The Villa Cavrois stands as a powerful testament to early modernist architecture and the vision of architect Robert Mallet-Stevens. Built between 1929 and 1932 in Croix, France, this landmark residence was commissioned by Paul Cavrois, a prominent textile industrialist, to embody modern values and house his growing family. Mallet-Stevens' design merges Modernist ideals with a luxurious, functional aesthetic that breaks sharply from traditional styles, creating a space defined by clean lines, balanced proportions, and innovative materials.
More than just a family home, Villa Cavrois was designed as an architectural manifesto, presenting bold new ideas in residential design that would inspire generations. Its meticulously crafted layout, advanced technological features, and harmonious connection to the surrounding landscape positioned it as a symbol of modern living.
The "Garden Futures" exhibition, currently showing at the Nieuwe Instituut in Rotterdam until April 13, 2025, explores the multifaceted history and future of the modern garden. Curated by Maria Heinrich and spatially designed by Frank Bruggeman, the exhibition presents the garden not only as a personal refuge, but also as a site reflecting broader political and commercial forces. The show's structure, divided into four thematic chapters, allows for a comprehensive exploration of the garden's evolution and its potential for future development.
The world has lost 60 percent of animal populations since 1970. This staggering decline reflects the growing pressures on ecosystems, from habitat destruction to climate change. And 1 million species now face threats of extinction. As these problems continue to escalate, the importance of preserving biodiversity and restoring ecosystems becomes clearer.
Ancient Indian civilizations once thrived along the banks of the country's many rivers, solidifying a connection between water and culture that endures to the present. Rivers have been integral to India's diverse communities, serving as essential resources for daily life and spiritual practice. Historically, these water bodies experienced an entrenched sense of custodianship; being cared for collectively by the communities that depended on them. Today, responsibility for the rivers shifts between the hands of multiple stakeholders, calling for a joint endeavor that acknowledges their cultural significance.
Women have played a pivotal role in the evolution of landscape architecture, overcoming the constraints of a male-dominated profession to introduce groundbreaking ideas and fresh perspectives. From early pioneers to contemporary leaders, their work has reshaped how we interact with public and private spaces, intertwining aesthetics, functionality, and sustainability in innovative ways.
In the late 19th and early 20th centuries, female landscape architects carved out their place in the profession, emphasizing harmony between built structures and natural landscapes. Their projects showcased a deep commitment to community and ecological balance, setting the stage for an inclusive and thoughtful approach to design that continues to inspire the field today.
It's that time of year again: students and their families are busy preparing for the start of school, while some of us are gearing up to step in front of the classroom. While preparing to teach an intro course on climate, I'm reminded of why we use the term climate change and not global warming.
Yes, the Earth is warming from a thickening layer of greenhouse gases in the atmosphere caused by us. But climate changes range from sea level rise to increasing storms, floods, fires, and drought, which are all negatively impacting biodiversity as well. So, not just warming. Recent storms that battered the eastern U.S. coast and Bermuda remind us of this difference. While some communities face extreme heat, others brace for storms and rising waters, and many face multiple impacts.
From the 1930s to the 1990s, Burle Marx's work anticipated many of today's concerns about sustainability and urban well-being. Long before terms like "sustainable design" or "green infrastructure" became commonplace, Burle Marx was already advocating for the use of native plants, recognizing their role in creating self-sustaining ecosystems that required minimal intervention. His projects often transformed neglected urban areas into vibrant, ecologically balanced spaces that not only improved the environment but also enhanced the quality of life for city dwellers.
Landscape architecture has traditionally been associated with lush greenery, rooted in the historical development of gardens and parks as spaces that bring nature into urban areas. This connection to greenery is deeply ingrained in the origins of the field, where the creation of verdant retreats was seen as both aesthetically pleasing and beneficial to human well-being. However, in regions like the Middle East, where water scarcity and harsh climates are more prevalent, there is a growing trend toward using local materials such as sand, stone, minerals, and indigenous plants. This shift reflects a more sustainable approach, reimagining landscape architecture to align with the environmental and cultural contexts of the region.
The Suzhou Museum of Contemporary Art, spanning 60,000 square meters, is envisioned as a village of 12 pavilions, presenting a contemporary take on the city's historic urbanism, architecture, and landscape. Designed by Bjarke Ingels Group - BIG, ARTS Group, and Front Inc., the project is part of Suzhou's development around Jinji Lake. It reimagines the classical garden 'lang,' or corridor, framing gardens with outdoor art installations. The pavilions' layout draws inspiration from Suzhou’s garden heritage, guiding visitors through an artistic, natural, and aquatic journey. The museum, which recently celebrated its topping out, is scheduled for completion in 2025.
The Arabian Peninsula represents one of the world’s leading exporters and users of fossil fuels, an economic reality that influences the area’s visions for the future and, implicitly, architecture and urban planning’s role in these scenarios. A number of emerging offices are however countering these narratives, turning to contextual research to reframe the area’s production of architecture. Among these, cultural practice Civil Architecture has become recognized for its provocative works that explore alternative narratives for the identity of the Middle East. While in Bahrain, ArchDaily's Christele Harrouk had the chance to sit down with Ali Karimi, who, together with Hamed Bukhamseen, co-founded Civil Architecture. In the video interview, they discuss the practice of architecture in the Gulf region and the narrative and research-focused approach of the office.
