When designing and lighting a space, is the goal to fulfill a specific requirement or to be creative? Both perspectives hold merit; however, a unifying principle should always prevail: people must remain at the center of everything we do. Today, it is well understood that our environment significantly influences our well-being, affecting mood and performance, even in challenging contexts such as outer space. While this standpoint has encompassed anthropometric and biological aspects, new approaches are expanding design beyond the tangible. Lighting is now used to shape atmospheres that resonate deeply with our emotions.
https://www.archdaily.com/1022444/shaping-atmospheres-with-lighting-a-human-centered-approach-to-emotional-designEnrique Tovar
The Pantheon in Rome is a true architectural masterpiece and holds the title of the largest unreinforced concrete dome in the world. Among its most remarkable elements is the central oculus — an 8.2-meter-wide opening at the top of the dome that allows natural light to enter. This creates a dynamic play of light and shadow that shifts throughout the day, enhancing the grandeur of the structure. Beyond its practical function, the oculus establishes a symbolic connection between the earthly and the divine, reflecting the Pantheon's original purpose as a temple dedicated to all gods. In fact, toplighting, which introduces natural light from above through skylights, domes, or other upper openings, contrasts with traditional windows, which capture light horizontally. By capturing direct sunlight, toplighting provides soft, diffuse illumination, creating more welcoming environments with better energy efficiency and a positive impact on mood and productivity.
Barragán, Bofill, Graves, and Le Corbusier are architects renowned for their exceptional and sensitive use of color. In their approaches, color takes on an importance comparable almost to functionality, achieved through a nuanced and comprehensive perception of their context. But what is color? From a technical standpoint, it is a visual perception that arises from the interaction of light with our eyes and brain. However, when we explore its meaning on a more emotional and poetic level, it takes on a deeper significance. For Ricardo Bofill, color infuses life into architecture, while for Charles-Édouard Jeanneret, —better known as Le Corbusier—, it serves as a powerful tool to evoke emotions and create spatial illusions.
In 'Polychromie Architecturale' Le Corbusier argues that color is not only a decorative element but also a fundamental tool for creating environments and enhancing the functionality of architectural spaces. This idea, developed between 1931 and 1959, is articulated around a system composed of a range of colors, where each tone has its relevance and contributes to creating atmospheres that transcend mere architectural design. An example is JUNG's LS 1912 toggle switch range, which combines classic design with advanced control options and showcases the diverse hue variants of the 63 colors in Le Corbusier's color system.
https://www.archdaily.com/1021935/smart-and-retro-advanced-toggle-switches-harmonized-with-le-corbusiers-color-systemEnrique Tovar
Robert Wilson embodies the roles of director, set designer, scenographer, lighting designer, and architect in a single figure. Internationally celebrated as a pioneer of stage lighting and honored with numerous prestigious awards, including the Golden Lion of the Venice Biennale and the Praemium Imperiale, Wilson, now in his eighties, continues to travel the world, staging remarkable productions. His use of light and color is marked by precision and minimalism, creating scenes that skillfully oscillate between stillness and drama. During rehearsals at the Düsseldorf Schauspielhaus, he elaborates on the interplay between stage and architecture, his creative process, and the profound impact of light on darkness.
Walls have long been more than mere structural elements; they are canvases that narrate stories, reflecting desires for nature, spirituality, or the pursuit of tranquility and stimulation. With advancements in addressable LED pixels, walls have evolved into immersive digital surfaces capable of displaying any image in large format, adapting to the needs of the moment.
However, while universities continue to train architects and interior designers to create static buildings, the art of meaningful storytelling through digital screens—especially those with dynamics—remains largely unexplored in academic curricula.
Over the years, the nocturnal landscape of cities has witnessed a significant transformation, marked by the emergence of more than 80-night mayors globally, a trend that has been on the rise since the early 2000s. Andreina Seijas, currently working as an Associate at Gehl, has analyzed these shifting dynamics of night-time governance in her research and during her doctoral studies at Harvard GSD. Seijas speaks in the interview about this development, challenges, and opportunities with night mayors, global differences, and the role of climate change. Seijas' upbringing in Caracas, Venezuela, where safety concerns dictated strict curfews, ignited her passion for creating safer, more inclusive urban environments, particularly for the youth. Her quest for a better future for the urban night explores the potential for cities to become safer, more inclusive, and more productive by creating spaces for work and leisure after dark.
Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.
When we think of the word "tropic," the image that typically comes to mind is an exotic space, characterized by perpetual warmth and humidity, with frequent and heavy rainfall nurturing lush vegetation. Throughout history, this tropical climate has been romanticized as a paradise and criticized for potentially fostering weakness due to its perceived clemency.
