London: The Latest Architecture and News

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José Esparza Chong Cuy has been appointed as the new Executive Director and Chief Curator at Storefront for Art and Architecture. Following the departure of former director Eva Franch i Gilabert to London as the new Director of the Architectural Association, the extensive international search to fill her shoes began. An architect, curator, and writer, originally from Mexico, Esparza Chong Cuy was named and will assume the position starting November 1st.

Storefront, a non-profit organization based in New York City, engages in the advancement of design and architecture with interdisciplinary dialogue through exhibitions and projects that aim to transcend geographic and ideological boundaries. Charles Renfro, President of Storefront's Board of Directors, remarks, "We are thrilled to welcome José to the helm of Storefront, the very institution where he began his curatorial career over a decade ago."

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Venturi Scott-Brown’s National Gallery Sainsbury Wing extension (1991) was born into a precarious no-man’s land between the warring camps of neo-Modernists and traditionalists who had been tussling over the direction of Britain’s cities for much of the prior decade. The site of the extension had come to be one of the most symbolic battlefields in British architecture since a campaign to halt its redevelopment with a Hi-Tech scheme by Ahrends Burton Koralek had led to that project’s refusal at planning in 1984.

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The 2018 London Design Festival is now underway, having returned for its 16th year. Running from 15th to 23rd September, and spread across the city, the Festival features works such as Snøhetta’s rotating book pavilion and a series of installations at the V&A celebrating the venue’s 10th year as the Festival’s official hub.

Below, we have compiled a list of collaborations to look out for throughout the week, including investigations into issues such as climate change and plastic pollution, and artistic themes such as Cubism and classical music.

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Zaha Hadid Architects have released images of their latest project, a sculptural billboard named for its location in Kensington, London. The project, a collaboration between the late Zaha Hadid and partner Patrik Schumacher, marks the firm’s first direct foray into advertising.

Experimental design practice Studio INI's has designed a kinetic installation to represent this year's Greek Pavilion for the 2018 London Design Biennale. Entitled ΑΝΥΠΑΚΟΗ (Disobedience), the installation responds to the Biennale theme of Emotional States. Selected for the central courtyard exhibit, the design is comprised of a 17 meter-long wall constructed from a steel spring skeleton built up with recycled plastic which flexes, morphs and breathes around the human body.

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They say that bad publicity is good publicity. Nevertheless, late August is a time for baited breath among UK architects, as the readers of Building Design generate the shortlist for Britain’s "ugliest" building. Beauty is certainly in the eye of the beholder and judgment towards these unpopular designs shouldn't necessarily be generalized. However, this competition opens up important dialogues about architectural aesthetics and public reception of new projects.

Continuing the 12-year tradition of what has been called the RIBA Stirling Prize’s less fortunate sibling, the shortlist for the 2018 Carbuncle Cup showcases the six projects which British architecture followers love to hate. Previous winners of the prize include the Cutty Sark by Grimshaw in 2012, and Rafael Viñoly Architects' 20 Fenchurch Street in 2015.

The Barbican, London’s iconic Brutalist estate designed by Chamberlin, Powell and Bon Architects, has launched a range of jewelry and homeware designed by creative studio Tom Pigeon, paying tribute to the vibrant aesthetic which put the scheme on London’s architectural map.

As reported by Creative Boom, the Surface collection draws inspiration from the geography of the Barbican estate, communicating its color, pattern, and shape in a range including earrings, mugs, and greeting cards.

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Open House London 2018 has officially released the list of over 800 buildings open to the public this September. Now in its 27th edition, the weekend-long festival offers free guided tours and open doors to buildings and architecture across the city. This year, a range of exciting architecture will be featured, including the new US Embassy by KieranTimberlake, Maggie's Barts by Steven Holl Architects, and Bloomberg European Headquarters by Foster + Partners, the world's most sustainable office building. Find out our list of the top 10 must-see buildings to discover at this year's Open House.

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The 2018 Antepavilion has opened in London, the second in an annual series. Designed and built by Thomas Randall-Page and Benedetta Rogers, the 2018 edition titled “AirDraft” sees an inflatable theater sitting atop a 19th-century barge, creating a floating venue for music and performance in trendy East London.

The scheme was chosen from 132 entries to the competition run by Shiva Ltd and the Architecture Foundation, which asked participants to engage with “the heritage of the Regent’s Canal in innovative ways.”

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Members of the Royal Institute of British Architects (RIBA) have elected Alan Jones to be their next president, following a turbulent campaign marked by allegations of institutional racism, financial disparity, and fraud. Jones saw off competition from fellow candidates Elsie Owusu and Philip David Allsopp.

Jones, who is a Past President of the Royal Society of Ulster Architects, and the first RIBA president from Northern Ireland, will take over from current RIBA president Ben Derbyshire for a two-year term beginning on September 1st, 2019.

London-based JAA studio has released a new proposal to transform Grenfell Tower into a black concrete memorial to victims of the fire. Encasing the burnt-out shell, a solemn sarcophagus of 224 concrete panels would wrap the facade to anchor the tragedy in collective memory. Titled Grenfell Tower: in Memoriam, the concept does not claim to be an answer but an alternative way of thing about the site and its new-found sanctity after disaster. As JAA states, "the city needs its scars."