To convey the might and prestige of their empire, the Romans constructed enduring architecture as symbols of their long-lasting reign. Emperors employed grand public works as assertions of their status and reputation. Conversely, Japanese architecture has long embraced ideas of change and renewal, evident in the ritualistic rebuilding of Shinto shrines. A practice, known as shikinen sengu, is observed at Ise Jingu, where the shrine is purposefully dismantled and reconstructed every twenty years. Across the world, philosophies around permanence and impermanence pervaded architectural traditions. Amidst the climate crisis, how do these tenets apply to modern architectural design?
The rights to reconstructKisho Kurokawa's iconic Nakagin Capsule Tower are currently sold on one of the largest NFT sites. While the tower’s demolition has begun earlier this year, the auction sells the right to rebuild the structure, in both the metaverse and in real space. The idea of recreating the Metabolic building in a virtual space seems natural. It could allow a larger community to explore an iconic piece of architecture and encourage them to experiment with it, an initiative in line with Metabolist ideals. On the other hand, the idea of reconstructing a demolished historical building in the physical world raises a different set of conflicting emotions. Architectural replicas are not the norm, but their existence raises questions regarding the identity and authenticity of works of architecture.
Image created using AI under the prompt: A sober and captivating visual representation of an urban environment that flawlessly captures the essence of anime and architecture. Image via DALL·E 2
World War II left a profound influence on the evolution of society, introducing significant changes in the fields of urban planning and architecture. During the 1930s, the Congrès Internationaux d'Architecture Moderne (CIAM) promoted modernism on an international scale. After the war, this architectural movement became firmly established as the dominant one, driven by the imperative of reconstruction and technological advancements. Influential figures like Le Corbusier and Alvar Aalto spearheaded this movement.
In 1959, the same year as the final CIAM meeting, Japanese architects like Kenzō Tange, Kishō Kurokawa —the designer of the Nakagin Capsule Tower—, and Kiyonori Kikutake began to explore new approaches to urban design and architecture, known as the Metabolist movement. This exploration was particularly significant in the context of Tokyo's rapid repopulation after the war and the scarcity of resources for reconstruction. Innovative concepts such as Marine City, The City in the Air, and the 1960 plan for Tokyo emerged, which proposed the city as a constantly evolving organism and emphasized the relationship between humans and their built environment. These ideas shaped the concept of "megacities" and reflected Japan's creative response to its challenging postwar situation.
https://www.archdaily.com/1007021/textures-skyscrapers-and-urban-landscapes-when-anime-meets-architectureEnrique Tovar
When Kisho Kurokawa designed his now iconic Nakagin Capsule Tower in 1972, the structure was meant to represent the core principles of Metabolism, experimenting with ideas of growth and change borrowed from biological processes. The emerging style in postwar Japan aimed to create buildings and megastructures that emulate living organisms that can evolve, expand, contract, and adapt to their changing conditions. Following this concept, the Nakagin tower was composed of 140 identical cell-like capsule units, each individually bolted to the two central shafts. The capsules were intended to be replaced and upgraded every 25 years, allowing for flexibility and mutation. The innovation proved to be impractical, however. Almost 50 years after its construction, the tower was demolished, but not in its entirety. A total of 23 capsules were saved and removed from the building to be given a new life. Now, the capsules are scattered around the world, continuing to represent Metabolist ideals in unexpected ways.
Japanese digital consultancy Gluon plans to preserve the Nakagin Capsule Tower Building in Tokyo, one of the most representative examples of Japanese Metabolism by Kisho Kurokawa. The “3D Digital Archive Project” is using a combination of measurement techniques to record the iconic building in three dimensions and recreate it in the metaverse. The tower is currently being demolished due to the structure's precarious state and incompatibility with current seismic standards, as well as the general state of decay and lack of maintenance.
‘’In the background there is still invisible Japanese tradition’’, expresses Kisho Kurokawa, in an excerpt from the film ‘Kochuu’. He puts an emphasis on Japanese tradition, an architectural tradition that rejects symmetry despite the utilization of high-tech. He contemplates the Nakagin capsule tower (1972) a mixed-use residential and office tower located in Tokyo, Japan. The first of capsule architecture built for practical and permanent use.
Jesper Wachtmeister’s‘Kochuu’ is based upon the influence and origins of Modernist Japanese architecture. Through visions of the future, tradition and nature, it amplifies elements of Japanese tradition and its impact on Nordic design. The narrative tells us of how contemporary Japanese architects strive to unite the ways of modern man with old philosophies to create anew.
Following months of uncertainties and preservation attempts, Kisho Kurokawa's iconic Nakagin Capsule Tower will be demolished on April 12th of this year. Tatsuyuki Maeda, one of the current owners of the tower, explained that a team will try to preserve some of the capsules, and regenerate them as accommodation units and museum installations across the world.
Serpentine Gallery Pavilion. Image Courtesy of Toyo Ito & Associates, Architects
Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.
After ongoing uncertainties about the future state of the The Nakagin Capsule Tower Building, Kisho Kurokawa Architects and Urban Design Office Chiyoda-ku, have decided to dismantle the iconic architecture and regenerate its capsules as accommodation units and museum installations across the world. The regeneration plan follows the initial concept of "Metabolism", re-configurating the elements instead of complete demolition.
One of the most iconic examples of Metabolist architecture, Kisho Kurokawa'sNakagin Capsule Tower, might be headed for demolition, as the building was sold by the management association to the landowner earlier this year, as reported by Japan Forward. The tower's demise has been intensely speculated in recent years due to the structure's precarious state and incompatibility with current seismic standards.
Hotel Podgorica, architect Svetlana Kana Radevic, unknown photographer, archive of Pobjeda. Image Courtesy of APSS Institute
Part of the Collateral Events of the 17th International Architecture Exhibition, the extensive built work of Yugoslav architect Svetlana Kana Radević (1937-2000) is brought to light from May 22 until November 21 at the Palazzo Palumbo Fossati. Entitled “Skirting the Center: Svetlana Kana Radević on the Periphery of Postwar Architecture”, the exhibition curated by Dijana Vucinic and Anna Kats, aims to highlight the architect’s work and expand her representation.
Kisho Kurokawa (April 8th 1934 – October 12th 2007) was one of Japan's leading architects of the 20th century, perhaps most well-known as one of the founders of the Metabolist movement of the 1960s. Throughout the course of his career, Kurokawa advocated a philosophical approach to understanding architecture that was manifest in his completed projects throughout his life.
This week, with the help of our readers, our Architecture City Guide is headed to Amsterdam. With its numerous canals, Renaissance architecture, and bike friendly culture, it is hard not to fall in love with Amsterdam. Also, if you love modern or contemporary architecture one could hardly argue against making this city the first stop on a tour of Europe. Our list of 24 buildings hardly does justice to this amazing city, but it will certainly give those less familiar with the city a starting point. We will be adding to our list in the near future, as we didn’t come close to incorporating all our readers’ suggestions. In the meantime add more of your favorites to the comment section below.
Nacasa___Partners.jpg?1629103408 "Tod's Omotesando Building_interior. Image © Nacasa & Partners")
Kai_Nakamura.jpg?1629103497 "'Minna no Mori' Gifu Media Cosmos. Image © Kai Nakamura")
