Featured: The Latest Architecture and News

Providing the winning design for the Parc des Expositions (PEX) in the innovation zone of Toulouse, in southern France, OMA conceived PEX to be a new gateway to the city hosting exhibitions, conferences, and concerts. The 338,000 sqm project is designed to be a compact mini-city – an antidote to the sprawl of a standard exposition park, and a means to preserve the surrounding French countryside.

Surpassing three submissions by internationally-renowned competitors, the project, led by OMA’s director of French projects Clément Blanchet, will be completed by 2016. Blanchet commented: “This project is not only about architecture, but rather infrastructure. It’s a condenser for diversity, a machine that can promote an infinite amount of possibilities.”

Architects: OMA Location: Toulouse, France Designers: Rem Koolhaas and Clément Blanchet Client: Société Publique Locale d’Améngement (SPLA) Project Area: 338,000 sqm Project Year: 2016 Renderings: Courtesy of OMA

Chicago-based firm Adrian Smith + Gordon Gill Architecture recently announced that it has won an international competition to design the Wuhan Greenland Center, which will likely be China’s third-tallest building, and the fourth tallest in the world, when completed in about five years at 606 meters (1,988 feet) high. Construction is scheduled to begin this summer in Wuhan near the meeting of the Yangtze and Han rivers.

More images and project description after the break.

In response to a public debate about rebuilding the historic wing of the Louvre in Paris, Carl Fredrik Svenstedt Architecte shared with us their initiative to extend the Louvre. Destroyed by the French Republic at the end of the 19th century as a symbol of royal and imperial power, this proposal aims to build a more democratic building better suited to the site and our times. More images and architects’ description after the break.

http://www.dailymotion.com/video/xiwj5w_peter-zumthor_creationEnjoy this lecture by Swiss architect and Pritzker laureate Peter Zumthor.The lecture took place in May 19th the Centre Georges Pompidou, where Zumthor revisited 6 recent projects: The video has also a simultaneous french translation, but it's still watchable in english. Update: You can mute the right channel to remove the french translation, as some readers pointed in the comments section below.Thanks Vicentiu for the tip! (Remember: you can always send us tips and info using our contact form)

Next week we will be taking our Architecture City Guide to Barcelona and we need your help. To make the City Guides more engaging we are asking for your input on which designs should comprise our weekly list of 12-24. In order for this to work we will need you, our readers, to suggest a few of your favorite modern/contemporary buildings for the upcoming city guide in the comment section below. Along with your suggestions we ask that you provide a link to an image you took of the building that we can use, the address of the building, and the architect. (The image must be from a site that has a Creative Common License cache like Flickr or Wikimedia. We cannot use images that are copyrighted unless they are yours and you give us permission.) From that we will select the top 12 most recommended buildings. Hopefully this method will help bring to our attention smaller well done projects that only locals truly know. With that in mind we do not showcase private single-family residences for obvious reasons. Additionally, we try to only show completed projects.

By: David Fano

Have you ever had the experience of sitting through a graphics standards committee meeting? It’s where happy and ambitious thoughts go to die. What starts as a good cause for your firm quickly devolves into very long and highly subjective arguments about things such as title blocks, line weights, line styles, fonts, font sizes, tags, symbols, and of course… naming conventions!

I’m not in any way trying to devalue documentation standards or the importance of title blocks. What I am saying is: We spend a lot of time reinventing the wheel.

According to the U.S. Bureau of Labor Statistics, architects held about 141,200 jobs in 2008 (source). Hypothetically, if each architect in the U.S. spends 30 minutes a year on average working on standards, as a profession we spend 70,600 hours on standards every year. Just for reference there are 2,080 hours per year in a standard full-time work week (52 weeks x 40 hours). That’s like a firm of 34 full time architects working on nothing but standards every year.

This week, with the help of our readers, our Architecture City Guide is headed to Paris. For centuries Paris has been the laboratory where innovative architects and artists have come to test their ideas. This has created a city that has bit of everything. Where the architecture of some cities seems to undergo phases of punctuated equilibrium, Paris’s architectural fossil record gives an impression of gradualism; all the missing links are there. This makes it easy to trace the origins of the most contemporary ideas throughout history. Nothing seems to come out of nowhere. If you look around you kind find the design’s inspiration running through the city’s Roman, Medieval, Renaissance, Baroque, Classical, Rocco, Neo-Classical, Empire, Art Nouveau, Art Deco, Modern, Post-Modern, and Contemporary Architecture. Seen in another context, many of Paris’s buildings might seem out of place, but the bones of this city support the newest iterations on the oldest and most profound questions. The 24 contemporary designs that comprise our list probably should not be viewed outside of this context, even though that is the stated goal of some of the designs.

As the most visited city in the world and arguably the capital of culture, it is impossible to capture the essence of Paris in 24 modern/contemporary designs. Our readers supplied us with great suggestions, and we really appreciate the help and use of their photographs. The list is far from complete and we realize that many iconic buildings are not yet on the list. We will be adding to it in the near feature, so please add more in the comments section below.

The Architecture City Guide: Paris list and corresponding map after the break.

Construction of Schweger Associated Architects‘ Dubai Pearl is continuing. The groundwork, foundations, basements and lower grounds floors of the four towers which form the central section of Phase 1 of the development is now complete. A total of 3.5 million man hours have so far been spent since work started on site and over 60,000 cubic meter of concrete has been poured on one of the largest construction projects still being developed in the UAE.

Sustainability can be associated with wildly expensive technological advances. Which not coincidentally can immediately turn off clients.

