There are many advantages to incorporating interior courtyards in residential projects, both in urban contexts and in more natural surroundings. In both cases, they are a key element in improving the quality of the home's interior space in various ways. Whether in the form of a central cloister, side courtyards, or through perforated slabs and the addition of skylights, these spaces play a vital role in creating a harmonious living environment, offering benefits ranging from the regulation of interior temperature to enhancing social interactions and fostering a close connection with nature.
Residential architecture within natural settings presents a distinct departure from urban design. Unlike the densely populated, man-made environments of cities, the context shifts to a pre-existing, often subdued, natural landscape. This necessitates a more responsive and integrated approach, prioritizing harmony with the environment rather than dominance over it. Exploration of conceptual projects in this realm can help foster a deeper understanding of sustainable building practices, material selection appropriate to the ecological context, and the sensitive integration of human habitation into pre-existing ecosystems.
Each month, ArchDaily's editors select a collection of conceptual projects centered around a theme or program, submitted to ArchDaily. These projects are developed by small and large-scale architecture offices from around the world and submitted openly to the ArchDaily platform, thus forming a worldwide community of practitioners sharing their work, be it purely conceptual, a competition entry, or an early-stage design phase. Submissions are open to everybody. If you wish to contribute, send in your work by following the instructions here.
Six Columns, designed by 31/44 Architects has been announced as the winner of the RIBA House of the Year 2024 award. Designed by Will Burges, Director of 31/44 Architects, for his own family, this four-bedroom residence occupies a compact urban plot in Crystal Palace, South London. The home's design, inspired by the six prominent columns that define its structure, integrates with the surrounding terraced houses while retaining a distinctive and compelling architectural identity.
Overprovision can be seen as an architecture strategy through the lens of resilience—making spaces adaptable to changes, reinterpretations, and future needs. However, could overprovision also offer a productive lens for rethinking spatial design? Are there parallels in architectural theory or practice that align with this concept, as explored by notable figures in the discourse on space?
This question becomes particularly relevant in residential design, especially in regions like Hong Kong or Tokyo, where the demand to maximize space is a cultural and practical norm. Designers are frequently tasked with "making use of every inch" for storage or function, reflecting a tendency among residents to accumulate belongings disproportionate to their living spaces.
On January 21, 1958, three women sat down as contestants for an episode of the popular television show "To Tell the Truth", a quiz game in which a panel tries to guess which of the three contestants is who they say they are by asking them a series of questions. The announcer reveals the true identity of the person is a registered architect, has so far designed a Hilton hotel, and is a married mother of four. Each of the women, dressed formally in pencil skirts and blouses, introduces themselves as Natalie De Blois. As the panelists reveal their lack of knowledge about architecture, only firing off questions about Frank Lloyd Wright, one asks "What is the name of the building that was torn down to build Union Carbide?" The real Natalie De Blois, at the time a senior designer at SOM, firmly answers, "Hotel Margery."
Architecture is one of the oldest recorded professions, dating back to ancient eras when builders designed historic huts and constructed some of the great wonders of the world. When we think about women who have been known as trailblazers of the industry, it's astonishing that we often talk about women who we may interact with in the workplace day to day, or who our mentors may have learned from. Natalie De Blois was a modern-day pioneer of women in the design workforce, and although her legacy began only seventy years ago, it has significantly changed the way that women can participate in the profession today.
At the turn of the millennium, the world was gripped by the looming threat of the Y2K bug, a potential failure of computerized systems that could disrupt everything from banking to aviation. As midnight approached on December 31, 1999, people withdrew their savings, major corporations issued warnings, and governments scrambled to prevent public hysteria. But as the sun rose on January 1, 2000, the feared bug had no material impact, and the crisis faded as quickly as it had emerged. However, this era left its mark in unexpected places — particularly in architecture. Amid the anxiety surrounding digital technology, one of the most iconic concert halls of our time, Casa da Música in Porto, was born. Designed by OMA (Office for Metropolitan Architecture), its origins can be traced to a much smaller project: the Y2K House. What began as an exploration of private domesticity during the digital scare evolved into a grand public structure — an architectural transition from home to a performance hall.
In densely populated cities, the demand for more living space has led to a growing trend in home extensions. With limited opportunities for new construction and a desire to preserve historical urban fabric, homeowners are increasingly looking for innovative ways to expand their homes. Home extensions offer a practical solution to modern needs, allowing residents to stay in familiar neighborhoods and maintain their ties to the community.
There are several approaches to these renovations. Home additions take various forms, ranging from isolated rooms with specific functions near the main house, to volumes directly attached to the original structure. These extensions can be built on the ground floor or take advantage of vertical space by constructing additional levels on the existing building.
