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Japanese Pavilion: The Latest Architecture and News

Japan Pavilion at Expo 2025 Osaka, Designed by Nikken Sekkei, Showcases the Cycles of Life

The Japan Pavilion at Expo 2025 in Osaka, designed by Nikken Sekkei Ltd, centers on the theme "Between Lives," emphasizing cycles of transformation that shape life across plants, animals, and societies. It illustrates how, as entities approach the end of their roles, they transition into new forms, passing on elements of their existence. The Pavilion reflects this continuous cycle, demonstrating how the world operates through countless interconnected loops.

5 National Pavilions at the 2021 Venice Biennale that Explore Sustainability and Climate Change

The 17th Venice Architecture Biennale is currently unfolding, revealing a wide range of answers to the question "How will we live together". With 60 national pavilions, numerous contributions of invited architects from all around the world and several collateral events, this year's edition restates the Biennale's role as a platform for inquiry, exploration, and disruptive thinking in architecture. Curator Hashim Sarkis' original statement called upon architects "to imagine spaces in which we can generously live together." Recent circumstances have made the question even more relevant, prompting a holistic re-evaluation of how the world as a collective can face changes and challenges of an unprecedented scale from the disrupting role of technology, to inequality, mass migration and climate change. The following national contributions reflect on "how will we live together" amidst climate change, exploring ideas for a more sustainable future.

The Japanese Pavilion at the 2021 Venice Biennale Addresses Mass Consumption and Reusability

For this year's edition of the Venice Biennale, the Japan Pavilion invites visitors to reflect on the movement of goods fuelling mass consumption and rethink sustainability and reuse in architecture. Titled Co-ownership of Action: Trajectories of Elements, the project curated by Kadowaki Kozo involves dismantling an old wooden Japanese house and transporting it to Venice to be reconstructed in a new configuration with the addition of modern materials. The exhibition exemplifies how old materials could be given an entirely new existence by putting the current movement of goods in the service of reuse rather than consumption.