Thankfully, those judgments and associations have been relegated to the past, paving the way for theoretical and practical projects that outline the advantages and disadvantages of living in a tropical climate. These projects acknowledge the various strategies to enhance human adaptability within these distinctive climatic conditions.
Flat and polished surfaces tend to evoke feelings of coldness and sterility, while raw, natural materials can create a sense of warmth and connection. Textures can trigger memories and emotions, connecting us to past experiences and the sense of touch. In the seminal book "The Eyes of the Skin", Juhani Pallasmaa emphasizes the importance of sensory perception in architecture and objects beyond sight, particularly the role of touch and texture in shaping our experience. According to Pallasmaa, contemporary culture, influenced by technology and visual media, has overemphasized the visual aspect of spaces, neglecting other senses, especially touch, which is vital for understanding and appreciating the surrounding environment.
One of the most essential aspects of interior design is lighting – an element that can make or break an interior space of any size or material. Yet good lighting can be especially important for smaller or more crowded spaces, making them feel larger and more open even when their literal dimensions haven’t changed. In turn, larger spaces with poor lighting may feel smaller and less welcoming than they have the potential to be. To make interiors feel aptly large and well lit, designers can rely on several tried and true methods that make the most of a space, from using the right shades and types of lights to placing them in the best locations to integrating other elements that best complement existing lighting. These strategies, as well as several examples of their application, are listed below.
https://www.archdaily.com/947631/how-to-virtually-enlarge-spaces-using-good-lightingLilly Cao
Well-planned lighting makes all the difference in an interior design project, impacting various aspects. It goes beyond mere aesthetics to play a crucial role in creating atmospheres capable of influencing and altering people's emotions and perceptions within spaces. While direct lighting can provide overall and uniform brightness, ensuring proper illumination for daily activities, indirect lighting offers a more subtle and effective approach, which creates cozy, gentle, and pleasant environments.
3D printing holds vast potential due to its ease of large-quantity manufacturing, its flexibility in terms of material exploration, and its ability to materialize all kinds of geometries. This year, architects and designers have looked at 3D printing technology to decarbonize construction materials, integrate contemporary aesthetics with traditional construction methods, and add a layer of craft and artistry to interiors and facades.
As we head towards the end of 2023, an eventful year that could be defined as the year of "shifts", we take a look at how global events and trends impacted the design of interior spaces. Looking back, people questioned everything, and the architectural practice was no exception. A new voice was given to nations often forgotten as architects searched for alternative ways of designing and building. We questioned colonialism, consumer culture, waste, tradition, and authenticity, bringing about new perspectives within the discipline. Interior design in 2023, however, was reserved; explorative, but a lot more modest and subtle compared to previous years. Following years of constant changes, it seems as though people felt the need to pause, slow down, and embrace simplicity, while expressing their individuality through acupuncture interventions.
“Two brains are better than one,” goes the old saying. And with good reason. As the social beings that we are, humans thrive through interpersonal interactions and the dynamic exchange of ideas. It is these collective thoughts that tend to flourish, evolve and reach their full potential, fueled by a diversity of perspectives and experiences. That is precisely why teamwork stands as one of the most valued pillars of any working environment, and also explains why office workers spend an average of 37% of their time every week sitting in meetings. It’s no surprise then that modern office settings embrace meeting rooms as designated spaces for collaborative ideation and decision-making. But not in the way many might imagine. Gone are the days of bland conference rooms with nothing but a large table, uncomfortable chairs and white walls, giving way to new, more innovative models that respond to a shifting paradigm.
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I Was Born Installation / HAJIME YOSHIDA ARCHITECTURE + YOSHIHIRO MIKAMI. Photo: Courtesy of HAJIME YOSHIDA ARCHITECTURE + YOSHIHIRO MIKAMI
A space is much more than just its appearance. Textures, smells, and sounds can strongly affect the user's experience. Based on this, sensory architecture can transform the interaction between people and the built environment into something even deeper.
Courtesy of Jen Lewin, Photo by Brendan Burkett / The Pool
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
In the realm of media architecture and its role in supporting struggles for social justice, the recent Media Architecture Biennale 2023 (MAB23) in Toronto, Canada, shed light on a captivating aspect: The rapid and vast propagation of solidarity lighting in response to Russia's invasion of Ukraine in 2022. The synchronized illuminations, infused with activism and global art projects, became a powerful emblem of worldwide support for Ukraine during its time of crisis. Two emphatic female political leaders in Europe initiated the lighting solidarity message. Surprisingly, the blue and yellow Ukrainian flag illumination on iconic buildings worldwide defined an image of solidarity even faster in the press than large crowds of people in anti-war protests the weekend after the war began.
