Inflatable Structures: The Latest Architecture and News

As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.

In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.

City of the Future is a bi-weekly podcast from Sidewalk Labs that explores ideas and innovations that will transform cities.

In the final episode of season 2, hosts Eric Jaffe and Vanessa Quirk discuss the past, present, and future of responsive architecture with Sidewalk Labs’ director of public realm Jesse Shapins, engineer and microclimate expert Goncalo Pedro, Bubbletecture author Sharon Francis, and renowned architect Liz Diller of Diller Scofidio + Renfro.

Architecture firms Selgascano and FRPO have been announced as a finalist in the competition to design Spain's National Pavilion for EXPO 2020 in Dubai. Their proposal includes an inflatable canopy of nine yellow ETFE cylinders set within a steel framework. Reinterpreting the Spanish plaza, the design creates a new take on the public square. The pavilion was made to be ultralight as a more sustainable structure that could be easily removed and transported. Formed as a 'breathing pavilion', the design allows two inflatables to move up and down to respond to views, light and breeze.

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The City of Montreal has selected KANVA's IMAGO as the winner of Vivre le Chantier Sainte-Cath, a competition seeking to maintain access to and usage of St. Catherine Street, downtown Montreal's primary commercial artery, as it undergoes a four-year construction period. The construction includes infrastructure developments—enhancements to underground infrastructure, new public transit systems, and increased pedestrian access—and while segments of the street will be closed to car traffic, pedestrian paths and all businesses will remain open during construction.

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German collective Plastique Fantastique have created “superKOLMEMEN,” an inflatable structure encircling a historic sculpture in Three Smiths Square (Kolmen sepän aukio) in downtown Helsinki for Helsinki Design Week. Throughout the event, the installation was used as a space for lectures, performances and workshops, as well as a casual gathering place.

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BIG Architects has designed an inflatable mobile pavilion to be displayed at three Danish events, including its original site at the Roskilde Festival 2016. Known as SKUM (Danish for foam), the structure met the challenge of creating an installation that has the ability to be both permanent and fully transportable by creating a whimsical, bubble-like form that can be blown up in just 7 minutes.

Though architectural history is replete with bricks, stones, and steel, there is no rule that states that architecture must be ‘solid’. Sverre Fehn, one of the most prominent architects of postwar Norway, regularly made use of heavy materials like concrete and stone masonry in his projects [1]. In this way, his proposal for the Nordic Pavilion at the Osaka World Expo in 1970 could be seen as an atypical exploration of a more delicate structure. Representing a very different aspect of ‘Modernity’ than his usual work, Fehn’s “breathing balloon” pavilion stands not only in contradiction to Fehn’s design canon, but to that of traditional architecture as a whole.

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The Bubble Building, a "renovation of a common, old and unattractive building" in the centre of Shanghai, is a simple design containing complex environmental qualities. Unlike a conventional retrofit or renovation, 3GATTI's proposal places inflatables made of white antibacterial technical outdoor nylon, in front of the windows on the existing building. Their concept was to "create an icon-building, a kind of landmark very easy to recognize, a kind of sculpture with a strong character able to detach itself from the boring cityscape" with the ultimate aim to attract customers to rent both the office and commercial spaces.