On the 3rd of February, this year's Lagos Biennial opened at the Tafawa Balewa Square, Lagos, an emblematic venue that was once the site of Nigerian independence celebrations in 1960. As the 4th edition of the art fair, it continues with its objective of using art to activate historic landmarks that have lost significance either through functional use or symbolic meaning to the residents of the former capital city.
The previous editions of the Biennial have explored various aspects of the city's architecture, its symbolic significance, political implications, sovereignty, ownership, notions of belonging, and its relationship with the public. This year, the theme of "Refuge" at the Tafawa Balewa Square takes this exploration even further. Curators Kathryn Weir and Folakunle Oshun highlight that this theme prompts the square to address the concept of a nation-state. It also brings together artists and architects from different disciplines to explore alternative approaches to constructing renewable communities and promoting climate justice.
Zaha Hadid Architects have released images of their design for the world’s first hydrogen refueling infrastructure for recreational boating. Continuing ZHA’s experience in maritime designs, the stations are to be installed in 25 Italian marinas and ports. Launched by NatPower H, the stations will begin to be implemented in the summer of 2024, with plans to expand to over 100 locations throughout the Mediterranean Sea in the next six years.
"If the cement industry were a country, it would be the third-largest emitter of carbon dioxide in the world, with about 2.8 billion tons, surpassed only by China and the United States." This statement in Lucy Rodgers' BBC report on the ecological footprint of concrete stands out as quite shocking. With more than 4 billion tonnes produced each year, cement accounts for around 8 percent of global CO2 emissions and is a key element in the production of concrete, the most manufactured product in the world. To give you an idea, about half a ton of concrete is produced per person in the world every year, enough to build 11,000 Empire State buildings. With these huge numbers, is there any way to reduce this impact?
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by Architect Jai Kumaran, founding partner of West of West to discuss his background; the influence his father’s work had on his career; attending architecture school; why he pursued a master’s degree; starting and growing an office; exploring project types; branding in architecture; and more!
The sun’s influence on human life encompasses multiple dimensions, from biological and developmental aspects to religious-mythological connotations in civilizations such as the Egyptians and Romans. Moreover, this influence extends to its use as a natural resource within the realm of science. In scientific pursuits, the continuous search to harness the sun as an energy source has been a constant throughout the years. Within this context, the discovery of the photovoltaic effect and its application have paved the way in the history of solar panels, starting from the first observations of Becquerel to the initial prototypes of Charles Fritts in the 19th century.
Nowadays, the energy obtained from the sun through devices such as solar panels has become one of the most widely used sources in regions like North America and Europe, contributing to the efforts for a complete transition to clean energy. The momentum in this transition has motivated the development of new technologies, such as SolarLab facade systems, that challenge the preconceived idea of what a solar panel looks like and where it can be installed. These systems converge with architecture to integrate them as aesthetic elements, serving as cladding for both retrofit projects and new buildings.
https://www.archdaily.com/1011349/from-new-buildings-to-retrofit-projects-solar-facade-systems-for-a-circular-and-low-carbon-architectureEnrique Tovar
OODA has released images of Hora Vertikale, a new project planned for the Albanian capital city incorporating residential units arranged vertically surrounded by a new park and featuring a diverse range of amenities. The design stacks seven types of cubes, each measuring seven stories in height and defined by a distinct visual identity inspired by both urban and rural elements. The project, developed in collaboration with local architects Artech, has received planning permission, and construction is expected to begin in early spring.
Marina Gardens, Singapore. Image by Nick Fewings Unsplash
For a long time, sustainability in the architectural field was synonymous with technology. Efficiency was directly linked to innovative technological devices that adorned buildings with gadgets. Nowadays, however, sustainability increasingly encompasses different strategies that also involve acknowledging vernacular techniques and local materials as crucial for creating sustainable and carbon-neutral buildings.
Nevertheless, regardless of the technique or materials employed, the common denominator is the pursuit of reducing the carbon footprint of our architecture, which demands changes in how buildings are conceived, constructed, and operated. In other words, whether returning to vernacular methods or utilizing cutting-edge applications, these strategies aim to reach the same destination and, therefore, are equally valid despite being vastly different.
