Iwamoto Scott: The Latest Architecture and News

San Francisco-based IwamotoScott Architecture has just shared their latest project with us – a renavoted 1940s warehouse that holds media company Obscura Digital as well as the architects’ new office space. Upgrading from an unorganized and dimly lit timber warehouse, Obscura looked to Lisa Iwamoto and Craig Scott to outfit the 36,000 sqf building in Dogpatch to suite their needs, while extending the invitation for the firm to set up its practice in the building, as well. “It wasn’t a formalized agreement but a pretty casual thing,” Iwamoto told Lydia Lee for Metropolis. “Obscura by nature is collaborative. The hope is that by sharing space, we’ll have the advantage of seeing their process and what can be done with digital media, and they’ll get an idea of the architectural possibilities.”

In addition to this great refurbishment, we are fascinated by the architects’ dividing wall entitled BookCaseScreenWall, an amazing hybrid of surface projection technologies with a “traditional” bookcase which sits between their office space and Obscura Digital’s.

Be sure to view our comprehensive photo set of construction photos, finished work, and of course, the BookCaseScreenWall after the break.

San Francisco based IwamotoScott sent us their latest tower development produced for the Greenwich South design study led by Architecture Research Office, Beyer Blinder Belle and Architects & Planners and OPEN. Contributing architects, artists and designers included Coen + Partners, DeWitt Godfrey, IwamotoScott Architecture, Jorge Colmbo, Lewis.Tsuramaki.Lewis Architects, Morphosis, Rafael Lozano-Hemmer, Transolar Climate Engineering and WORKac.

As promised, more projects for the Guggenheim’s Contemplating the Void.

This time we feature Iwamoto Scott‘s proposal.

LIGHTCONE uses fiber-optic lines to turn the void into a light channel with different purposes:

“Architecture continually informs and is informed by its modes of representation and construction, perhaps never more so than now, when digital media and emerging technologies are rapidly expanding what we conceive to be formally, spatially, and materially possible”

- Lisa Iwamoto

During 2009 I had the chance to visit Iwamoto Scott in San Francisco, a practice lead by Lisa Iwamoto and Craig Scott. At their office I could see first hand the study models for some of the projects the firm has been involved, such as a mockup for their P.S.1 proposal, Coral Reef, or the lightweight wooden pieces that structure the massive Voussoir Cloud installation at SCI Arc. These small pieces had a lot to tell, not only about the specific project they were part of, but also their iterations.

The firm has a recognized expertise in digital fabrication, presented by Lisa Iwamoto at the AIA Convention 2009 during the Emerging Voices forum, and also on her book “Digital Fabrication” edited by Princeton Architectural Press under their Architecture Brief series.

The book presents in a clear way (with very good examples) the methods behind digital fabrication: sectioning, tessellating, folding, contouring, and forming. For most of us these words are pretty much obvious and we often use them as design principles of our projects. But to get the full scope of what they really mean, or for those that want to start understanding -and using- them, this is a recommended reading.

This villa is located in plot ORDOS project.

Architects: Iwamoto Scott Architecture Location: Ordos, Inner Mongolia, China Principals in Charge: Lisa Iwamoto & Craig Scott Project team: Blake Altshuler, Keith Plymale, Magda Melo, Sean Canty, Ryan Golenberg, Christina Kaneva Projects Assistants: Jason Chang, Manuel Diaz, Ashley Li, Alan Lu, Doron Serban, Wei Huang, John Kim Design year: 2008 Construction year: 2009-2010 Curator: Ai Weiwei, Beijing, China Client: Jiang Yuan Water Engineering Ltd, Inner Mongolia, China Constructed Area: 1,000 sqm aprox