From November 20 to 23, São Paulo hosted the IV International Seminar on Favela Urbanization, bringing together discussions that bridged theory and practice to address interventions in these territories. Centered on Brazil’s realities, the seminar shed light on the political challenges and the struggle to recognize the potential of peripheral spaces. It also highlighted a shared issue across Latin America: the need for adequate funding to support transformative actions and the legitimization of these territories. Within this framework, the article underscores the critical role of high-quality public facilities in favelas and peripheral neighborhoods. These spaces not only provide access to opportunities but also foster community bonds, serving as essential hubs for social organization and collective efforts toward building a more inclusive future.
"Architecture, city, and activism" are the words that define Taller ACÁ, an emerging practice led by Jorge Villatoro and Hans Schwarz in Guatemala City. Among their projects are the Tiny House Quinn and the Community Center Plantando Semillas, which were recently selected as the winners of the Danta Awards at the 2023 Guatemala Architecture Biennial. In the following conversation, Villatoro and Schwarz provide detailed insights into their inspirations, working processes, and future projections for architecture, both in the country and in Central America.
Guatemala is a country located in Central America that is organized into 22 departments, its capital and most populated city is Guatemala City. Mexico forms the geographic borders that contain this territory to the north and west, Belize and Honduras to the east, and El Salvador to the south. In addition, it faces the Pacific Ocean and the Gulf of Honduras. It is located in Mesoamerica, home to the Mayan culture, which extended to what we know today as Mexican territory. It is for this reason and for some other reasons related to migration issues that these two countries share similar traits in terms of climate and culture, which is highly enriching when we explore the development of the territory.
Rectoría USAC, Andrés Asturias. Image Cortesía de Raúl Monterroso
Raúl Monterroso is one of the referents when it comes to talking about the modern movement in Guatemala. Not only has he been a promoter of the preservation of the country's architectural legacy with his publication "The Guatemala City Guide to Modern Architecture", but he has recently collaborated with the Museo Experimental el Eco for its Re_vista 05 with a critical analysis titled "Modern dreams, magical realism and other fantasies of yesterday and today", which seeks to be a window for anyone to question and get involved with Guatemalan architectural values.
Nature has continually played muse to architects. Colors and forms from the natural world find themselves embedded in artificial edifices. Buildings are also shaped by patterns of the wind and sun, topography, and vegetation. While architecture is informed by the effects of nature, buildings have been proposed as inert objects that remain static in a biologically evolving world. Anthropocentric concrete “jungles” are devoid of life, separating humans from natural environments and causing imbalances that have manifested as pandemics. What would cities look like if there were no boundaries between humans and ecosystems?
City Approach. Image Courtesy of Harry Gugger Studio and over,under
Basel-based Harry Gugger Studio and Boston’s over,under have collaborated to design the Museo Maya de América, Central America’s largest museum of Maya artifacts and culture. Planned for a prominent site at the Northern edge of L’Aurora Park in Guatemala City, the $60 million project will be the “capstone” to a “cultural nexus”, which will eventually include the Children’s Museum and the Museum of Contemporary Art within the city's largest recreational open space.
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