The Summer House in Højby by Jeppe Utzon & Camille Pincemin. Image Courtesy of VELUX
In architecture, it's often the finer details that make the grandest impact. Across the ages, architects have carefully oriented buildings to balance function and aesthetics, with light as their guiding principle. The pursuit of perfect lighting in buildings dates back to medieval times—and the search continues. It turns out that simply allowing light into a space isn't enough; it's the direction and quality of that light that truly elevates the environment.
This year, the VELUX Nordic Architecture Competition—aptly titled "Daylight from Above"—invited architects from Denmark, Sweden, and Norway to explore the nuances of natural light in residential design. The competition urged them to craft spaces where light plays a starring role, sculpting interiors that shift and change with the hours and seasons. The aim? To create homes where light doesn't just brighten a space but elevates the experience of living in it..
Robert Wilson embodies the roles of director, set designer, scenographer, lighting designer, and architect in a single figure. Internationally celebrated as a pioneer of stage lighting and honored with numerous prestigious awards, including the Golden Lion of the Venice Biennale and the Praemium Imperiale, Wilson, now in his eighties, continues to travel the world, staging remarkable productions. His use of light and color is marked by precision and minimalism, creating scenes that skillfully oscillate between stillness and drama. During rehearsals at the Düsseldorf Schauspielhaus, he elaborates on the interplay between stage and architecture, his creative process, and the profound impact of light on darkness.
As communities grow more multicultural and increasingly diverse, these spaces serve as physical manifestations of religious inclusion, encouraging the acceptance of religious and ethnic minorities within multicultural landscapes. Their proliferation reflects a growing need for inclusive environments that cater to diverse spiritual needs while promoting interfaith understanding. However, designing and implementing these spaces presents complex challenges, often sparking debates about representation, neutrality, and the very nature of sacred space. These discussions underscore the delicate balance architects must strike in creating spaces that are both universally welcoming and spiritually meaningful.
Walls have long been more than mere structural elements; they are canvases that narrate stories, reflecting desires for nature, spirituality, or the pursuit of tranquility and stimulation. With advancements in addressable LED pixels, walls have evolved into immersive digital surfaces capable of displaying any image in large format, adapting to the needs of the moment.
However, while universities continue to train architects and interior designers to create static buildings, the art of meaningful storytelling through digital screens—especially those with dynamics—remains largely unexplored in academic curricula.
Over the years, the nocturnal landscape of cities has witnessed a significant transformation, marked by the emergence of more than 80-night mayors globally, a trend that has been on the rise since the early 2000s. Andreina Seijas, currently working as an Associate at Gehl, has analyzed these shifting dynamics of night-time governance in her research and during her doctoral studies at Harvard GSD. Seijas speaks in the interview about this development, challenges, and opportunities with night mayors, global differences, and the role of climate change. Seijas' upbringing in Caracas, Venezuela, where safety concerns dictated strict curfews, ignited her passion for creating safer, more inclusive urban environments, particularly for the youth. Her quest for a better future for the urban night explores the potential for cities to become safer, more inclusive, and more productive by creating spaces for work and leisure after dark.
Although an architectural project comes to life with palpable materials, it is also defined by intangible qualities that give it richness, dynamism, and liveliness. Among them, the interplay of light and shadow can transform environments and affect their perception, determining the user's spatial experience. Besides providing natural ventilation, privacy, and thermal comfort, lattices allow this duality by filtering the entry of sunlight while projecting repetitive figures on the surface. In this way, perforated walls and ceilings can create multiple geometric patterns of light and shadow that become design elements capable of generating unique atmospheres.
Gallaudet University was established in 1864, becoming the first American educational institution for the deaf and hard of hearing. The university is officially bilingual, with American Sign Language (ASL) and written English used throughout the educational programs. Over the years, the university has grown, adapting both its teaching methods and its spaces to the needs of its students, in turn learning from them how to counter the challenges they face and create a safer and more comfortable environment. These lessons turned into design guidelines, created to educate the architectural community about the strategies they can employ to create more accessible spaces for all.
A recent study suggests that our home galaxy, the Milky Way, cannot be seen by one-third of humanity. Why? Millions of city lamps brighten our cities every night, but only part of their light is used to actually illuminate streets or sidewalks – the rest is lost and emitted above the horizon, brightening the night sky and contributing to what is known as light pollution. However, as the artificial glow from towns and cities increases every year, the consequences of this urban phenomenon go beyond just preventing us from seeing stars. Other harmful effects include: causing a hazardous glare that can reduce safety, excessive energy consumption, waste of money and resources, disruption of ecosystems’ natural day and night cycles, suppression of melatonin production and several negative repercussions on public health. In this sense, choosing the right lamps (with a well thought-out design) is crucial to reduce light pollution.
Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.
Safdie Architects has officially opened the new campus headquarters for Surbana Jurong, Singapore’s leading architecture, urban design, and infrastructure firm. The project expands Safdie Architects’ vision of 'for everyone a garden' into the workplace with a design that draws on the tranquility of the site’s previously undeveloped natural setting to foster shared moments of engagement and creativity. Achieving Green Mark (Super Low Energy) certification, the campus is the flagship development of the emerging Jurong Innovation District, envisioned as the first business park set in a tropical rainforest.
