#76 MUUSA / draftworks*architects. Image Courtesy of The Next Helsinki
The organisers behind The Next Helsinki, an 'anti-competition' masterminded by architect and critic Michael Sorkin, have highlighted a number of entries from 217 international submissions. Launched as an alternative to the controversial, "imperialised" Guggenheim Helsinki project, the call for ideas asked architects, urbanists, artists, and environmentalists to imagine how Helsinki and its South Harbour could be transformed for the maximum benefit of the city’s residents and visitors. It "sought to ask first if a massive foreign museum was the highest and best use for public resources, especially in an aspiration-focused egalitarian social democracy like Finland."
See a shortlist of eight entries that, according to the jury, "reflect the variety and depth of the submissions" after the break. "These entries are not to be viewed as refined and final proposals, but rather ideas."
The organisers behind The Next Helsinki, a competition masterminded by architect and critic Michael Sorkin, have announced that they have received over 200 international entries. Launched as an alternative to the controversial Guggenheim Helsinki project, the competition called upon architects, urbanists, artists, and environmentalists to imagine how Helsinki and the South Harbour site allotted to the proposed museum could be transformed for the maximum benefit of the city’s residents and visitors.
One of the finalists in the Guggenheim Helsinki competition. Image Courtesy of Malcolm Reading Consultants
More than ever, the media shapes architecture. The controversial Helsinki Guggenheim competition is as much about the use and exploitation of contemporary media as it is about design. The competition organisers are hugely proud to have over 1,700 entries to tweet about, but informed critics are less impressed. Has quantity ever guaranteed quality?
The competition has certainly created an impact. Some celebrate this, while others feel it has been detrimental to the profession, with so much unpaid time invested resulting in a low-level contribution to museum design.
Meanwhile, the spectre of Frank Gehry’s Bilbao Guggenheim, an “iconic” building that gave the American foundation so much positive publicity when it opened in 1997, haunts the Helsinki project. Finnish politicians hope for a similar success, a Sydney Opera postcard effect in this remote corner of the earth.
Finalist: GH-121371443. Image Courtesy of Malcolm Reading Consultants
Aside from attracting a huge level of media interest, the record-breaking competition to design the Guggenheim Museum's planned outpost in Helsinki also generated a significant level of criticism - not least from Michael Sorkin and his collaborators, who launched a counter-competition seeking alternative suggestions for how the site could be used. In this article, originally published on Metropolis Magazine as "'We Mean to Be Provocateurs': Michael Sorkin on the Next Helsinki Competition," Zachary Edelson interviews Sorkin on his reaction to the Guggenheim's shortlist, his hopes for his own competition, and the critical role that museums play in the worlds of both art and architecture.
The reverberations of the Bilbao Effect, where a prize museum infuses a region with prosperity and global cache, have concentrated on an unlikely city: the Finnish capital of Helsinki.
The Solomon R. Guggenheim Foundation is famous for its Fifth Avenue museum, but its 1997 Frank Gehry-designed Bilbao outpost famously catapulted its small Basque host city to new levels of international renown. The city’s tourism revenue quickly helped recoup the museum’s extensive costs: $100 million for design and construction, subsidies towards a $12 million annual budget, $50 million for an acquisitions fund, and $20 million to the Guggenheim for its name, curatorial services, and the use of parts of its collection. Within three years, visitors’ spending had garnered $110 million and by 2013 more than 1 million had entered the gleaming metallic structure. Many have tried to replicate Bilbao’s success but opposition against such massive expenditures always looms. In this case, it has manifested in a rival competition led by New York-based architect and writer Michael Sorkin and titled The Next Helsinki.
In an article for Metropolis Magazine, Zachary Edelson speaks to architect and critic Michael Sorkin about The Next Helsinki - a competition set up "to inquire as to whether this very valuable site in this wonderful city can’t somehow be leveraged beyond a franchise museum building." The esteemed jury, replete with distinguished artists and architects (many of whom are Finnish), is not just "a counter-competition" to the recent Guggenheim competition: "we’re trying to raise the question of whether a big foreign institution is the most logical way to prompt the arts to flourish at the community level." Read Sorkin's comments about the Finns' attitude to their city and his thoughts on the shortlist of the recent Guggenheim competition in full here.
The search for a design for Helsinki’s new Guggenheim Museum is well under way. Over a thousand entrants submitted anonymous proposals for the harbor-side museum, and though six finalists have now been chosen, the incredible wealth of talent and effort present in the submissions is hard to ignore. We celebrate that talent here, showcasing 32 great designs-that-could-have-been for the Helsinki Guggenheim. Learn more about all of them, after the break!
Dundee, Bilbao, Curitiba, Helsinki and Turin are often considered the cultural epicenters of their respected countries. Therefore it is no surprise that these five metropolises are the latest to achieve UNESCO’s City of Design status. Joining a list of 12 other cities, the newest City of Design selections are being recognized for the international influence on design. By awarding them “City of Design” status, UNESCO hopes to help further the development of creative industries and encourage cross-city cultural exchange in each selected metropolis.
