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Le Corbusier: The Latest Architecture and News

Eileen Gray Through the Lens: Film Sheds Light on the Architect and Her Vision of Modernism

A journey through the legacy of Eileen Gray and her most famous house in the French Riviera, "E.1027 – Eileen Gray and the House by the Sea," by directors Beatrice Minger and Christoph Schaub, invites viewers into the layered legacy of the pioneering Irish architect and her unique vision of modernism. Designed in the late 1920s, the villa not only embodies Gray's architectural genius but also bears the shadow of an uneasy narrative involving Le Corbusier and Jean Badovici. Through their docufiction, Minger and Schaub illuminate Gray's groundbreaking work and critique the prevailing narratives of male dominance in modernist history.

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La Grande Motte: A City of Modern Pyramids in the South of France

In the south of France, a 40-minute drive east of Montpellier, lies the otherworldly resort town of La Grande Motte. Named after a nearby sand dune, the city is characterized by futuristic, pyramid-shaped apartment blocks in various relief forms, adorned with diverse vegetation including pines, planes, olives, poplars, and cypresses. Artists Charly Broyez and Laurent Kronental describe this unique character as "a fairy-tale vision of a land emerging from the uncharted territories of our psyche, loaded with memories, images, sounds, colors, history." Through their meticulous images, they reveal the city's distinctive architecture.

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The Continued Relevance of Models in Architecture's Digital Era

For centuries, models have been central to architectural design, providing architects with a tangible way to explore ideas, test concepts, and communicate their vision. From the Renaissance to Modernism, models have been instrumental in the construction and reflection processes, offering insights into form, proportion, and spatial relationships. However, in today's digital age, where 3D models and Virtual Reality (VR) have become powerful and efficient tools, the question arises: Are physical models still relevant in contemporary architecture?

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Smart and Retro: Advanced Toggle Switches Harmonized with Le Corbusier's Color System

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Barragán, Bofill, Graves, and Le Corbusier are architects renowned for their exceptional and sensitive use of color. In their approaches, color takes on an importance comparable almost to functionality, achieved through a nuanced and comprehensive perception of their context. But what is color? From a technical standpoint, it is a visual perception that arises from the interaction of light with our eyes and brain. However, when we explore its meaning on a more emotional and poetic level, it takes on a deeper significance. For Ricardo Bofill, color infuses life into architecture, while for Charles-Édouard Jeanneret, —better known as Le Corbusier—, it serves as a powerful tool to evoke emotions and create spatial illusions.

In 'Polychromie Architecturale' Le Corbusier argues that color is not only a decorative element but also a fundamental tool for creating environments and enhancing the functionality of architectural spaces. This idea, developed between 1931 and 1959, is articulated around a system composed of a range of colors, where each tone has its relevance and contributes to creating atmospheres that transcend mere architectural design. An example is JUNG's LS 1912 toggle switch range, which combines classic design with advanced control options and showcases the diverse hue variants of the 63 colors in Le Corbusier's color system.

A Skyward Shift: Exploring the Social Impact of Elevated Public Spaces in Cities

With escalating land values in urban centers, there has been a growing trend to float public spaces from ground level to elevated locations, such as rooftops or podiums between buildings. From a development perspective, maximizing floor area has become crucial as urban environments expand. Ground-level spaces are highly sought after for retail use due to their strategic location, which attracts foot traffic and potential customers and drives city development and economics.

This financial consideration, which often guides building activities and directions in urban centers, contradicts design principles advocated during the modernist era for the benefits of better outdoor space for the public, such as the concept of 'Freeing the Ground'. Architects like Le Corbusier championed this concept through projects like Villa Savoye and Unite d' Habitation. These modernist designs envisioned a future where buildings were elevated to restore open, accessible outdoor ground-level spaces for its users. However, for the reasons above, many contemporary projects instead seek to replicate the function of public grounds within the building's structure.

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Contemporary Architecture and the Modern City

This article was originally published on Common Edge.

"O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?"

Tom Wolfe wrote this in his 1981 book From Bauhaus to Our House. The conflict between modern and traditional design has barely abated since, as is evident in this recent article. In the U.S., modern buildings are often met with community aversion, for familiar reasons: their perceived coldness and lack of contextual sensitivity, the impact on local character, and the loss of historical continuity. But on another level, the critique against modern design finds even more purchase on the larger scale: the city. Modern U.S. cities reek of traffic congestion and pollution, social inequality and gentrification, a loss of community and cultural spaces, and a lack of usable open space.

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Victoria and Albert Museum Investigates Tropical Modernism Movements in West Africa, Modern India, and Ghana

The Victoria & Albert Museum is set to present an expansive exhibition focused on Tropical Modernism, an architectural movement that emerged in the late 1940s. British architects Jane Drew and Maxwell Fry were instrumental in developing this approach, combining modernism’s functional goals with local climate adaptations in warm and humid weather. This movement, which embodies Britain's unique contribution to international modernism, evolved against a backdrop of anti-colonial resistance, blending colonial architectural principles with local needs.

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