Office ParkScheerbarth, selected as one of ArchDaily's 2024 Best New Practices, was founded in Berlin in 2019 by principals Moojin Park and Benjamin Scheerbarth. Together, they create a synthesis between architecture, urban planning, and social science, drawings on cultural and educational contexts from Korea, the US, and Germany. Their work creates spaces that welcome versatility, challenges, and growth. The duo embodies a fusion of cultures, nationalities, and diverse disciplines, approaching each project from multiple perspectives and emphasizing adaptability, respect for ownership, and the continuous pursuit of knowledge and innovation. Challenging norms and regulations of the built environment, Moojin Park and Benjamin Scheerbarth share a commitment to pushing and exploring design boundaries. They met during their Master's studies in the US, where their shared vision took shape and marked the beginning of their journey together.
Before the emergence of AI, the internet, and TV— books and manuscripts were the primary vessels of knowledge. These artifacts, now echoing voices from the past, have played a fundamental role in shaping our shared legacy. A pivotal moment in this evolution came in the 15th century with Gutenberg's invention of the printing press, which revolutionized access to information and laid the groundwork for the democratization of knowledge. As a result of their historical and cultural significance, many early manuscripts and incunabula (books printed during the earliest period of typography) have been preserved in libraries and often remained in the shadows.
Worldwide, libraries have started unveiling these collections to the public, driven by a growing openness to showcase their 'treasures'. This allows a broader audience to appreciate the richness of these historical materials. While this effort fosters a deeper understanding of cultural heritage, it also introduces several challenges. One of the most critical is preservation, which must be carefully balanced with functional considerations. Key decisions include selecting and designing display case solutions, such as those from Goppion, that harmonize with the interior design and layout while providing effective protection.
https://www.archdaily.com/1021983/from-vault-to-exhibition-the-role-of-display-cases-in-the-worlds-librariesEnrique Tovar
Created by a series of angled parallel lines that form a mesmerizing zigzag, the herringbone pattern has withstood the test of time and remains present in diverse design styles. Named after the resemblance to a fish's bones –a herring, for instance–, this classic V-shaped pattern arranges rectangular blocks in different proportions. With varying block edge length ratios, such as 2:1 or sometimes 3:1, the versatile design adapts to a wide range of uses, dimensions and materials.
The arrangement of the blocks, even when used in single colors, creates a subtle texture and adds visual interest. While the herringbone arrangement may seem simple at first glance, the strong directional quality of the typically 45-degree angle lines requires a careful design process for a seamless and consistent look. The pattern can be found in walls and floors, from fabrics to wood and tiles. By playing with geometric shapes, it continues to be a trend that infuses style and structure into interior design while complementing a space's overall aesthetic. Below we dive into Architonic’s catalog to present different ways to apply it, exploring ceramic, wood, and synthetic herringbone patterns.
Japanese architect and humanitarian Shigeru Ban has been named the 35th Laureate of the Praemium Imperiale Award for Architecture. Established in 1988 by the Japan Art Association, the annual award seeks to recognize exceptional achievements in Painting, Sculpture, Architecture, Music, and Theatre/Film. Shigeru Ban's contributions to architecture have been significant, not only for the distinctive design aesthetics but also for the innovative use of materials, particularly in the context of emergency interventions and humanitarian work.
Space exploration isn’t merely a testament to human ambition or a quest for new territories and resources. Our ventures beyond Earth’s atmosphere are driven by a deeper purpose: to understand better our place in the cosmos and to pioneer innovations that can transform life on our home planet.
For decades, the construction industry followed a familiar rhythm: design came first, materials followed. The pressing need for sustainable buildings has shattered this routine. Material selection is no longer an afterthought, but a critical decision made at the outset, with the potential to dramatically reduce a project's environmental footprint. This shift is even more crucial given the construction industry's appetite for raw materials – a staggering 3 billion tons extracted annually. To navigate this new landscape, digital material libraries and data-driven evaluation are emerging as powerful tools, creating a culture where materiality takes center stage to shape a more sustainable built environment.
"A bathroom is a place where everyone is equal—there is no rich or poor, no old or young; everyone is part of humanity." This reflection was shared by Wim Wenders, exponent of New German Cinema and director of the filmPerfect Days (2023) when asked about the striking sets of his most recent work. Wenders selected Tokyo's public restrooms to craft a narrative that deeply explores themes of solitude, simplicity, and the beauty of everyday life.
The story follows Hirayama, a middle-aged man working as a public toilet cleaner in Tokyo. His life is simple and routine, yet filled with small pleasures and moments of reflection. This modest lifestyle contrasts with the technological, colorful, and innovative designs of the public restrooms he cleans every day.
Gazeley Regional Distribution Centre. Image Courtesy of Kingspan
Insulation plays an essential role in today’s buildings—whether it is to provide thermal efficiency to reduce energy demand and cut carbon emissions, or to reduce noise transmission to provide acoustic comfort. Every building has different requirements for the type of insulation needed in floors, roofs, ceilings and walls, and to meet these varying demands Kingspan has developed a range of holistic insulation solutions fit for the future of the built environment.