The development marks Safdie Architects' sixth project in Singapore and enhances the firm's prominent built portfolio in the city-state, which already includes Marina Bay Sands, Sky Habitat, and the Jewel at Changi Airport. On the occasion of the opening, ArchDaily spoke to Charu Kokate, Partner at Safdie Architects, who leads efforts in the Singapore region, about the firm's unique development footprint and building philosophy.
When delving into the envelope of construction and examining how the interior relates to the exterior, the concept of greenhouses emerges as an opportunity to cultivate life indoors, whether dependent on external factors or not. Defined as spaces enclosed by glass or other transparent plastic materials, greenhouses facilitate the growth of vegetables and ornamental plants even during periods of adverse external weather conditions. However, what does designing for plants involve?Climate, species, structural design, and the type of covering are just a few of the considerations to take into account.
As a highly transparent material that stands up to all but the most extreme of weather conditions, is easily formed into any size or shape, and, once formed, will last for thousands of years, glass is still one of the most innovative and crucial materials used in architecture. Although contemporary building practices allow us to form huge, glittering skyscrapers of glass that rise hundreds of meters into the air, the ancient material’s original purpose – to welcome light into weathertight and secure interiors – remains its most important more than a thousand years on.
As important as glass is to almost every typology of architecture in the form of windows, when it comes to the roof of a building, the use of glass is not so simple. We’ve understood the power and danger of combining light and glass ever since we saw a magnifying glass used to concentrate the heat of sunlight into incredibly high temperatures in children’s cartoons. Under a glass roof, the solar gain can make for uncomfortable internal environments without the correct protective precautions.
For most people, modern living requires spending most of the day in interior spaces - in fact, according to a report by the Environmental Protection Agency, the average person spends around 90% of their life indoors. As a result, this implies missing out on health benefits associated with sunlight exposure, such as vitamin D absorption, regulation of circadian rhythms, higher energy levels and even improved mood. Thus, one option is to increase the amount of time we spend outdoors. But because most daily functions are carried out inside buildings, it is crucial to incorporate and prioritize natural lighting in interiors.
Jonas Salk Institute for Biological Sciences (1959-65). Image Courtesy of Form Portfolios
In the history of modern architecture, Louis I. Kahn is regarded as the undisputed master of monumentality in the United States. At the height of his career, Kahn managed to create a unique type of architecture, often awe-inspiring, but avoiding overdone grandiosity, expressing its constructive system, yet avoiding structural exhibitionism, steeped in history but developed with a new language and system of forms. His interest in light as a functional element and the specific qualities of materials extended beyond his buildings, in all the objects he created to populate them following their intrinsic spirit. To celebrate this legacy, Form Portfolios has now launched “Monumental Modernism,” the first collection of lighting, objects, and furniture modeled after those discovered in Louis I. Kahn’s buildings.
Courtesy of Jen Lewin, Photo by Brendan Burkett / The Pool
In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While James Turrell, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of light art isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of Light Collective.
After founding the platform "Women in Lighting" their book "Women Light Artists," takes a bold step in introducing us to 40 creative women whose work radiates with responsive ingenuity and brilliance. The book offers a captivating spectrum of projects from interactive pools to the play of colorful daylight shadows dancing across a bridge in London, from the peaceful projection onto an iconic Berlin landmark to the vivid rainbow arching above Manhattan's skyline, each work embodies a unique dialogue between light and space. The luminous journey offers a valuable tribute to the power of female artists who, for far too long, have remained in the shadows.
In the world of interior design and architecture, lighting has evolved from a mere functional necessity into a powerful tool for creating pleasant environments, accentuating design elements, and setting the mood for occupants. Embedded lighting systems have been a game-changer in this regard, especially when combined with LED technology, offering countless possibilities to transform spaces. LED strips, in particular, have revolutionized lighting by providing energy efficiency, longevity, versatility, and customization that was previously challenging with traditional lamp-based lighting. They have fundamentally changed how we illuminate homes, offices, and businesses, ushering in a new era in lighting technology.
In the realm of architecture and interior design, lighting is a pivotal force in enhancing the overall atmosphere of a space. A harmonious interplay of light and design can elevate the ambiance and functionality of any architectural environment. Through meticulous attention to detail and innovative design principles, architects and designers can craft spaces that are not only visually stunning but also experientially enriching. By carefully considering these factors, creative architectural spaces can be brought to life, evoking emotions and transforming the way we perceive and interact with our surroundings.
In today's ever-evolving world, lighting has embraced a particular emphasis on new and streamlined proposals. Designed by Ramos & Bassols, the Spa collection by Vibia stands out for its adaptability, seamless design, and lighting performance. With its minimalist and refined form, the Spa LED lighting system offers compositional freedom, enabling designers to craft a wide range of atmospheres, from intimate corners dedicated to personal well-being to functional areas designed for general purposes.
https://www.archdaily.com/1003295/light-through-lines-seamless-design-for-creative-architectural-spacesEnrique Tovar
Igreja da Luz. Image by hetgallery, via Visualhunt.com
The use of light in religious constructions as an element of association with the divine has been present throughout the history of humanity. Historically, a series of temples from various religions have used this technique as an attempt to visually and perceptibly approach humans to a sacred and intangible dimension. Light is often given a spiritual connotation and significant symbolic force, capable of modifying people's relationships, perceptions, and experiences with their surroundings. Thus, it is an element that has been, and still is, used by architecture to create scenarios and effects in many religious spaces, especially churches.
