Industrial Design: The Latest Architecture and News

In today's rapidly changing professional landscape, the office is no longer a static environment. As companies continue to embrace hybrid working models and flexible teams, the need for adaptable, people-centric workspaces has never been greater. In collaboration with Foster + Partners Industrial Design, UniFor has responded to this shift with the XYZ collection, a suite of modular, versatile furniture designed to meet the dynamic needs of contemporary workplaces.

The collection features three key products: the X Shelving System, the Y Table, and the Z Desk—each designed to support a range of working styles while maintaining a harmonious visual language.

Sitting for extended periods is an everyday reality in many workspaces, which can lead to a dangerously sedentary working day. This makes office chair design a crucial element for both productivity and overall well-being. Ergonomic design takes into account the human body's needs, including posture, comfort, support, and health. A good ergonomic chair is adjustable, allowing for better control and customized settings that support the spine and promote a natural position for the body's joints. An even better ergonomic chair employs technology to accommodate all seating nuances—including occasional slouching, neck rest, and continuous hip movements, among others—, helping to maintain good body posture at all times.

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Italian architect and industrial designer Gaetano Pesce has passed away at the age of 84, as announced today on the creator's official Instagram page. Known for the famous UP5 Chair (2000) by B&B Italia which can be compressed like a sponge, and the Organic Building in Osaka, Japan (1993), with a vertical garden irrigated by a complex, computer-controlled hydration system, Pesce dedicated over six decades to his craft, accumulating a portfolio that spanned architecture, product design, and art.

During Milan Design Week 2024, a monographic exhibition titled "Nice to See You" showing at Biblioteca Ambrosiana, is set to feature unreleased works of Gaetano Pesce. Additionally, Gaetano was presenting "L’Uomo Stanco" an outdoor installation in Piazza San Pio XI.

This article was originally published on Common Edge.

Christopher Payne’s fascination with factories goes back decades. As an architecture student at the University of Pennsylvania in the 1990s, Payne had the good fortune to find a summer job with an agency inside the National Park Service called the Historic American Buildings Survey. “They sent teams of architecture students, historians, and photographers to document all kinds of projects,” he says. “We documented grain elevators in Buffalo, cast iron bridges in Ohio, a power plant in Alabama, and national parks in Utah. That experience instilled a deep appreciation for industrial architecture.” After graduation, he worked for several years as an architect in New York City before transitioning full-time to photography. His previous books include New York’s Forgotten Substations: The Power Behind the Subway; Asylum: Inside the Closed World of State Mental Hospitals; North Brother Island: The Last Unknown Place in New York City; and Making Steinway: An American Workplace. Last month, Payne gave the School of Visual Art’s Ralph Caplan Memorial Lecture, and shortly afterward I reached out to him to talk about his most recent book, Made in America (Abrams), his long love affair with factories, and the photographic process.

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The earliest vestiges of furniture in society can be traced back to the Fourth Dynasty of Egypt when the armchair of Queen Hetepheres I (ca. 2600 BC) was discovered. This armchair marked a significant milestone in the history of furniture. It is not surprising, therefore, that the chronology of furniture is intertwined with architectural, pictorial, and sculptural expressions of the time, where these elements often act as witnesses and, in exceptional cases, as central objects in the history of art and design.

Furniture consists of everyday objects designed to meet specific needs in our daily lives. However, sometimes they transcend their practical function and take on an autonomous presence. A piece of furniture has no nobler purpose than its interaction with human beings, therefore, separating these objects from their utilitarian dimension becomes an act of disruption. As a result, designers such as Francesco Binfaré have described sofas as “The most mysterious object amongst the furniture populating the interior design universe”. In this context, Edra creates unique objects that blend art and industrial production, reflecting contemporary domestic landscapes and experimenting with new shapes and materials.

In recent decades, the industrial style has strongly attracted the attention of architects, designers and homeowners. However, few know its true origin. Following the rise of industrialization in the United States during the 1950s, many old industrial spaces, such as warehouses or factories, were abandoned in areas like New York's Soho. As a consequence, prices fell and became affordable housing alternatives for city dwellers. These new repurposed spaces were characterized by an aesthetic that mixed raw and exposed materials with modern elements and technologies, generating a strong aesthetic identity that was as rustic as it was sophisticated.

Today, industrialized-looking interiors are highly appreciated for the character of their materials, providing different shades, textures, brightness and opacity. There are, however, new materials that blend this weathered aesthetic with innovations that facilitate their installation and maintenance. Let's review the case of Aparici's Corten Tile Collection and its possible applications in different spaces of the home.

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Charles (June 17, 1907 – August 21, 1978) and Ray Eames (December 15, 1912 – August 21, 1988) are best known for their personal and artistic collaboration and their innovative designs that shaped the course of modernism. Their firm worked on a diverse array of projects, with designs for exhibitions, furniture, houses, monuments, and toys. Together they developed manufacturing processes to take advantage of new materials and technology, aiming to produce high-quality everyday objects at a reasonable cost. Many of their furniture designs are considered contemporary classics, particularly the Eames Lounge & Shell Chairs, while the Eames House is a seminal work of architectural modernism.

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DROP-A-PIN is a project started by a couple dedicated to architecture and graphic design who have traveled the last five years to document some of the most fascinating buildings. Within this process, about a year ago, they wanted to find a pin with some of these great works. As they failed to, the duo decided to create it themselves.

The use of steel in architecture is considered as one of the most innovative construction developments in history, allowing architects to create structures in scales they never thought they could. Fast-forward a few centuries, and steel remains as one of the most crucial materials in architecture. But there is a lot more to the material than just tensile strength and durability, some architects were well-aware of steel's potential and transformed it into lighting fixtures, facades, decorative elements, and finishes.

Here are 15 projects where architects looked beyond steel as structural support and explored its diverse possibilities in architecture.

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Sir Norman Foster has received the American Prize for Design, an award presented the Chicago Athenaeum Museum of Architecture and Design and The European Centre for Architecture and Urban Studies. The award, which was established in 2016, is presented to an individual for their lifetime achievement in the fields of design.