So how do we define it? What does it mean, from a resource-conservation standpoint, as well as from a business one? For one viewpoint, we turn to Mark English, AIA. He has promoted sustainability efforts on several different levels for years. That means that not only does he incorporate sustainable strategies in his designs, he also helps other firms implement them in their work. He has been involved in programs including the California Solar Initiative, Green-point Rating, and he is also a Director on San Francisco’s AIA Board. He also edits two online publications including “Green Compliance Plus” where articles explore such topics as Passive Houses and the debate on Green Certification, and which also assists other professionals in meeting energy-efficient goals. Another publication, “The Architect’s Take,” presents news from an architectural standpoint. In fact one of those articles provided the basis for some of this author’s work.

De Architekten Cie., Jason Lee and Patrick Koschuch, has won the open international Kaohsiung Port Station Urban Design competition in Kaohsiung, Taiwan.

The competition was initiated by the city government of Kaohsiung to transform the derelict site of the old railyards and port station from a barrier between two important areas of the city (the Hamasen and Yancheng districts), into a connective piece of the urban fabric. The stated ambitions by the client for the 15.42 hectare site are to highlight the cultural heritage of the site’s former function while introducing new programmes and building volume to accommodate city expansion. These twin objectives are to be achieved in a phaseable and highly sustainable manner. Since a large portion of the site and existing railway buildings are designated as historical monuments, the central challenge of the brief was to strike a balance between the desire for cultural preservation/revitalization, introducing new development onto the site, and establishing enough connections across site to transform the area from an urban barrier into an urban connector.

“Made in China.” For so many in Western nations, this phrase conjures up a plethora of horrific images. There is the Human Rights argument: low wages, inhumane working conditions, and so forth. Then there is the issue of quality, as in, there is none.

First let’s talk about human rights in terms of manufacturing. The favored discourse is that Chinese factories exploit their employees and hence the resultant quality of the goods is far inferior. Sensational stories that support this conclusion always seem to cross international lines. Moreover, there are basic protestations of Human Rights’ violations and then the specter of Tibet is raised.

Next week we will be taking our Architecture City Guide to London and we need your help. To make the City Guides more engaging we are asking for your input on which designs should comprise our weekly list of 12. In order for this to work we will need you, our readers, to suggest a few of your favorite modern/contemporary buildings for the upcoming city guide in the comment section below. Along with your suggestions we ask that you provide a link to an image you took of the building that we can use, the address of the building, and the architect. (The image must be from a site that has a Create Common License cache like Flickr or Wikimedia. We cannot use images that are copyrighted unless they are yours and you give us permission.) From that we will select the top 12 most recommended buildings. Hopefully this method will help bring to our attention smaller well done projects that only locals truly know. With that in mind we do not showcase private single-family residences for obvious reasons. Additionally, we try to only show completed projects.

A 30-day Kickstarter campaign to raise funds for the continued development of + Pool is underway. From the creative minds at Family and PlayLab, + Pool is a collaboration to design a floating riverwater pool for everyone in the rivers of New York City. Beginning the next phase of the project, material testing and design, the online fundraising campaign hopefully will raise the initial $25,000 needed to begin physically testing the filtration membranes providing results to determine the best filtration membranes and methods to provide clean and safe riverwater for the public to swim in. A preliminary engineering feasibility report was initially conducted by Arup New York, which assessed the water quality, filtration, structural, mechanical and energy systems of + Pool.

Family and PlayLab launched a Kickstarter online fundraising campaign this month with the ultimate goal of generating enough support to prototype the filtration system by building a full-scale working mockup of the one section of + Pool. Research, design, testing and development will continue through the year in conjunction with permitting, approvals and building partnerships with community, municipal, commercial and environmental organizations.

Donation levels for the Kickstarter campaign range from $1 to $10,000 with the hope that everyone interested in cleaner public waterways can get involved. Donors can choose from a variety of incentives and gear up for a day at the pool. For more information about the project and the campaign or to donate click here. Or write to info@pluspool.org.

Follow the break for more details about this project and the history of floating pools in New York City, which date back to the early 19th century.

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The Barcelona Institute of Architecture (BIArch) is currently receiving applications to the second edition of the MBIArch post-professional degree program, with classes beginning in September.

A while ago I had the chance to meet one of the architects whose work I highly admire: Sou Fujimoto.

The 2011 Serpentine Gallery Pavilion by Pritzker laureate Peter Zumthor was unveiled today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture.

Zumthor added that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The planted garden enclosed by this dark structure was conceived by the influential Dutch designer Piet Oudolf.

The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’

More info after the break:

“You’re not going to find any of Ai Weiwei’s work being shown in Beijing”, said each Beijing gallery representative. That’s because the artist and agent provocateur has been detained for 80 days now was released today, from what the government is saying was based on “economic charges”. The name “Ai Weiwei” has joined a long list of sensitive words in this country, and associating yourself with the artist has become tantamount to asking for trouble. Just ask the Chinese curator who was questioned by authorities after putting Ai Weiwei’s name under a blank wall in Beijing’s Incident Art Festival.

While Beijing’s lively art scene might currently be scrubbed clean of Ai Weiwei’s work, there’s one thing that’s a little difficult to “harmonize” away, as it’s known here. In 1999, Ai Weiwei began moving into the world of architecture, establishing his own architecture studio called FAKE design four years later. So Ai Weiwei’s artistic vision continues to stand in the form of buildings across the nation’s capital. The most concentrated of these is the artist district of Caochangdi, a few kilometres north of the more commercial art district called 798. It’s also the location of the artist’s studio and where he headed straight to after his release.

More after the break.

Architects: de Architekten Cie / Branimir Medic, Pero Puljiz Location: Kaohsiung, Taiwan Collaborators: Malone Chang + Yu-lin Chen Architects Client: Kaohsiung County Mayor Project Year: 2007 Project Area: 24,470 sqm Photographs: Courtesy of de Architekten Cie.

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