Latin American architecture is rich and diverse. This is reflected in the various stones used across different regions over the centuries. These materials highlight the varied geology of Latin America and illustrate how local cultures have adapted their construction methods to natural conditions, resulting in unique and meaningful architecture. In contemporary architecture, stone aligns with sustainability principles due to its durability, low carbon footprint, and local availability. Additionally, stone's aesthetic appeal enhances the creation of timeless spaces that strengthen the connection with nature and the surrounding landscape.
The history of the use of lime in the construction industry dates back thousands of years, spanning cultures and communities worldwide. In fact, around 4000 B.C., the ancient Egyptians used quicklime mixed with water as a building material for their pyramids. Although lime has multiple applications in the food and agricultural industries, as well as in chemical, mining, and steel industries, in architecture it is one of the main construction materials due to its versatility, adhesion, waterproofing, workability, performance, setting, and durability, which allow for the creation of masonry mortars, interior or exterior plasters, among other functions.
Beyond being a prefabricated material currently produced in large quantities, the use of concrete blocks in architecture continues to evolve to meet the demands and needs of contemporary societies that are constantly changing. Whether in interior or exterior spaces, their use can align with concepts of circular economy, resource efficiency, sustainability, and more, with the goal of creating habitable spaces while also understanding their constructive advantages and disadvantages, their expressive and aesthetic qualities, and so on.
Organizing, shaping, stacking. Transforming raw materials from the soil into architecture. This is a challenge that many Latin American architects embrace, demonstrating that scarcity can be daunting but also a rich opportunity to unleash creativity.
The use of materials extracted from the local soil serves a dual purpose. In regions with limited industrialization, using locally sourced materials makes economic sense because industrial materials such as concrete and steel are expensive and often require long-distance transportation, adding to their cost. Environmentally, choosing locally sourced materials from the start of a project reduces transportation needs and carbon emissions, supporting sustainability efforts.
In response to the diverse topographies and natural conditions throughout the Argentine territory, the works of Luciano Kruk propose an architecture that works in harmony with the environment, the landscape, and the nature in which they are situated. Whether immersed in a forest, on sloping terrain, or on a rural plain, among other geographies, his intention is to enhance the relationship between the interior and exterior of the architecture, using concrete as the main material in most of his projects.
How can industrialization and environmental responsibility go hand in hand? What siting, technological, or constructive strategies can be developed without harming the surrounding landscape? The application of modular design in architecture has been in practice for years, with a history involving the pursuit of standardization and modular coordination among materials, products, and more. Over time, it has been complemented by various environmental, sustainable, ecological, and economic factors to achieve the adaptability and functionality desired by its inhabitants.
As construction materials costs increase, builders and developers are seeking alternatives to traditional home construction methods to address housing shortages. In response, an expanding construction technology field is the 3D printing sector. This technology promises quicker, cheaper construction and the potential to extrude local and recycled materials. However, due to the slow-changing nature of the construction industry, a radical shift involving large-scale 3D-printing machines on-site and a complete overhaul of the construction process seems unlikely shortly.
Prefabricated 3D printing modular housing offers a compelling solution, providing the benefits of 3D printing advancements while leveraging standard construction machinery and labor. In off-site 3D-printed construction, there is no need to transport massive 3D-printing machines on-site. Instead, components are printed in a controlled environment and then assembled on-site. These types of 3D-printed residential modular kits of parts are already being manufactured and are attracting significant investment.
Porches in New Orleans. Image via William A. Morgan / Shutterstock
Positioned between the streetscape of a neighborhood and the privacy of the interior of a house lies the porch. Taking on the role of an entrance, a window to ponder out of, a gathering spot, and a stage, the porch has come to represent community and identity for many neighborhoods in the United States. Made of various stylistic elements of different sizes and shapes, these tie together neighborhoods by creating an interstitial space between the home and the street, weaving together the family life inside the house and the public life outside it, and creating a space between the private and public for both serendipitous encounters and for pausing. The porch has often been displayed in film and literature as the stage of profound and life-changing conversations, representing a comfortable threshold between the domestic and public realm in which to linger.
According to the climatic conditions of each region and its implantation environment, exterior enclosures play a fundamental role in providing the necessary climatization and ventilation conditions to make indoor spaces habitable and comfortable. While there are various bioclimatic strategies and designs that can be applied to achieve energy efficiency, the determination of materiality, the choice of hardware, and the definition of opening and closing technologies contribute to the performance of facades, providing functionality and a high degree of adaptability to contemporary uses, among other factors.
From Tafí del Valle to San Carlos de Bariloche, the implementation of natural stone in contemporary Argentine architecture reveals the decisions of architects seeking to maintain a dialogue with their surrounding environment and highlight the purity of materials. While stone is one of the oldest building materials, enduring throughout history, its application in homes in Uruguay, Brazil, and Mexico highlights different characteristics in terms of textures, shapes, shades, and patterns.