It's fascinating to observe the current state of wood in the world of architecture. The material, once seemingly forgotten by modernity, has resurged with full force, facing significant challenges but also revealing promising opportunities. The aesthetic and architectural appeal of engineered wood, coupled with its intrinsic association with sustainability, has been a catalyst for the increase in wood-centric projects around the world.
Due to technological advancements and research into the limits and possibilities of this material, there has been a significant leap in the development of wood in construction. Buildings around the world are being erected with wooden structures, driven by the increasing interest in sustainable solutions based on renewable resources, a demand from both the public and architects and their clients.
A few days before the end of November, Gramado, a city known as one of the most sought-after tourist destinations in southern Brazil, grabbed the attention of national and international media. Unfortunately, it wasn't due to its film festival or the traditional lavish Christmas festivities. The city, already suffering from weeks of persistent rain, witnessed the emergence of massive geological rifts tearing through its streets, creating a post-apocalyptic movie-like scenario.
The imminent danger of ground movement alerted the population and the authorities, who promptly evacuated the buildings on the hills of the condemned neighborhood. This course of action proved entirely effective and responsible, as one of the buildings within the designated area did indeed collapse three days after the evacuation. However, it is worth noting a detail: the affected neighborhood consisted of upscale residences and luxury hotels and inns, which raises a question: would the efforts have been the same if the situation occurred in lower-income peripheral neighborhoods?
The duality of sunlight in the field of architectural design presents fascinating contrasts, especially when addressing the question of how to interact with it through the built environment and the materials that define architecture. The sun's influence in this discipline has become an essential part of the cultural heritage of some countries, as evidenced by Spanish architecture, where the interaction with sunlight manifests through elements such as lattices. These lattices are recognizable on the facades of buildings from the Middle Ages, exemplified by structures like the Alhambra, to 20th-century constructions such as Casa Gomis, considered historical monuments.
The facade, being the skin of the building, is the architectural component that is usually directly exposed to sunlight. Based on this premise, we seek to establish a dialogue between openness to the environment and the need for protection, thus creating a synergy between functionality and aesthetics. In this context, sunscreen facades have been developed through various approaches, standing out for their ability to address this design condition. For this reason, we have selected solar control solutions from Spanish brands, distinguished by their technical characteristics and materiality through various approaches.
https://www.archdaily.com/1010864/sunscreen-facades-from-ceramic-textile-systems-to-double-skin-glassEnrique Tovar
The global housing crisis generates a wide range of challenges, from those who are in situations of homelessness, to the realities of millions who face unaffordable housing conditions, overcrowding, and excessively high rents. Tackling this involves political will, the union of the state and private companies, and innovative solutions that prioritize accessibility, sustainability, and government mechanisms that enable a functioning system. Amongst all of these factors though, one thing is certain: we need to build massively in the future to improve the housing situation. The implementation of efficient construction methods, such as prefabrication and modular construction, can speed up the creation of affordable housing units, reducing construction costs and timeframes. Adopting green building practices, such as using recycled materials and designing energy-efficient structures, not only contributes to sustainability but minimizes long-term operating expenses for residents.
The American Institute of Architects has announced David Lake and Ted Flato, the founders of Texas-based firm Lake|Flato Architects, as the winners of the 2024 AIA Gold Medal. The pair was selected by the jury for their ability to make "sustainability exciting in a way few other architects have accomplished." Founded in San Antonia in 1984, their office set out to make environmentally conscientious design both accessible and exciting, by finding ways to strengthen he bond between humans and nature.
Madagascar is an island nation off the southeast coast of Africa that, despite its lush vegetation and unique flora and fauna, grapples with formidable environmental challenges, from rising sea levels to the excessive exploitation of natural resources. Joan Razafimaharo is an architect deeply involved in sustainability, climate change, and adaptation efforts in Madagascar and the broader Indian Ocean region. Razafimaharo is also one of only about sixty architects in the country, serving a population of 28 million.