From lower embodied carbon products to bio-based materials, reducing environmental impact is an area of increasing importance. Meanwhile, the pressing need to upgrade the thermal efficiency of existing buildings often demands insulation technologies that can work with existing structures without requiring excessive thickness. For cladding systems, reaction to fire can be every bit as important as thermal conductivity, and for acoustic panels that form part of the internal décor, aesthetics is as crucial as sound absorption.
Plastic Island. Image Courtesy of Emily-Claire Goksøyr
As you read this, you may notice that you are surrounded by several items made of plastic. This omnipresence is no coincidence; the versatility of plastic has made it suitable for a variety of applications, and was described by its inventor—Leo Baekeland— as “the material of a thousand uses.” However, when it comes to environmental impact, the problem lies in its very qualities: it is so durable, adaptable, and easy to produce (430 million tons per year) that, according to UN data, the equivalent of 2,000 garbage trucks full of plastic are dumped into the oceans, rivers, and lakes every day.
In the built environment, plastic has been incorporated into various materials, products, and construction systems, contributing to an environmental crisis that seriously affects the well-being of millions of living beings. Faced with this problem, one possible direction is to shift away from utilizing it. The search for plastic-free alternatives is marking a path toward a future where architecture is progressively disassociating itself from these polluting materials, promoting sustainable solutions that reduce our dependence on it and contribute to preserving the environment.
https://www.archdaily.com/1016334/making-the-case-for-plastic-free-architecture-innovative-solutions-for-the-present-and-futureEnrique Tovar
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
Courtesy of Feldman Architecture and Western Window Systems
When it came to designing a nature-embracing modern home in Palo Alto, California, USA, architect Tai Ikegami took his responsibility to protect and venerate the magnificent trees on the lot seriously.
“The house is designed around a series of trees on the site—an oak in the front, another oak on the side, a redwood in the back. These are dramatic trees with a large scale,” says Ikegami, a partner at Feldman Architecture, San Francisco.
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Turning waste into beautiful flooring. Image Courtesy of Bolon
In contemporary architecture, recycling has evolved from a desirable to an unavoidable necessity. This change is mainly due to the growing climate crisis, accentuated by the constant presence of waste (for which no use has been found beyond the initial one).
This approach has stimulated the creation of innovative materials to reuse waste in various contexts. A notable example is the case of woven flooring and rugs, where Bolon took a step forward in 1949 by transforming textile waste into stylish products. Since then, they have continued to innovate in materials, fusing the traditional flooring branch with sustainable creative design.
https://www.archdaily.com/1014951/walk-on-waste-weaving-waste-into-stylish-floorings-and-rugsEnrique Tovar
For decades, our society has predominantly embraced an extractivist approach when formulating models for material manufacturing across diverse industries. While we now know that this model is unsustainable, a major question remains: So, how do we do it? We may be a while away from offering a definitive answer to this challenge. Still, it is exciting to note that, in a context marked by a challenging global and ecological horizon, the architectural community maintains a positive approach by pushing for a re-evaluation of what we make and how we make it.
This momentum may be gaining relevance due to the emergence of new, more environmentally conscious generations, such as Gen Z and Alpha. What is certain is that we are witnessing the development of new production philosophies, such as plant-based materials, which adopt practices aimed at favoring the use of resources derived from plants, reducing dependence on extractive processes, and promoting conscious and sustainable alternatives in various aspects of the manufacture and production of materials in architecture.
https://www.archdaily.com/1014260/harvesting-architecture-a-glimpse-into-3-plant-based-materialsEnrique Tovar
Last Monday I got on a Berlin to Doha flight, a usual route given how Qatar has positioned itself as an effective hub connecting east and west. But this time Doha was not the connection, it was the destination.
Architecture, understood as a cultural product, is strongly influenced by diverse stimuli that include historical, geographical, and cultural aspects, among others. Together, these elements form a heritage that may (or may not) endure through time. Although architecture tends to adapt to each culture, modeling its traditional techniques according to its context and shaping the surrounding environment, there is no guarantee that the traditional elements in it will endure or remain unchanged over time. This is largely due to the constant evolution of society and technology, which sometimes tends towards universality and the adoption of a common language, rather than one of their own.
Given this scenario, it is essential to explore an approach where innovation and technology do not replace tradition and artisanal production; instead, they arise as a means of exploration towards emerging routes. Adopting novel techniques and innovative materials that are adapted to specific local needs makes it possible to maintain an authentic expression that responds to the demands of the environment. This approach, which could be termed neo-craft, allows for the preservation of a distinct voice that reflects the authenticity of the local context. At the same time, it contributes to a universal perspective, merging the local with the global.
https://www.archdaily.com/1012790/at-the-intersection-of-innovation-and-tradition-the-talavera-projectEnrique Tovar
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
Our buildings become symbolic of the times we live in, reflecting the spirit of a given era, attending to different needs, lifestyles and functions. “Architecture should speak of its time and place, but yearn for timelessness,” says one of the most prominent architects of our time, Frank Gehry. For architectural innovators, exploring new technological potentials and envisioning ways to enrich people’s lives have long been driving forces, shaping responses to contemporary challenges. Today, sustainability stands as a key challenge, adding new dimensions to the debate, bringing together form, function, the responsible choice of materials and long-term thinking. Adapting to these demands has never held more significance.