The Centre de Cultura Contemporània de Barcelona (CCCB) has announced the finalists for the European Prize for Urban Public Space 2024. Selected from a total of 297 projects corresponding to 35 European countries, the 2024 edition nominates 5 finalists in the General category, promoting quality public spaces throughout the European territory, and 5 in the Seafronts category, addressing coastal cities' climate vulnerabilities. The European Prize for Urban Public Space is an honorary biennial competition aiming to highlight best practices and innovations in the creation, transformation, and recovery of public spaces in European cities.
As the first edition to include a dedicated category for Seafronts, this year’s awards recognize the importance and particular challenges faced by coastal cities. This is aligned with the Cultural Regatta, a schedule of activities running parallel to the America's Cup sailing competition in Barcelona. For this edition, the International Jury was presided over by the urbanist architect, landscape, and industrial designer Beth Galí, and made up of Sonia Curnier, Fabrizio Gallanti, Žaklina Gligorijević, Beate Hølmebakk, Manon Mollard, Francesco Musco, and Lluís Ortega. The winners of the 12th European Prize for Urban Public Space will be announced during a ceremony at CCCB on October 29, 2024.
Taller Frida Escobedo has unveiled a new residential project to take shape in Brooklyn, New York. The 209,000-square-foot project titled after its location, Boerum Hill – Bergen, aims to become a contextual addition to the neighborhood, adapting its materiality and scale to the surrounding context. The developers, Avdoo & Partners, also enlisted Workstead for interior design, DXA for master planning, and DXA and Patrick Cullina for landscape design. The project is scheduled for completion in 2025.
The satellite practice of Stefano Boeri Architetti in China has won the tender for the Culture CBD Modern Technology Experience Centre in Xi'an, the capital of the Chinese province of Shaanxi. The new technology-focused museum is set to become a hub for scientific and cultural exchange. The winning project takes inspiration from the area's natural landscape, characterized by a tortuous system of rivers and mountains, as well as the culture of the ancient city of Xi’an.
In collaboration with MassLab, OODA has been awarded first place in the Barrosinha Agricultural Company competition, aimed at creating a 2,000-hectare development seamlessly integrated into the agro-forestry heritage of Alcácer do Sal, Portugal. The master plan, covering a variety of functions for tourism, housing, commerce, and leisure, is designed in harmony with the United Nations Sustainable Development Goals, striving to transform Herdade da Barrosinha into a model of sustainable renewal.
Rendering of Dia Beacon’s south landscape. Image Courtesy of Studio Zewde, 2024
Dia Art Foundation announced a major landscape project to reimagine the land at Dia Beacon, New York. Commissioned landscape architect Sara Zewde of Studio Zewde aims to go beyond the simple arrangement of attractive plants and integrate ideas of ecology, culture, and people into the design. Taking over the museum’s 32-acre campus, the project will create an expanded outdoor park, free to access for visitors and locals alike, complete with native meadows, sculptural landforms, and winding pathways. The project, which has been recently extended to also include the museum’s eight back acres, is expected to open to the public in 2025.
Contemporary cities and urban settlements manifest as intricate structures that demand deep reflection and a careful approach. The social models and spatial layouts within them are in constant evolution, transforming over time. In this context, a crucial question arises: What is the predominant model for cities today? Many contemporary cities result from a paradigm that reached its apogee in the 19th century, characterized by intensive densification and urbanization in response to needs that weren't always reflective of its inhabitants.
In some cases, due to the transformations experienced by large cities, certain urban sectors have fallen into disuse, becoming residual spaces or moving away from purposes oriented to community development. Recognizing that people are the driving force behind the dynamics of cities and human settlements, it is imperative to reclaim these spaces. To this end, theoretical approaches such as the one proposed by Henri Lefebvre's right to the city and the 15-minute city are presented as alternatives. In these cases, people regain the focus, becoming key elements in the design, and allowing for the re-establishment of a community-person-space bond.
https://www.archdaily.com/1012450/reactivating-residual-public-spaces-with-community-led-designEnrique Tovar
For the Fall/Winter Prada 2024 menswear show, AMO has designed a space that draws inspiration from two contrasting elements of modern life: office interiors and the natural landscape. Transforming yet again the space of the Deposito Hall at Foundation Prada in Milano, the designers have chosen to create a contrasting image of seemingly opposite elements: rows of office chairs illuminated by the white glow of LED lights, standing over a pastoral landscape with meandering creaks and ample foliage. The design aims to highlight this separation between natural instincts and the typical environment of modern life.
As this bloody year draws to a close, at a moment when the message “Peace on Earth” seems altogether mute, one might well ask: What power does architecture have? How can it address violence against innocent people, whose lives have been turned upside down? How does architecture respond to staggering cruelty? What can it say? Can it raise consciousness?
https://www.archdaily.com/1011673/in-warsaw-a-student-designed-architectural-response-to-dark-timesMichael J. Crosbie
