The United States is a country with an extensive history, its buildings holding onto legacies from later times. For their cultural significance, these structures are greatly celebrated and protected, however, they are also exempt from certain energy efficiency mandates. As cities push toward reaching climate goals, these mandates are under scrutiny. Preservationists argue that historic buildings deserve protection from potentially damaging retrofits. On the other hand, sustainability advocates bring up the need for energy efficiency improvements across all sectors of the built environment. The challenge lies in achieving a balance between the competing priorities - ensuring the maintenance of heritage and environmental responsibility.
The World Monuments Fund (WMF) has announced its 2025 World Monuments Watch, highlighting 25 sites facing significant challenges. This biennial program, launched in 1996, aims to raise awareness and mobilize action for the preservation of cultural heritage worldwide. The 2025 list includes diverse locations across five continents and, notably, the Moon, representing the need to protect artifacts from humanity's first lunar missions. The selection process involved over 200 nominations, revealing regional trends such as climate change impacts in Sub-Saharan Africa and urbanization challenges in Asia and the Pacific.
Mario Cucinella Architects (MCA) has reimagined the architectural design of Palazzo Citterio in Milan, Italy, integrating historical and contemporary elements to create a dynamic cultural space. As part of the Grande Brera initiative, which seeks to unify key cultural institutions such as the Pinacoteca di Brera and the Braidense National Library, the palazzo now stands as a hub for modern and contemporary art. Ultimately, the project aims to reestablish Palazzo Citterio as a significant cultural and social landmark, fostering community engagement and interaction.
1180 - The Gothic Choir. Image Courtesy of Histovery
Ahead of the official reopening of Notre Dame de Paris, scheduled for December 8, a series of exhibitions are happening worldwide, aiming to use immersive technologies and augmented reality to bring to a wider audience both the restoration efforts and the wider story of the beloved monument. The event aims to present significant chapters of the history of the iconic structure, from its medieval origins to its witnessing of historical events such as the coronation of Napoleon or the marriage of Henri IV, the 19th-century restoration which added the spire designed by French architect Viollet-le-Duc, and the devastating 2019 fire.
In the heart of Tallinn, where history weaves through cobblestone streets and ancient towers, stands the Ungern-Sternberg Palace — a monument that bridges the opulent past of Estonia's aristocracy with the vibrant world of contemporary academia. Now home to the Estonian Academy of Sciences, this historic building embodies Estonia's enduring dedication to knowledge and cultural preservation. Through Open House Tallinn, which highlights the city's architectural heritage, the palace's significant history, and remarkable architectural details are brought to a wider audience, offering unique insight into Estonia's cultural resilience.
Constructed in the 19th century as a symbol of aristocratic power, the palace has transformed from a private residence into a national hub of intellectual life. Its grand halls, once the scene of lavish gatherings, now foster scientific and academic pursuits, illustrating how heritage architecture can evolve alongside societal change.
Throughout their relatively recent history, museums have evolved to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.
Across Europe, museums are being organized within or expanding upon historical monuments and buildings that have lost their original purpose. Then in a state of decay, this decision to reorganize them as cultural venues stops the decay and preserves the historical material, adding a new layer of complexity to the intended exhibits. The architect's role becomes that of introducing order and a system that can balance the heritage of the place with the needs of modern functionality, ensuring that the essence of the original structure is preserved while meeting the needs of contemporary exhibitions and public engagement.
After a seven-year closure, Chatillon Architectes has renovated the Grande New de I’Île-des-Vannes in Paris, France. Transforming the building into an Olympic training site for the upcoming games, the renovation incorporates modern solutions and state-of-the-art facilities. Initially designed by Anatole Kopp, Lucien Metrich, and Pierre Chazanoff in 1971, the structure features a sweeping parabolic roof and striking translucent side paneling. The restoration involves adding contemporary energy solutions, structural repairs, universal accessibility upgrades, acoustic paneling, sports flooring, and enhancing lighting fixtures.
Restoration of Stirling Building | University of Cambridge. Image Courtesy of BDP
The University of Cambridge, in collaboration with BDP, has just unveiled plans to restore and rejuvenate the Grade II* listed History Faculty Building designed by James Stirling. This structure, home to the Seeley Library, is one of the renowned “Red Trilogy” buildings from the 1960s. Initially intended to showcase the significant library and “the act of reading,” the project is internationally celebrated as a landmark from the post-war architecture era. The revitalization project aims to enhance learning and working environments at the University’s Sidgwick site.
