Architecture studio ELASTICOFarm, led by Stefano Pujatti, has been awarded the Premio Italiano di Architettura (Italian Architecture Prize), promoted by the Triennale di Milano and MAXXI. The award, now in its fourth edition, is received in recognition of their S-LAB project, a new building in Turin, Italy, for the Istituto Nazionale di Fisica Nucleare (INFN). The prize highlights works of architecture with high design quality and an attentive approach to innovation and the social role of architecture.
In 2013, Medellín (Colombia) was declared the most innovative city in the world as part of the City of the Year Competition, organized by the Wall Street Journal. It competed alongside metropolises like New York and Tel Aviv.
The Antioquian capital has become one of the most advanced technological and intellectual epicenters in Colombia, not to mention the important urban development that has occurred in the city since the beginning of 2010. The city’s mobility-orientated integrated infrastructure together with interventions of high social impact have turned Medellín into the center of the debate on the growth and development of Latin American cities.
The following projects tell you the story of a city that bet on urban consolidation through quality public spaces and projects that encouraged citizen management by supporting the development of marginalized areas in a process of social reconstruction, where architecture has played an important role as a spatial formulation tool.
PLANE—SITE has released a new film showcasing the work and ideas of Bogotá-based architect Giancarlo Mazzanti, founder of El Equipo de Mazzanti. In this video interview, Mazzanti elaborates on his experimental approach to design research and explores several of his spaces for learning. His firm is behind numerous schools and educational centers, designed to encourage playful and exploratory movement and social relations. As the video explore, Mazzanti creates scenarios for play in daily life.
El Equipo de Mazzanti, led by Giancarlo Mazzanti, has developed a line of toys inspired by their playful Bosque de la Esperanza sports center on the outskirts of Bogotá, Colombia. The first edition of the “We Play You Play” toy series inspired by the firm’s most recognizable architectural and social projects, the Bosque de la Esperanza toy set embodies Mazzanti’s ethos of “using the playful as a design tool.”
With more than 15 years of experience in architectural design, the Mazzanti team developed a special interest in using play as a method of involving and encouraging social behavior within the communities impacted by their designs. The Bosque de la Esperanza set therefore contains 16 modular pieces and 30 connectors, with complex geometries igniting a cognitive element, and creative challenge.
9 years ago today, ArchDaily launched with a challenging mission: to provide inspiration,knowledge and tools to the architects tasked with designing for the 3 billion people that will move into cities in the next 40 years. Over these 9 years, as we have developed innovative approaches to help architects tackle the urban challenges facing our world, our work has brought us into contact with some of the most creative and respected architects in the world. To help us celebrate our 9th birthday, we asked 9 architects who are renowned for their creative and imaginative abilities to create drawings inspired by our logo, to show the world what ArchDaily means to them.
https://www.archdaily.com/866860/9-drawings-to-celebrate-our-9th-birthdayAD Editorial Team
In response to the question posed by the curators of the Chicago Architecture Biennial – what is The State of the Art of Architecture today? -- Colombian firm El Equipo de Mazzanti (Giancarlo Mazzanti) developed their exhibition “Speaking Architecture,” which looks at architecture as “a living process rather than a finished and static object.”
The installation puts the visitor in control, breaking with the typical conception of an exhibition as something controlled, static, limited and unidirectional, and creating “a place to play.”
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this editorial from AR’s November 2014 issue, AR Editor Catherine Slessor uses the opening of Frank Gehry's Fondation Louis Vuitton as occasion to examine the split that has developed within the architectural profession, musing "On how architecture can be either manifestation of vanity or source of social transformation."
One of the most depressing illustrations of how far architecture has lost its grip on reality is Frank Gehry’s new handbag. Along with other selected ‘iconoclasts’ from the world of fashion, art and design, Gehry was tasked by French luxury goods purveyor Louis Vuitton to design a bespoke limited edition ‘piece’. Gehry’s new Fondation Louis Vuitton has just opened in Paris and he is the man of the hour, so it seems obvious that after designing a monumental repository for contemporary art, he should turn his hand to the trifling matter of a fashion accessory. The handbag is yours for £2490. The art museum is yours for around £100 million, though some speculate that it cost much, much more.
Wiel Arets, Dean of the College of Architecture at Illinois Institute of Technology (IIT) and Dirk Denison, Director of the Mies Crown Hall Americas Prize (MCHAP), have announced the inaugural MCHAP shortlist – 36 “Outstanding Projects” selected from the 225 MCHAP nominees.
“The rich diversity of these built works is a testament to the creative energy at work in the Americas today,” said Arets. “When viewed alongside the innovative work by the MCHAP.emerge finalists and winner, Poli House by Mauricio Pezo and Sofia von Ellrichshausen which we honored in May, we see the evolution of a distinctly American conversation about creating livable space.” See all 36 winners after the break.
