Interviews: The Latest Architecture and News

In my 2008 interview with Kengo Kuma in Manhattan—the Tokyo-based architect was in town for a lecture at Cooper Union and to oversee the construction of a house renovation in nearby Connecticut— he summarized the intention of his work for me, "The closest image to the kind of architecture I try to achieve is a rainbow." The architect designs his buildings as a chef would prepare a salad or a florist arrange a bouquet of flowers—by carefully selecting ingredients according to their size, shape, and texture. He then tests whether they should touch, overlap, or keep a distance to let the airflow pass through. The process is closer to a trial-and-error scientific experiment rather than an artistic exercise in projecting visionary forms and images. Although his buildings surely look strikingly artistic and utterly breathtaking. They are both precise and loose, primitive and refined, material and transient. The architect's fascination with materiality is startling, and despite having completed many dozens of buildings all over the world over the course of his distinctive career, in our conversation last month over Zoom, Kuma told me, "I stand at the beginning of a long process of material exploration."

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In this interview with Louisiana Channel, Mexican architect Gabriela Carrillo introduces us to the challenges that drive her work, particularly the projects carried out as a member of Colectivo C733, in which she currently participates alongside Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espin. Through an exploration of her definition of architecture, she offers reflections on the design of public spaces, the relationship between architecture and land art, and the role of the preexisting in the transformation of space. She defends architecture as a "powerful tool" for fostering connections between people and their environment, defining her practice as optimistic.

In a recent interview with Louisiana Channel, acclaimed Japanese architect Shigeru Ban shared his perspectives on architecture, his journey in the field, and his dedication to socially responsible design. Known for his innovative use of materials such as paper and timber, Ban has spent much of his career creating solutions for disaster-stricken communities and displaced populations around the world.

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Videos

In 2024, architecture continues to evolve in response to global challenges, with an increasing focus on sustainability, cultural context, and social responsibility. ArchDaily's interviews with leading architects, such as Kengo Kuma and Anne Lacaton, highlight how design is shifting towards environmental and community-centric solutions. These conversations also shed light on the emerging voices from the Global South, where innovative practices are addressing unique socio-political and environmental challenges. Architects from regions like Africa, Asia, and Latin America are offering fresh perspectives, pushing the boundaries of traditional architecture to reflect their diverse cultural narratives and local contexts.

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In an interview with Louisiana Channel, Rafael Moneo, the celebrated Spanish architect and 1996 Pritzker Architecture Prize laureate, reflected on his career and philosophy. Born in Tudela, Navarra, Spain, in 1937, Moneo described how his early academic interests and professional experiences shaped his approach to architecture, resulting in a distinguished body of work that integrates historical, cultural, and environmental contexts.

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Office ParkScheerbarth, selected as one of ArchDaily's 2024 Best New Practices, was founded in Berlin in 2019 by principals Moojin Park and Benjamin Scheerbarth. Together, they create a synthesis between architecture, urban planning, and social science, drawings on cultural and educational contexts from Korea, the US, and Germany. Their work creates spaces that welcome versatility, challenges, and growth. The duo embodies a fusion of cultures, nationalities, and diverse disciplines, approaching each project from multiple perspectives and emphasizing adaptability, respect for ownership, and the continuous pursuit of knowledge and innovation. Challenging norms and regulations of the built environment, Moojin Park and Benjamin Scheerbarth share a commitment to pushing and exploring design boundaries. They met during their Master's studies in the US, where their shared vision took shape and marked the beginning of their journey together.

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Architectural grafting, a concept recently popularized by Jeanne Gang in The Art of Architectural Grafting, presents a transformative approach to urban regeneration and sustainability. Drawing inspiration from botanical and horticultural practices — where new growth is added to existing plants for enhanced resilience — this architectural method integrates new structures with existing ones, allowing them to coexist and adapt. Rather than pursuing demolition, grafting prioritizes adaptation, extending the life of buildings while safeguarding their cultural and historical significance.

While Studio Gang has played a pivotal role in advancing this method, architectural grafting embodies a broader principle that architects have long used to enhance sustainability, conserve resources, and honor heritage. Across scales — from individual buildings to urban landscapes —grafting reshapes the relationship between past and present, adapting existing structures for contemporary needs while addressing environmental demands. By reimagining historic buildings for modern use, this approach fosters a sustainable evolution of cityscapes.

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People frequently claim that finding smart solutions to problems requires a creative approach that involves thinking outside the box. This premise has become a widely accepted idea in the field of technology, where numerous historical breakthroughs have emerged from innovative methods. Prominent examples in power generation include the discovery of the photovoltaic effect by Edmund Becquerel in 1839 and the development of the first commercial solar panel by Charles Fritts later that century. These milestones have enabled the integration of solar panels as essential components of clean energy generation within architecture, driving a significant shift toward renewable energy.

This shift is currently manifesting as a tipping point between power generation and the built environment, driven by a transition that promotes creative thinking and encourages new perspectives. Today, sustainable energy production extends beyond merely installing solar panels on roofs; it aims to integrate various building elements into the energy system. ClearVue's Building-Integrated Photovoltaics (BIPV) exemplifies this innovation by harnessing nearly all facade components as sources of power production. This vision opens new possibilities for the design of urban structures, promoting a more sustainable approach that aligns with contemporary needs.

For centuries, models have been central to architectural design, providing architects with a tangible way to explore ideas, test concepts, and communicate their vision. From the Renaissance to Modernism, models have been instrumental in the construction and reflection processes, offering insights into form, proportion, and spatial relationships. However, in today's digital age, where 3D models and Virtual Reality (VR) have become powerful and efficient tools, the question arises: Are physical models still relevant in contemporary architecture?

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A new generation of sustainable practices is transforming the architectural landscape. What is its 'secret'? The combination of innovation, ecological awareness, and, fundamentally, the revaluation of natural resources that have accompanied humanity since its earliest days. While this knowledge was never truly lost, the techniques associated with these materials have long remained in the background. Today, they are making a resurgence, adapting to modern challenges, and reestablishing themselves as essential, timeless elements in tomorrow's architecture.