With 1,715 entries submitted, the Guggenheim Helsinki Competition has become the most popular architectural competition in history. Only six proposals have made it through to the final round, however we believe there is something to be learned from the hundreds of proposals that didn't make the cut. Therefore, if you participated in the Guggenheim Helsinki Competition and would like ArchDaily’s team of architects and editors to review your proposal for publication, we ask you to submit your proposal here (under "Submit an event, competition, award, news") by Wednesday, December 10. All proposals submitted after this deadline will not be considered. Take a look after the break for the required format for submitting project materials.
The Guggenheim has announced the finalists in the competition to design Guggenheim Helsinki, whittling down the entrants from a record-breaking 1,715 submissions to just six. Representing both emerging and established practices with offices in seven countries, the shortlisted entries show a variety of responses to the challenge of creating a world-class museum.
The six finalists are:
AGPS Architecture Ltd. (Zurich, Switzerland and Los Angeles, United States of America)
The news that every single one of the 1,715 designs for the future Guggenheim Museum in Helsinki have been released via a new competition website was understandably something of a media storm earlier this week. As the largest ever set of proposals to be simultaneously released to the public, how could anyone possibly come to terms with the sheer number and quality of the designs - let alone all the other issues which the proposals shed light on?
In this instance, the answer to that question is simple: get help. Guggenheim Helsinki will arguably go down in history as the prototypical competition for the social media age, not just for releasing the designs to the public but for their platform which enables people to select favorites, and compile and share shortlists. In the days since the website launched, Twitter users have risen to the challenge. See what some of them had to say after the break.
The competition for the new Guggenheim Museum in Helsinki closed last month, becoming the most popular architectural competition in history with 1,715 entries. Now, competition organizers Malcolm Reading Consultants have made every single one available to view online, with each anonymous proposal presented in a series of two images, and a short description fro the architects. "Since its inception, this competition has been organized to be welcoming, inclusive, and transparent, and the gallery presents a singular opportunity for the public to explore and consider the broad expanse of entries," says Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation.
Competition organizer Malcolm Reading added: "For anyone interested in design, the gallery is a tremendous resource that offers rare insight into the design process and further illustrates how the vision for a Guggenheim Helsinki... [has] captured the imagination of architects around the world."
And indeed, the website does provide a tremendous tool: with such a huge volume of entries, the database and its associated tagging system offer an interesting way to probe the architectural zeitgeist: for example, it seems 'curved' buildings are almost twice as popular as 'straight' buildings; and 'opaque' buildings are still unpopular, being outpaced by 'transparent' buildings by almost five to one, despite the traditionally opaque museum typology.
But when it comes to architectural quality, where do you even begin with 1,715 proposals? The competition's website has that covered too, with a favorites button, a six-building shortlist tool and a search-by-registration tool. ArchDaily is here to help too: after the break, we've hand-picked 50 of the most exciting, unusual, interesting and simply absurd proposals for you to start talking about.
The city of Helsinki has announced plans for a design and build competition for a new commercial and residential district in Pasila, near the city centre. The competition, which calls for 8-10 buildings of 15 stories or more, will be part of the city's drive to make Pasila the "second centre of Helsinki," with a total of 150,000-200,000 square metres of residential and office space planned for the district. Read on after the break to find out more about the competition.
Despite Finland’s relatively cool temperatures, climate changes have made heat waves more common in Northern Europe, and the demand for cooling buildings in summer is increasing. Instead of installing air conditioners for individual buildings, Helsinki is pioneering a vast network of underground infrastructure that pumps cold water from lakes and seas into local buildings. Beneath an unassuming park in downtown Helsinki sits a reservoir containing nearly 9 million gallons of water that is recycled and cooled by waste energy after it is used for cooling, replacing the need for air conditioning in the city and cutting carbon pollution by 80%. Read more about this undertaking in this article from Fast Co. Exist.
Take a tour inside ALA Architect’s Helsinki Central Library with a new animation and set of images revealing the project’s spacious interiors. The project, which was awarded to ALA through an international competition, boasts a unique set of programs, such as a ground floor cinema, second story sauna, “Nerd Attic” and dreamy “Book Heaven” that is topped with a cloud-like undulating roof and includes a distinctive outdoor “Citizens’ Balcony.”
As the first phase of the Guggenheim Helsinki design competition concludes, a group of independent arts organizations have launched a search for "alternative" proposals: The Next Helsinki. The counter-competition calls on architects, urbanists, landscape architects, artists, and "all others who love cities to suggest ways in which Helsinki and its South Harbor can be transformed for the maximum benefit of the city.” More information, after the break.
.jpg?1411057698 "Ground Floor Lobby. Image © ALA Architects")
