With the construction of their High Line-adjacent residential building 520 West 28th Street, Zaha Hadid Architects have constructed a temporary construction shelter to protect pedestrians in the event of any falling construction materials. However, as is often the case with Zaha Hadid designs, this is a construction shelter unlike any other, serving as a protective shelter but also as an artistic installation.
Named Allongé, the installation is "is inspired by the connectivity and dynamism of movement along the High Line," allowing visitors to the High Line to move through 34 meters (112 feet) of sweeping metallic fabric supported by a curvilinear steel frame, offering a spatial experience that foreshadows the presence of Hadid's building at the site.
Daniel Libeskind teamed up with the professionals at Immersive and Innovision to realize the four 10-meter-high, "shimmering" sculptures that are outlining the Milan Expo 2015's central square. The LED-lit aluminium structures, dubbed "the Wings," were designed to "animate the public space with a constant flow of pulsating patterns and imagery related to the theme of the Expo: health, energy, sustainability and technology." They will remain on view through the duration of the Expo, which concludes October 31.
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Now through September 7, you can take a "swim" in a massive "BEACH" that has taken over the National Building Museum's Great Hall. Spanning 10,000-square-feet, the BEACH was created in partnership with Brooklyn-based Snarkitecture to offer the people of Washington D.C. a one-of-a-kind installation as part of the NBM's "Summer Block Party."
The "ocean" is essentially a ball-pit comprised of nearly one million recyclable translucent plastic balls. It is contained within a mirrored, all-white enclosure flanked by a 50-foot-wide "shoreline" that offers visitors the option to wade the "water" or sit back and relax.
Janet Echelman's latest aerial sculpture has been suspended 365 feet above Boston's Rose Kennedy Greenway. On view through October 2015, the monumental installation spans 600 feet, occupying a void where an elevated highway once divided the city's downtown from its waterfront.
"The sculpture’s form echoes the history of its location," describes Echelman. "The three voids recall the 'Tri-Mountain' which was razed in the 18th-century to create land from the harbor. The colored banding is a nod to the six traffic lanes that once overwhelmed the neighborhood, before the Big Dig buried them and enabled the space to be reclaimed for urban pedestrian life."
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By adjoining 200,000 fabric-lined floatable components, Christo hopes to allow the residents of two mainland towns in Italy's Lombardy region to walk on water for a duration of two weeks in June 2016. If approved, the "Floating Piers" would connect both towns with the Lake Iseo islands via an extended, brightly colored fabric dock that would stretch across two miles.
In conjunction with the Contemporary Morocco exhibit (Le Maroc Contemporain) at the Jean Nouvel-designed Institut du Monde Arabe in Paris, a giant tent has been constructed on the plaza in front of the building. Designed by Tarik Oualalou and Linna Choi of OUALALOU+CHOI, the tent harmonizes contemporary design and technical innovation with traditional fabrication methods. Constructed from more than 650-square-meters of camel and goat wool woven by female cooperatives in the Saharan desert, the tent serves as an urban landmark and a symbol for the Contemporary Morocco exhibit. The rhythm and scale of the tent’s silhouette renders a topographic dimension to the structure which pays homage to the nomadic traditions of southern Morocco.
Commissioned by Sonos to create a sound reactive installation in collaboration with the musician Dev Hynes (aka Blood Orange), The Principals created a 16-foot-tall canopy, 8-feet-wide by 36-feet-long covering the performance and grand stand seating area of the private workspace collective Neuehouse. Inspired by the work of Arthur Rimbaud, The Principals chose the name Ancient Chaos, a phrase from his poem Matinée d'Ivresse which speaks to a basic force of wonder within all of us at the hidden patterns of nature. The installation, both a sonic composition and a physical structure, creates sounds that verge on the architectural and architecture that verges on the fluid.
More information and a video of the installation in motion, after the break.
Marc Fornes & THEVERYMANY has constructed a light-weight, ultra-thin self-supported shell structure augmented by artist Jana Winderen’s engineered sounds at the Storefront for Art and Architecture in New York City. Now on view through November 21, the “Situation Room” presents itself, as Storefront describes, "a vibrating sound experiment that that aims to transform architecture into animated sensible form."
“The overall form is an aggregate of twenty spheres of incremental diameters, combined to create an envelope of experiential tension, a sort of sublime dialogue between the comfort of the known and an uneasy interaction with the unknown,” described Fornes. “The resultant morphology resonates with a series of distributed transducers and lighting sources playing out through streams of porosity derived from structural stress flows across the elements.”
More images and information about the “Situation Room,” after the break.
Jeffrey Inaba’s Brooklyn practice INABA has been selected as the first-ever winner in the Flatiron Plaza Holiday Design Competition with New York Light. Organized by the Flatiron/23rd Street Partnership and Van Alen Institute, the inaugural installation will be constructed in front of the famous Flatiron Building for the duration of the 2014 winter season.
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Settled neatly in the quiet hum of London's Kensington Gardens rests Smiljan Radić's 2014 Serpentine Pavilion, an ethereal mass of carefully moulded fiberglass punctuated by precisely cut openings. Radić desired a structure that appears thin and brittle, yet was strong enough to support itself, and his affection for the rudimental layered qualities of papier-mâché - his maquette medium of choice - inspired the use of fiberglass by AECOM, who engineered Radić's wild ideas. In this article, originally published by Metropolis Magazine as "Paper-Thin Walls," an AECOM engineer explains their solution. Read on after the break to find out more.
Grupo Talca’s four meter “Wicker Forest” has been announced as winner of the annual Young Architects Program (YAP) in Chile. Designed as an inhabitable landscape of wicker sticks, the red forested structure will “catch particles dragged by the wind, while providing shade and movement” to the visitors of CONSTRUCTO upon completion in Santiago next year.
Grupo Talca is the fifth winner of YAP Chile, following the commission of UMWELT’s “climatically responsive container for artwork.” You can find more images of the Wicker Forest, after the break...
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