As 2024 comes to an end, the architectural world looks ahead to 2025, a year set to unveil transformative projects across the globe. From cultural landmarks in Asia, such as Sou Fujimoto's "Grand Ring" for Expo 2025 Osaka and MAD Architects' Hainan Science Museum in China, to dynamic urban developments like OMA's Harajuku Quest in Tokyo and David Chipperfield's Elbtower in Hamburg, these projects reflect a commitment to innovation, sustainability, and preserving cultural heritage.
In North America, Studio Gang's Shirley Chisholm Recreation Center in Brooklyn and the Lucas Museum of Narrative Art in Los Angeles highlight architecture's role in fostering community connections. Meanwhile, Europe anticipates Shigeru Ban's hybrid residential tower in Antwerp and Kengo Kuma's Visitor Center at Albania's Butrint National Park, showcasing the intersection of contemporary design and local context. As these projects take shape, they offer a glimpse into architecture's power to redefine spaces and inspire communities.
The Rothko Chapel, a celebrated structure appreciated for its profound meditative space, has announced its reopening to the public on December 17th. Following the extensive damage caused by Hurricane Beryl last July, the custodians of the structure announced its indefinite closure, as a team of art conservators, engineers, and volunteers began the extensive work to restore both the architecture and the invaluable artworks stored within. The Chapel's reopening marks a significant milestone in the recovery process, making this sanctuary of contemplation accessible once again to the community.
In the early 2000s, an abandoned rail line in Manhattan sat decaying - a memory from a time when freight trains traveled straight through the city. To most citizens, it was a site destined for demolition. However, a few visionary residents saw an opportunity in this neglected space and advocated to transform it into a public green space for the community. The success of the project seemed to spark a "High Line Effect", inspiring other American cities to pursue civic infrastructure on outdated railways, roadways, and industrial sites.
Diller Scofidio + Renfro (DS+R) with a team led by Charles Renfro has broken ground on Rice University's New Arts Building named the Susan and Fayez Sarofim Hall. The new building envisioned as a gateway to the university's campus will incorporate exhibition areas, labs, studios, shops, faculty offices, and other facilities. To create adaptability over time, the structure uses an expandable prefabricated system, thus incorporating interdisciplinarity and experimentation within the design. The building located in Houston, Texas, is expected to open in the fall of 2025.
Recently I visited Pittsburgh for a fascinating hand-drawing conference at Carnegie Mellon’s superb school of architecture, which to my knowledge is not among the top 10 in U.S. News and World Report. I wonder why? The curriculum is cutting-edge, the faculty world-renowned, and the students well-grounded and talented. More people of color are in the design community at CMU than at Princeton, SCI-Arc, or Harvard.
Highway interchanges have evolved from important infrastructures that help distribute traffic to unique landmarks that define cities. As multiple road networks embrace and form distinctive sculptures, these road intersections range from singular bridge connections and roundabouts to numerous, layered and multi-layered interchanges. They twist, turn, loop, and wrap around sparse land, vegetation, or existing structures in a bid to transfer travelers from one roadway to another. However, they also create a moment of enclosure, forming partially bounded areas and a sense of space. These spaces could be viewed as liminal and transitional, with no fixed typology able to be hosted. But that blurring character calls for ideas of urban intervention to disrupt the notion of what these spaces can be. They can be readapted from car-dominant sculptures into more human-friendly places and re-integrated as extended schemes of the city's architecture.
The passage of the Biden Administration’s climate change package, the so-called “Inflation Reduction Act,” has predictably split along partisan lines, with Republicans characterizing the bill as an act of reckless government spending, certain to raise taxes and fuel further inflation. But does this act really represent reckless spending? The legislation authorizes $430 billion in spending, the bulk of which—more than $300 billion—is earmarked for tax credits; other spending, and initiatives aimed at stimulating the clean energy economy; and reducing carbon emissions. (The bill also allows Medicare to negotiate prices with drug companies for certain expensive drugs.) The bill is funded in part by a 15% minimum tax on large corporations and an excise tax on companies that repurchase shares of their own stock. Given the scope of the problem, and the escalating future costs of climate inaction, this legislation is an exceedingly modest, but very necessary, first step.
https://www.archdaily.com/988604/its-time-to-be-honest-about-the-impending-costs-of-climate-changeMartin C. Pedersen, Steven Bingler
The Architectural League of New York has announced the winners of the 41st cycle of the annual Architectural League Prize for Young Architects + Designers. Open to young architects and designers ten years or less out of a bachelor’s or master’s degree program, the award seeks to recognize visionary work by young practitioners and encourage the development of talented young architects and designers.
Over the past year, established practices have continued to champion the transformation of existing structures, with adaptive reuse and renovations increasingly becoming a defining aspect of contemporary architecture From the renovation of landmark structures to the adaptive reuse of obsolete facilities, the idea of giving new life to existing buildings has been embraced as the premise for a more sustainable practice, but also as a means of reinforcing the urban and cultural identity of cities. Discover 8 designs and recently completed projects that showcase a new common practice of reusing existing building stock.
The first phase of the POST Houston redevelopment project is nearing completion, and the finished areas are now open to the public. Through adaptive reuse and precise interventions, Jason Long and OMA New York have transformed the historic Post Office mail sorting warehouse into a new public destination and cultural venue for Houston, featuring a diverse collection of programs meant to evolve and adapt to the needs of the city.
Farshid Moussavi Architecture has recently revealed the design for the Ismaili Center in Houston, a project dedicated to cultural exchanges and civic outreach. An ambassadorial building for the largest Ismaili Muslim community in the United States, the new building will host educational, cultural and social events, while also providing a space for contemplation and prayer. The design showcases a contemporary image while reinterpreting traditional Persian elements, thus establishing a dialogue between tradition and modern architecture.