Brutalist architecture in the United States is a monument to collective postwar optimism and reassurance that the city and federal governments are in authority. Conceived as an embodiment of strength and efficiency, Brutalist structures were quickly adopted for the architectural language of civic and governmental institutions in the mid-to-late twentieth century in the United States. Towering monoliths of raw concrete rose across the nation, projecting an image of institutional permanence while simultaneously provoking debate over their social and psychological impact.
Influential figure Deborah Berke, FAIA, LEED AP, has been announced as the recipient of the 2025 AIA Gold Medal, in recognition of her four-decade career integrating design prowess, and academic leadership demonstrating social and environmental responsibility. Her work, encompassing residential, institutional, and adaptive reuse projects, demonstrates a commitment to sustainability and community engagement. Founding Deborah Berke Partners (now TenBerke) in 1982 and serving as the first female dean of the Yale School of Architecture, she has held various leadership positions within the architectural profession and contributed to discussions on design ethics, sustainability, and education.
Architecture has the power to emotionally engage with its occupants. Tactfully crafted spatial moments extend architecture into experience design - a growing need in the experience economy. Through sensorial and intellectual stimulation, spaces can deeply connect with their occupants to result in memorable instances. The orchestration of an experience requires not only an understanding of spatial principles but also how the service of the space is designed.
As gateways to knowledge and culture, libraries play a fundamental role in society. Foundational in creating opportunities for learning, as well as supporting literacy and education, the resources and services each library offers all work towards helping to shape new ideas that are central to building a creative and innovative society.
This article was originally published on August 27, 2017. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
In 1959, Jonas Salk, the man who had discovered the vaccine for polio, approached Louis I. Kahn with a project. The city of San Diego, California had gifted him with a picturesque site in La Jolla along the Pacific coast, where Salk intended to found and build a biological research center. Salk, whose vaccine had already had a profound impact on the prevention of the disease, was adamant that the design for this new facility should explore the implications of the sciences for humanity. He also had a broader, if no less profound, directive for his chosen architect: to “create a facility worthy of a visit by Picasso.” The result was the Salk Institute, a facility lauded for both its functionality and its striking aesthetics – and the manner in which each supports the other.[1,2]
With cracked paint, overgrown vines, rust, and decay, abandoned buildings have carved out a photographic genre that plays to our complex fascination with the perverse remnants of our past. While intellectual interest in ruins has been recorded for centuries, the popularity and controversy of contemporary "ruin porn" can be traced back to somewhere around 2009, when photographer James Griffioen’s feral houses series sparked a conversation about the potential harm in the aesthetic appropriation of urban collapse.
A favorite subject within this field is the American insane asylum, whose tragic remains carry echoes of the unsavory history of mental illness treatment in the United States. These state-funded asylums were intensely overcrowded and often housed patients in nightmarish conditions in the 20th century. Beginning in 1955, with the introduction of the antipsychotic drug Thorazine, these institutions were closed in large numbers, never to be reopened [1]. Now, these closed but un-demolished asylums that dot the country are the subject of "ruin porn" that neglects an equally important piece of the buildings’ narrative: the beginning. In his recent photobook Abandoned Asylums, Photographer Matt Van der Velde depicts this earlier period of asylum architecture, when the institutions were built in the belief that the built environment has the power to cure.
TheeAe has revealed their competition entry for a new civic center in Ryde, Australia. As its name indicates, ‘Trianglemnant’ builds upon the unique triangular site area, and consists of a series of overlapping trilateral forms that shape the building and surrounding public spaces.
Trianglemnant was put forward as part of the international design competition ‘Design our Ryde’, which invited architects to present proposals for a new civic center at the gateway to the municipality. Though the project was not one of the four shortlisted, its attempt to create a diverse public space is noteworthy.
AECOM has designed a $42,000,000 campus and training facility for a professional basketball organization in West Los Angeles. The building contains a basketball arena, corporate headquarters, a hall of fame, and gardens, among other programs. Despite the building’s varied uses, AECOM was determined to make it “basketball centric.”
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