MAD Architects has announced the completion of the Jiaxing Train Station, the first transportation infrastructure project developed by the architecture office. Located in the historic city of Jiaxing, 100 kilometers southwest of Shanghai, the project involves the replacement of a dysfunctional station that had stood at the site between 1995 and 2019. As China has developed significantly in terms of urbanization, its train stations have grown into complicated, widespread, and uninviting infrastructures. Through their project, MAD Architects strive to return to a human scale, to create a facility that responds to the newest developments in transportation technology, while creating spaces that are comfortable and easy to navigate for its users.
Cameroon boasts a rich architectural heritage of Catholic Christian worship buildings. These buildings encompass various styles, including contemporary designs, Terracotta brick explorations, and Gothic, and Byzantine architectural influences. Since the arrival of missionaries and colonial communities in 1890, numerous religious buildings have been constructed with the involvement of local communities. These buildings not only contributed to the development of the Christian faith but also served as venues for the exchange of architectural ideals between the local and foreign communities.
During this period, Cameroon explored the Gothic and Byzantine movements, which had reached their peak in Europe, to create these churches. They were interrogated through local building practices and now represent the historical heritage of the country's cathedrals.
Bologna officials announced plans to secure and repair the leaning Garisenda Tower, a medieval structure in the center of the Italian city. Earlier last month, the area surrounding the tower was secured after raising fears of collapse, as monitoring has found shifts in the direction of the tilt. The 47-meter-tall tower leans at a four-degree angle, similar to its more famous counterpart, Leaning Tower of Pisa. The Garisenda Tower has been a defining feature of Bologna’s skyline along with its neighboring Asinelli Tower, which is around twice the height and also leans, though at a smaller angle, and is usually open for tourists to climb.
WXCA Architectural Design Studio has won the international competition for the reconstruction of the Saxon Palace, a heritage site located in the historical city center of Warsaw, Poland, that was significantly damaged during the Second World War. The competition, organized by the Polish Ministry of Culture and National Heritage in cooperation with the Association of Polish Architects, aimed to create a concept for the restoration of the monument, which is set to be rebuilt in its external Neoclassicist form of 1939.
The World Heritage Committee decided to inscribe the Historic Center of the Port City Odesa, Ukraine, on the World Heritage List. The decision symbolizes the recognition of the outstanding value of the site and the commitment of the 194 States Party of the Convention not to undertake any deliberate step that may damage it and to help protect it. The site has also been inscribed on the List of World Heritage in Danger, which gives it access to international financial or technical assistance to ensure its protection and, if necessary, assist in its rehabilitation, according to UNESCO.
Updated exterior view. Image Courtesy of Selldorf Architects
Selldorf Architects have released a revised version of the plans to remodel the National Gallery and the Sainsbury Wing, both classified as Grade-I-listed monuments. Sainsbury Wing is also the recipient of the 2019 AIA Twenty-five Year Award. The plans for the Sainsbury Wing, designed by Robert Venturi and Denise Scott Brown and opened in 1991, have faced intense criticism, with former RIBA Journal editor Hugh Pearman calling the remodeling plans “unnecessarily destructive”. The plans to remodel were first revealed earlier this year as part of the NG200 Project to celebrate the National Gallery’s bicentennial in 2024. The project proposes the remodeling of the Sainsbury Wing’s front gates, ground-floor entrance sequence, lobby, and first-floor spaces.
Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.
The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.
https://www.archdaily.com/985449/in-london-a-venturi-scott-brown-masterpiece-is-threatenedMark Alan Hewitt
While walking through the city, have you ever felt afraid to be yourself? As strange as the question may sound to some, it is a reality for most LGBTQIA+ people, who at some point have been victims of hostility when they were noticed performing outside the "heteronormative standards" of public spaces. If violence comes from social layers that go beyond the designed space, this does not exempt the importance of thinking about projects that can integrate the physical sphere and insert a symbolic or representational factor to include and educate its citizens. This is the case of Homomonument, which for more than three decades, has become a platform for queer celebration and protest in the heart of Amsterdam.
