Indigenous Peoples: The Latest Architecture and News

Kéré Architecture has revealed the design of a masterplan and series of buildings dedicated to the cultural and spiritual heritage of the Ewé people in the town of Notsé, in Togo. Commissioned by the Kothor Foundation, the center incorporates a sanctuary, several temples, a large-scale open-air amphitheater, as well as cultural functions such as exhibition halls, an auditorium, restaurants, and a reconstruction of the ancient royal palace of the Ewé Kingdom. The project, Francis Kéré's first in Togo, started construction in October 2024 and is scheduled for completion in February 2026.

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DIALOG and HOK have just revealed the redesign of Scotia Place, Calgary’s new event center in Canada. Set to become a hub of community and culture, Scotia Place is inspired by Indigenous ancestral lands and cultural significance, integrated these perspectives with the natural beauty of Calgary. Commissioned by the City of Calgary and the Calgary Sports and Entertainment Corporations, Scotia Place seeks to bring people together and activate the public realm.

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AKIN has been announced as the winning team in the Barangaroo Harbour Park Design Competition, a project that will transform a central location along the waterfront of Sydney, Australia. The winning team is a First Nations-led and Sydney-based ground composed of Yerrabingin, Architectus, Flying Fish Blue, Jacob Nash Design, and Studio Chris Fox, with Arup as engineering consultants. Through its designers, the group integrates Indigenous knowledge systems along with landscape architecture, regenerative design, public art, and place-making.

Following an international competition, Dorte Mandrup has been selected to design the new Inuit Heritage Centre in the territory of Nunavut in northern Canada. Designed together with Architect of Record Guy Architects, LEES+Associates, Adjeleian Allen Rubeli, EXP, Pageau Morel, Altus Group, and indigenous consultants Kirt Ejesiak and Alexander Flaherty, the new centre aims to become a sign of cultural conciliation and a symbol of the continuation of Inuit practices, traditions and values. By offering a place where Inuit can reconnect with their collective past through objects, stories, and activities, the centre will promote greater awareness of Inuit culture. The project is expected to be completed by 2027.

For the 18th International Architecture Exhibition – La Biennale di Venezia, the South African Pavilion explores the architectural representation of social structures through an exhibition titled “The Structure of a People.” Prior to the exhibition, the pavilion curators, Mr. Stephen Steyn, Dr. Emmanuel Nkambule, and Dr. Sechaba Maape, conducted a national architecture competition titled “Political Animals,” aimed at gathering artifacts crafted by lecturers and architecture students to represent the structures of their schools or universities. The resulting models and miniature architectures, produced by ModelArt, will be exhibited within Zone III, Political Animals, as part of the South African Pavilion.

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The Cyprus Pavilion at the International Architecture Exhibition – La Biennale di Venezia has announced its exhibition. The pavilion will explore the first early settlements of the Cyprus Aceramic Neolitih Khirokitia, using these communities as a springboard to discuss social sustainability challenges in a humanistic and cultural framework. The display, curated by Petros Lapithis, Lia Lapithi, Nikos Kouroussis, and Ioanna Ioannou Xiari, is based on a foundation for a newly constructed environment that will be established on Mars.

The Sámi National Theater Beaivváš and Sámi High School and Reindeer Husbandry School are two of the most important cultural institutions of Sápmi, a region in northern Norway, Sweden, and Finland traditionally inhabited by the Sámi people. To strengthen the position of the two institutions, a project was initiated in June 2021 to create a shared cultural and educational facility. A design proposal by 70°N arkitektur, in collaboration with Snøhetta and artist and architect Joar Nango, was chosen following a competition. The building, also known as Čoarvemátta, is currently under construction and is expected to be completed by 2024.

"Indigenous technologies are not lost or forgotten, only hidden by the shadow of progress in the most remote places on Earth". In her book Lo-TEK: design by radical indigenism, Julia Watson proposes to revalue the techniques of construction, production, cultivation and extraction carried out by diverse remote populations who, generation after generation, have managed to keep alive ancestral cultural practices integrated with nature, with a low environmental cost and simple execution. While modern societies tried to conquer nature in the name of progress, these indigenous cultures worked in collaboration with nature, understanding ecosystems and species cycles to articulate their architecture into an integrated and symbiotically interconnected whole.

One of the most advanced civilizations in Latin America, the Quilmes people inhabited what is today known as the Santa Maria Valley in the northwestern sector of the Tucumán province, in the center of the Calchaquíes Valleys. Their city contains remnants of village life from centuries ago, giving a clear view of life in the village from generations past, including the economy, religious sites, public and private spaces, and interactions with other civilizations. At its height, the Quilmes' city had 450,000 inhabitants prior to the Spanish invasion.

These settlements, built in the Calchaquíes Valleys since approximately the 10th century, are considered to be Argentina's first pre-Hispanic cities. Even though little remains of these cities, their ruins highlight a complex history of a material and spiritual culture ripe with social and economic advancements.