Jiakun Architects: The Latest Architecture and News

I first went to China in 2002, a year after the International Olympic Committee awarded the 2008 Summer Games to Beijing. That initial trip was about exploring nature, cuisine, ancient temples, archeological sites, and, in general, experiencing lifestyles in China, mainly outside of its major cities. I was motivated by the pure curiosity of a Western tourist driven to an Eastern country in search of the old world, the exotic, hoping to catch a glimpse of a rich traditional culture on the cusp of its inevitable radical transformation. At the time, there was no modern, or rather contemporary, architecture in China to speak of. There were only the promising first hints of the development of a potentially new architectural language being undertaken by just a handful of independent architects almost entirely under the radar.

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The standards for classifying good or terrible architecture are usefulness and beauty, or what we commonly refer to as practicality and aesthetics. However, practicality might quickly direct us toward functionalism, which is the only viable option, or toward the design of sculptural structures. The architect Le Corbusier once stated, "If you create a house with stone, wood, and concrete, that's just a building; if you touch my heart, that's architecture." However, perhaps the readability of architecture might serve as a criterion for good architecture: Reading architecture as a book with complete words and sentences that stand up to careful consideration.

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Jiakun Liu was born in 1956 in Chengdu, China. Architecture was not his first choice to pursue at school, as he originally wanted to be an artist. He heard that architecture had something to do with drawing, so he applied to Chongqing Institute of Architecture and Engineering, not fully understanding what his role as an architect would be. After his graduation in 1982, Liu worked at the Chengdu Architectural Design Academy for two years, the experience he did not enjoy. So, he set out on a self-searching journey that lasted for over a decade, spending time in Tibet and Xinjiang in West China where he practiced meditation, painting, and writing, producing several works of fiction, while officially working at the Literature Academy as a writer. 

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A new Serpentine Pavilion has opened in Beijing, China, marking the first time the prestigious program has been implemented away from its usual home at the Serpentine Gallery in Hyde Park, London. Designed by JIAKUN Architects, the pavilion was commissioned by The Serpentine Galleries working in partnership with WF CENTRAL, and is located just 600 meters away from Beijing's Forbidden City.

The Serpentine Galleries has announced the expansion of their popular summer pavilion program, collaborating with Beijing’s WF Central to commission the inaugural Serpentine Pavilion Beijing. The first Serpentine Pavilion to be built outside of the Galleries’ Kensington Gardens home in London, the Beijing Pavilion will be located just 600 meters away from the historic Forbidden City in the Dongcheng District, where it will host a program of cultural activities and events.

The inaugural pavilion has been designed by emerging Chinese studio JIAKUN Architects, led by architect Liu Jiakun. Drawing both from the historical and social of Beijing and from the storied 17-year history of the Serpentine Pavilion commission, the design features an arched form that balances forces of tensions and compression.

The world’s first international Bicycle Architecture Biënnale - a showcase of outstanding built environment solutions around cycling - will take place this month in Amsterdam.

The event - organized by leading cycling innovation agency CycleSpace - takes place on Wednesday 14 June and will celebrate the cutting edge and high profile building designs that are facilitating bicycle travel, storage and safety around the world.