Envisioned as a "daylight factory", the Van Nelle complex introduced revolutionary architectural and social concepts for its time. By integrating glass, steel, and concrete into an open, rational layout, it demonstrated how design could transform industrial processes while improving the lives of the people within. It was not merely a space for production but a symbol of optimism, representing the potential of architecture to reshape industries and communities.
Bauhaus's designs have influenced our contemporary society in obvious and subtle ways. Iconic examples include Marcel Breuer’s Wassily Chair, the B55 Chair, the Bauhaus typeface, and the graphic design principles emphasizing clean lines, primary colors, and geometric shapes. However, the architectural construction details of the Bauhaus movement are much less discussed. While most can readily identify modern or Bauhaus buildings by their geometric forms, functionality, and industrial materials, their architectural details are often overlooked. They not only echo the design language of Breuer’s renowned furniture pieces but also have influenced the much-celebrated architectural glass details of Mies van der Rohe. How were Bauhaus's details executed, and how might they be translated into contemporary details today?
Courtesy of MVRDV | Ucharm | MVRDV Gate M West Bund Dream Cente
MVRDV has just introduced its comprehensive plan and architectural vision for the construction of the Gate M West Bund Dream Center in Shanghai. Formerly home to a cement plant factory, the design uses the existing structures for cultural programs and combines them with new structures to house new functions. The Dream Center aims to revitalize the riverbank area into a thriving cultural and recreational district.
Last week, WXCA Architects unveiled the design for a new “green district of the future,” to be developed on a former FSO car factory site in Warsaw. Covering over 60 hectares, the project aims to accommodate more than 17,000 residents and provide employment for approximately 13,000 individuals by 2050. The Polish automotive FSO factory will be transformed, outlined in a master plan envisioning a multi-functional and environmentally conscious district.
Christopher Payne’s fascination with factories goes back decades. As an architecture student at the University of Pennsylvania in the 1990s, Payne had the good fortune to find a summer job with an agency inside the National Park Service called the Historic American Buildings Survey. “They sent teams of architecture students, historians, and photographers to document all kinds of projects,” he says. “We documented grain elevators in Buffalo, cast iron bridges in Ohio, a power plant in Alabama, and national parks in Utah. That experience instilled a deep appreciation for industrial architecture.” After graduation, he worked for several years as an architect in New York City before transitioning full-time to photography. His previous books include New York’s Forgotten Substations: The Power Behind the Subway; Asylum: Inside the Closed World of State Mental Hospitals; North Brother Island: The Last Unknown Place in New York City; and Making Steinway: An American Workplace. Last month, Payne gave the School of Visual Art’s Ralph Caplan Memorial Lecture, and shortly afterward I reached out to him to talk about his most recent book, Made in America (Abrams), his long love affair with factories, and the photographic process.
MAD Architects has unveiled the project for the renovation of the "Wanmicang" warehouse on the southside of the Shanghai Zhangjiang CementFactory. The building is set to be transformed into a multifunctional public waterfront space for culture, creativity, and commerce. The project maintains the character of the former industrial site but introduces a new addition in the form of an ark-like metal 'floating' volume, creating a stark contrast between the old and new structures. The project is scheduled for completion by 2026.
Tagh Behesht Business Center in Tehran, Iran. Image Courtesy of Rvad Architecture and Design Studio
This week's curated selection of Best Unbuilt Architecture highlights office spaces submitted by the ArchDaily community. From a TV station in Vietnam to a bazaar-inspired business center in Iran, this round-up of unbuilt projects showcases how architects structure corporative spaces to serve as a model for sustainable, innovative, and future-oriented workplaces.
In this powerful new visual from Spirit of Space, we are introduced to Ricardo Bofill’s headquarters ‘The Factory’ or La Fábrica, Taller de Arquitectura. Once a disused and decaying cement factory from the turn of the century, with 30 silos, machine room, and galleries, it is now a significant transformative project, satisfying the Architect's longing for space via adaptive reuse.
A haven in the urban sprawl, engulfed by a floury of palm, olive, and eucalyptus trees. Spirit of Space visits the former hive of activity, now a tranquil mid-city refuge, an immense contrast to the industrial grime that used to reside here. Through moving pictures and multi-sensory experiences it explores the Brutalist form; a concrete shell… a skeleton intertwined with nature itself.
Studio Gang has revealed 63rd House, its design for Blue Tin Production's new manufacturing studio in the heart of Chicago’s southwest side. The new headquarters, which is an adaptive reuse project of Chicago's two-story brick post office that was built in 1920, will feature a mix of meeting and artist spaces around a central community room, "centralizing workers’ well-being, deepening connections with neighborhood residents and partners, and building long-term economic mobility and racial equity across the city".
Construction is underway at Vestre's new facility designed by BIG, set to become the world's most sustainable furniture factory through carbon-neutral fabrication processes and the use of renewable energy. Called the Plus and placed within the Norwegian forest, the project will be an example of efficient manufacturing, using Industry 4.0 solutions, while also developing Magnor as a tourist destination through its attractive design.
Gmp has won a competition to redesign a disused stainless steel factory that would accommodate the Shanghai Academy of Fine Arts. In tune with China's newfound interest in adaptive reuse, the project retains the core structure of the 860-meter long industrial building, as well as its ventilation towers. At the same time, it redesigns the façade and accentuates the central axis through a mix of social spaces. The design is part of a larger redevelopment plan to transform the former industrial site into an art district.
Plant 7 at Congdon Yards, an adaptive reuse project in High Point, North Carolina. Image Courtesy of Keith Isaas
Adaptive reuse or the process of transforming an older building by reusing the structure and changing its original purpose, has gained relevance over the years especially because it allows a complete optimization of the performance of the existing built environment. In a piece, originally published on Metropolis, author Elissaveta Brandon explores how "architects and developers are transforming the staples of the South—located throughout a 120-mile region from Winston-Salem to Fayetteville—into infrastructure fit for today". Transforming historic mills into design hubs, and mixed-use complexes, the article highlights 3 examples from North Carolina.
https://www.archdaily.com/963472/three-adaptive-reuse-projects-in-north-carolina-reinvent-historic-millsElissaveta M. Brandon
Designed by 3LHD Architects, the new campus for the Croatian electric hypercar manufacturer Rimac brings together a wide array of programs and spaces, from production plant and offices to kindergarten, dormitory and even a sheep meadow. Located in the outskirts of Zagreb, within a natural landscape, the Rimac Campus is organized around two main volumes that follow the site’s natural topography, with several accompanying facilities tucked underneath a green roof that stretches out, meeting the surrounding landscape.
Designed by award-winning architect Rudy Ricciotti, the designer of the MuCEM in Marseille, the Jean-Boutin Stadium in Paris, and the Islamic Arts Exhibition in the Louvre Museum, the Manufacture de la Mode reintroduces Chanel's intricate craftsmanship in an architectural and urban context. Architectural photographer Simon Garcia uncovers the newly-inaugurated fashion community in a series of photographs.
General view of the revitalised industrial building sitting in a landscaped garden. Image Courtesy of Foster + Partners
Foster + Partners is leading massive refurbishment works on a historic building in Madrid. The renovation project that will put in place an office building for Acciona, seeks to revitalize an abandoned old industrial building built in 1905, generating over 10,000 square-meters of new spaces.
The progressive departure of factories from cities, often due to environmental regulations, noise ordinances, or the price of real estate, has left many urban manufacturing facilities abandoned and out of use. As these urban factories are left empty, many adventurous developers are taking advantage of the plentiful space, light, and flexible functions that they offer, leading to a residential revitalization in many of the world's defunct manufacturing facilities.
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