Next year’s Tallinn Architecture Biennale (TAB) has been postponed until 2022. Announced by the Estonian Centre for Architecture, the 6th edition has been adjourned “due to the postponement of the Venice Architecture Biennale as well as the uncertain times that international cultural events are facing because of the coronavirus outbreak”.
WORKac in collaboration with Musea Brugge and Cultuurcentrum Brugge has created an exhibition entitled Water Works. Set to run initially from March 7th to June 7th, 2020 at the historic Poortersloge in Bruges, Belgium, the exhibition has been temporarily closed to the public due to the ongoing COVID-19 epidemic. However, the New York-based architectural practice has produced a brief video highlighting its six themed rooms and the eighteen projects on display.
From the famous Kitchen Debate between Nikita Khrushchev and Richard Nixon to the popularity of Henry Ford within the USSR, the hundreds of factories designed by Detroit engineer Albert Kahn for Soviet Russia, and skyscrapers erected in Moscow, the Cold War had a peculiar side to it, that is the Russian fascination with American culture and technology.
Designed by OMA / Chris van Duijn, the Department Store Galleria in Gwanggyo, south of Seoul has just opened. The store’s sixth branch is located at the center of the relatively young and new urban development.
In time for Women’s Day, the artistic outcome of the first call of the Lilly Reich Grant for Equality in Architecture opened at the Mies van der RohePavilion in Barcelona. Running till the 22nd March 2020, the exhibition entitled Re-enactment, carried out by Laura Martínez de Guereñu, aims to put the spotlight on Reich’s overlooked work.
China’s latest landmark, the National Maritime Museum is now open to the public. 6 years in the making, the project is first of its kind. Designed by COX Architecture, after winning the international design competition back in 2013, the museum is located in the recently developed Binhai New Area, in the city district of Tianjin.
AMO, the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas and led by Samir Bantal, has announced a recent research collaboration with Volkswagen. Focused on rural areas and the countryside, the partnership will look into the future of rural mobility, through a first conceptual study on electric tractors.
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AMO’s selection of unique and highly specific conditions distributed over the globe serves as a framework for their research and represents where the world is headed.. Image Courtesy of OMA
Opening in February 2020, the Solomon R. Guggenheim Museum is showcasing an exhibition by Rem Koolhaas and AMO, the think tank of the Office for Metropolitan Architecture (OMA). Entitled Countryside, The Future the exhibition seeks to investigate urgent environmental, political, and socioeconomic transformations in the nonurban areas.
The third edition of the Hangar Exhibition was held this past October in the Jordanian capital, Amman, as part of the city's Design Week. Among the projects exhibited, one installation was able to momentarily teleport visitors into one of the country's most historic sites.
Designed by architect Rasem Kamal, Canyon Walls, a series of freestanding curvilinear partitions, served as a sanctuary for people to disconnect and remain in solitude for a period.
Mars has been notable for capturing humans' interest, intriguing business moguls such as Elon Musk and Jeff Bezos to go on a "billionaire space race" and settle on the planet. But does humanity have the right to colonize another planet? If so, who does this sky-high ambition serve?
Building / Prototype II is an experimental architectural pavilion designed by architect Marc Leschelier for the Feÿ Arts Festival in Burgundy, France. Created in the middle of the forest, in the park of the Château du Feÿ, the permanent installation is the first of an acquired collection to be always displayed on site.
The Kharkiv School of Architecture is celebrating a prosperous year of academic and international achievements. In addition to hosting the nominated projects of the 2019 EU Mies Awards, the school has completed its first year of BA in Architecture. To celebrate these milestones, the school has organized a double exhibition showcasing the works of first-year students, as well as displaying the projects of Europe's most innovative architects.
By bringing together these two exhibitions, the school built a link between two generations of architects: The Mies Award, where the best works of the current European architects and designers are displayed, and the school's “Open/Work” exhibition, a glimpse into the innovations of future Ukrainian architecture.
Victoria Lautman, the LA-based journalist, started taking pictures of stepwells in India, thirty years ago, collecting images from all over the country. The Fowler Museum at UCLA is exhibiting nearly fifty photographs of these water-harvesting structures, till the 20th of October 2019.
Architect and educator Astra Zarina wasn’t just the teacher of Tom Kundig, Ed Weinstein, and Steven Holl (who designed ‘T’ Space); she was also an advocator for public spaces, cohesive urbanity, and the communities that these attributes fostered. ‘T’ Space’s newest exhibit Rome and the Teacher, Astra Zarina celebrates Zarina’s life and teachings in the context of recognizing overlooked pedagogical figures, particularly women. A recent article by Metropolis Magazine describes this exhibit in detail and with it, Zarina’s own life story.
https://www.archdaily.com/922753/t-spaces-new-exhibit-celebrates-the-overlooked-history-of-an-influential-female-architect-and-educatorLilly Cao
Originally published in Metropolis Magazine as "Inside the Homes and Workspaces of 8 Great Architects", this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It's a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year's Salone del Mobile intends to dispel the myth. Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects’ “rooms” at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects' homes and studios
Bjarke Ingels Group has launched an exhibition at the Danish Architecture Center, reflecting on the firm’s extensive history in design. “Formgiving – An Architectural Future History from Big Bang to Singularity” explores how the world around us has taken shape with 71 BIG projects.
The Museum of Contemporary Art Chicago is presenting an exhibition devoted to the work of the ultra-modern, genre-bending artist and designer Virgil Abloh. Titled “Virgil Abloh: Figures of Speech” the immersive space has been curated by the Museum's Chief Curator Michael Darling, and Samir Bantal, a director at OMA’s research wing, focusing on the creative process and collaborative work of Abloh who is redefining fashion, art, and design.
Although The Architecture of Happiness did not gain momentum after its publication in the mid-2000s, the ideology of architecture and well-being has remained a topic of intrigue until today. To further explore this ideology, the Canadian Centre for Architecture (CCA), with the curation of Francesco Garutti, have put together an exhibition that explores how the “happiness industry” has controlled every aspect of contemporary life after the 2008 financial crash.
Our Happy Life, Architecture and Well-being in the Age of Emotional Capitalism is a non-archival show that exhibits work from architects, artists, and photographers. Metropolis’ Samuel Medina spoke to Garutti to discuss the notion behind the exhibition, social media, and architecture’s new spaces of meaning.