mixed-use properties.
COP28, or the 2023 United Nations Conference of the Parties, was held in Dubai between November 30 and December 13. The annual meeting gathers representatives from 198 countries, as well as industry leaders to discuss and establish strategies to limit the extent of climate change and its adverse effects. The ultimate goal of these meetings is to find ways to limit the global temperature rise below 1.5 degrees Celsius compared to pre-industrial times. At the moment, the global temperature rise is already at 1.2 degrees Celsius. As the construction industry at large accounts for 39% of global emissions, architects and planners have a shared interest in the results of thee international summit, Read on to discover some of the key takeaways of COP28.
Studio Gang has revealed the design for a new theater for the Hudson Valley Shakespeare Festival (HVSF). Planned to become the first purpose-built LEED Platinum theater in the United States, the building located in Garrison, NY, will serve as the permanent home for HVSF. The structure, measuring over 13,800 square feet, or 1,280 square meters, is designed to become the central point of the 98-acre HVSF campus, aiming to emphasize the theater company’s commitment to sustainable principles and social engagement. The project is expected to break ground in 2024.
Moving towards a sustainable future is a global challenge that involves all disciplines working together. According to the 2021 Global Status Report for Buildings and Construction, almost 40% of carbon emissions come from the construction industry. This places a heavy responsibility on the industry, which must be open to exploring innovative strategies, technologies, and materials in order to pave the road towards a universal sustainability goal: reaching carbon neutrality by no later than 2050.
With that in mind, this article presents three specific products and systems –low-carbon glass, low-carbon concrete, and lightweight materials– that architects are applying in their projects to contribute to a low-impact architectural design.
ArchDaily and VELUX have joined forces to provide you with an exclusive coverage of the highly anticipated UIA World Congress of Architects 2023. Watch Sebastian Peck from KOMPAS VC and Liz Gilligan from Material Evolution explain a revolutionary low-carbon cement produced from industrial waste, and how can it help to decarbonize architecture by reducing a building's carbon footprint by 85%.
In an effort to address the architecture industry’s environmental impact, Henning Larsen is presenting the “Changing Our Footprint” exhibition at AedesArchitecture Forum in Berlin. The event features the small but scalable steps that the office is taking to move towards a more desirable future through the projects they are designing and the research they are conducting. The exhibition aims to be an engaging event, inviting visitors to participate in the dialogue, to think critically about the proposed solutions and initiatives, and to ask difficult questions in the search for better outcomes. The exhibition is open until March 22, 2023. Henning Larsen will also host a series of panel debates at the Aedes Architecture Forum from February 22 to March 14.
The construction industry's future will undoubtedly include "carbon reduction" as a mandatory task. Aside from locally sourced, virgin materials, an increasing number of new materials are becoming available. New materials can be developed in several ways, including low-carbon substitution, recycling, performance enhancement, and 3D printing. New materials will not only be more environmentally friendly and enable new construction methods, but they will also influence the starting point and direction of design concepts, resulting in new buildings with new perceptions and spaces.
The climate crisis has reshaped contemporary architecture. Sustainability has become a central guiding force in design, and in turn, architects are rethinking how to build today. For CO Adaptive Architecture, addressing the climate crisis begins with a process oriented practice. Together, Ruth Mandl and Bobby Johnston have created a firm that embodies how a values-based approach can tackle the most pressing issues of our time. The result is elegant and impactful architecture brought to life with poise and finesse.
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Urban Sequoia Forests of Buildings Isolating Carbon & Producing Biomaterials . Image Courtesy of SOM / Miysis
With the magnitude and urgency of the immediate Covid-19 crisis worldwide, efforts have been concentrated on saving lives, rather than focusing on concerns related to the road to Net-zero carbon. Net Zero carbon in regards to construction is defined as when the amount of carbon emissions associated with the construction of a building and its completion is zero. A zero-energy building will have an overall zero net energy consumption; the total amount of energy used by the building annually is equal to the amount of renewable energy generated on-site.
As the climate emergency presents itself as a severe and existential threat, it is crucial that the road to net-zero carbon is resumed large-scale in both an architectural and commercial sense. Around the globe, efforts have been renewed in an attempt to tackle the almost inconceivable. According to the 2019 global status report for buildings and construction, the buildings and construction sector accounted for 36% of final energy use and process-related carbon emissions in 2018. Although carbon emissions were temporarily reduced during the peak of the pandemic, they are set to swiftly return to previous figures.
Providing an end-to-end design and construction framework for creating low-carbon workplaces, Canoa is a design tool with an embedded marketplace that aims to reduce the environmental impact of commercial interiors. Operating under the circular economy principles, Canoa seeks to keep goods in use for as long as possible, design out waste, and help preserve natural resources while supporting businesses, designers, and suppliers in carrying out commercial retrofits.
Selected as one of Archdaily's Best New Practices of 2021, Canoa is a New-York based start-up founded in 2019 by designer and entrepreneur Federico Negro, with the purpose of delivering environmentally conscious working environments for a wide range of businesses. Canoa is a business-to-business marketplace for low-carbon office products, ranging from furniture to lighting and accessories. The company focuses on providing conscious, durable furniture and prefabricated units with traceable materials and manufacturing that can be easily moved and reused.
