The 7th edition of the International Architecture and Design Festival Concéntrico proposed new readings of public space through a series of temporary installations that re-imagined various places throughout the Spanish city of Logroño. Emerging architecture practices and artists from around the world shared their perspectives on the public realm and the spaces of social interaction by exploring various themes and experimenting with new ways of understanding urban spaces.
The International Architecture and Design Festival Concéntrico, now at its 7th edition, prompts an exploration of the urban environment through temporary installations inhabiting the public spaces of the city of Logroño, Spain. From September 2nd to 5th, the festival brings together an array of emerging architects and artists from all over the world to share their perspectives on urban spaces and communities.
As we have seen throughout the history of architecture, ephemeral installations and pavilions are important tools for talking about specific moments in architecture in an almost immediate way. While it is true some pavilions have been so relevant that they broke with their ephemeral quality to become permanent, such as the German Pavilion in Barcelona, designed by Ludwig Mies van der Rohe and Lilly Reich, most are documented in photographs, plans and experiences to be rewritten in future projects.
On November 22, 1988, one of the most important and revered figures in the history of Mexican and international architecture died in Mexico City. Luis Barragán Morfín, born in Guadalajara and trained as a civil engineer left behind an extensive legacy of published works, conferences, buildings, houses, and gardens that remain relevant to this day. While Barragán was known for his far-reaching research in customs and traditions, above all, the architect spent his life in contemplation. His sensitivity to the world and continued effort to rewrite the mundane has made him a lasting figure in Mexico, and the world.
Undoubtedly, Luis Barragán's legacy represents something so complex and timeless that it continues to inspire and surprise architects across generations. It is because of this that, 30 years after his death, we've compiled this series of testimonies from some of Mexico's most prominent contemporary architects, allowing them to reflect on their favorites of Barragan's works and share just how his work has impacted and inspired theirs.
'Central Community Pavilion' was a response to an invitation to design a variety of temporary pavilions by different creators as a part of Arch Days CDMX and Design Week 2018. For the occasion, three up-and-coming architectural firms have joined forces to design and construct a single pavilion with a common theme. The design process between TO Arquitectura, LANZA Atelier, and Alberto Odériz reinforced the idea of a generation plagued with a certain collective curiosity and concern.
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as "lesser-than."
The Architectural League of New York has announced the winners of the 2017 Architectural League Prize for Young Architects + Designers. Established in 1981, the prize has grown to become one of North America’s most prestigious awards recognizing young architects (ten or fewer years removed from a bachelor’s or master’s degree program) for their talent and forward-thinking ideas.