Recently I spoke to her about environmental activism in the face of climate change, curbing the exploitation of natural resources, the role of architects in resource-scarce societies, and empowering women in isolated areas. The interview, originally conducted in French, has been translated and edited for length and clarity.
https://www.archdaily.com/1011140/how-madagascar-is-confronting-climate-changeMathias Agbo, Jr.
The practice of upcycling –present in a variety of industries from fashion to construction– not only revitalizes discarded items, adding new values and functions, but also contributes to turning them into valuable resources. Adopting the spirit of the circular economy by harnessing agricultural waste such as corn cobs, rice straw, and sugar cane bagasse for building materials marks a fundamental shift towards sustainable practices, promoting a closed-loop system that minimizes waste and optimizes resource efficiency.
CornWall®, developed by StoneCycling, is a pioneering innovation in this regard. Inspired by the need to shift to a bio-based economy, it incorporates a transformative solution that addresses the pressing concerns of the construction industry's environmental impact. It is a wall-finishing material made from plant biomass, obtained mainly from the cores of regionally sourced corn cobs. This organic waste is widely available and is usually destined for fermentation, burning as biomass, or becoming simple organic waste. We spoke to Ward Massa from StoneCycling to better understand this material.
Even the most mundane elements of everyday life have undergone remarkable developments throughout the years, especially when it comes to practicality, efficiency, and sustainability. A notable example is the contemporary toilet, an essential element for any home or public space, which has undergone significant transformations. Although they may appear to have remained relatively unchanged over the decades in terms of design and materials, incorporating technology has been the main development, offering improvements in comfort, variety of design, and innovative features. The evolution of toilets transcends mere functionality, representing a fusion of technology, design, and sustainability to create a holistic bathroom experience.
In the rapidly evolving landscape of the 21st century, cities have emerged as models of innovation in terms of sustainable development goals. Cities creatively address pressing urban challenges, including density, transportation, housing, and resilience. They hold the potential to pioneer a comprehensive climate agenda, serving as laboratories for sustainable initiatives, cross-sectoral innovations and community-oriented strategies. Cities act as catalysts for revolutions, implementing impactful solutions that can be applied worldwide.
Solar heating has existed in architecture since ancient times, when people used adobe and stone walls to trap heat during the day and slowly release it at night. In its modern form, however, solar heating first developed in the 1920s, when European architects began experimenting with passive solar methods in mass housing. In Germany, Otto Haesler, Walter Gropius, and others designed schematic Zeilenbau flats that optimized sunlight, and following the import of “heliotropic housing” to the U.S., wartime fuel shortages during World War II quickly popularized passive solar heating. Variations of this system then proliferated around the world, but it was not until 1967 that the first Trombe wall was implemented by architect Jacques Michel in Odeillo, France. Named after engineer Felix Trombe, the system combines glass and a dark, heat-absorbing material to conduct heat slowly into the house.
https://www.archdaily.com/946732/how-does-a-trombe-wall-workLilly Cao
Moving towards modernity implies questioning established concepts. Today, we are witnessing several projects and approaches in architecture that explore alternatives to energy-intensive building systems, materials, and technologies commonly used in today's construction. These projects, far from adopting approaches that reject technology, seek to promote conscious architectural practices. They aim to go back to basics through passive strategies, using natural materials and a contextual understanding to develop sustainable architecture.
To boost sustainable architecture, it is crucial to have building models and materials that become recognizable icons in their immediate context, thus setting a precedent for the development of future proposals. One such example can be found in Spain, with the "Impulso Verde" project carried out in the city of Lugo which stands out for its construction model based on passive strategies and regional materials. In this project, using natural slate as cladding for the ventilated facade system and employing local resources in the structure was essential for the building's ecological footprint. Additionally, these elements strengthen the building's identity by connecting it to the surrounding landscape.
https://www.archdaily.com/1010187/sustainable-building-models-an-eco-friendly-structure-in-natural-slate-within-a-multi-ecological-neighborhoodEnrique Tovar
