The European Cultural Centre (ECC) has unveiled the forthcoming chapter of its acclaimed Time Space Existence exhibition. Marking its seventh edition, this celebrated biennial architecture will once again transform Venice into a global hub of architectural innovation. From 10 May to 23 November, 2025, the iconic venues of Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens will serve as vibrant stages for a kaleidoscope of ideas and visions redefining the built environment community.
Ahead of the official reopening of Notre Dame de Paris, scheduled for December 8, a series of exhibitions are happening worldwide, aiming to use immersive technologies and augmented reality to bring to a wider audience both the restoration efforts and the wider story of the beloved monument. The event aims to present significant chapters of the history of the iconic structure, from its medieval origins to its witnessing of historical events such as the coronation of Napoleon or the marriage of Henri IV, the 19th-century restoration which added the spire designed by French architect Viollet-le-Duc, and the devastating 2019 fire.
The "Garden Futures" exhibition, currently showing at the Nieuwe Instituut in Rotterdam until April 13, 2025, explores the multifaceted history and future of the modern garden. Curated by Maria Heinrich and spatially designed by Frank Bruggeman, the exhibition presents the garden not only as a personal refuge, but also as a site reflecting broader political and commercial forces. The show's structure, divided into four thematic chapters, allows for a comprehensive exploration of the garden's evolution and its potential for future development.
Our contemporary society has been witnessing a surge in skyscraper construction in urban centers worldwide for various reasons—including engineering advancements, increased urban density, space constraints, and, arguably, a competitive drive for building the tallest structures. The allure of all-glass facades and the pursuit of curtain walls with larger panes of continuous glass have often come at the cost of functionality.
In these towers, operable windows are sacrificed for aesthetics and expansive views, with a central core layout that maximizes 360-degree views while creating architectural "solar heat-gain monsters." Without natural or cross ventilation, these glass skyscrapers trap significant heat from solar radiation within habitable spaces, relying almost exclusively on mechanical HVAC systems to cool these spaces. This raises the question: is passive ventilation strategy becoming obsolete in high-rise design, or can operable systems be integrated effectively into our high-tech towers?
The Metropolitan Museum of Art has opened a major exhibition focused on the diverse and innovative career of Paul Rudolph, a second-generation Modernist architect whose work stands alongside luminaries such as Eero Saarinen and I.M. Pei. Titled "Materialized Space: The Architecture of Paul Rudolph," the exhibition is on display from September 30, 2024, to March 16, 2025, covering a wide spectrum of Rudolph's architectural contributions, from his experimental houses in Florida, through civic projects, to visionary urban megastructures and mixed-use skyscrapers.
The Utzon Center in Denmark has announced the opening of “Primitive Future: Everything Is Circulating,” a solo exhibition dedicated to exploring the work of renowned Japanese architect Sou Fujimoto. Marking the first time his work is presented in Denmark, this exhibition offers a glimpse into Fujimoto’s vision, waving together the themes of nature and architecture. The exhibition's centerpiece is an expansive 500-meter-long steel wire installation that serves as a three-dimensional sketch, framing 12 of Fujimoto’s architectural projects.
In Beirut, the Interdesign Building stands as a striking yet enigmatic structure. Never used since its conception in 1973, the building was designed by Lebanese architect Khalil Khouri and, in some ways, it represents a physical testament to the region’s hopes and struggles. During the inaugural edition of We Design Beirut, the exhibition “All Things Must(n't) Pass: A Subjective Recount Of Khalil Khouri’s Life And Career As A Designer” opened the building to the public, aiming to tell the story of its architect, Khalil Khouri, through the lens of his son and grandson, Bernard and Teymour Khoury. On this occasion, ArchDaily’s Editor in Chief, Christele Harrouk sat down with Bernard Khoury at his DW5 office to discuss the life of his father and a little-known chapter of Lebanese architectural history.
The Museum of Architectural Drawing presents “Lina Bo Bardi - The Poetry of Concrete,” an exhibition featuring 40 drawings by the esteemed architect Lina Bo Bardi, highlighting her architectural legacy. Showing together for the first time in Europe, these works include sketches and designs, photographs of the architect’s buildings, and illustrations. Taking place in Berlin, Germany, the exhibition opened on 31 May 2024 and will continue until 22 September 2024.
This June, the Roppongi Museum in Tokyo is hosting an exhibition titled "Miss Dior: Stories of a Miss." Designed by OMA/Shohei Shigematsu, the display presents the 78-year legacy of the renowned Miss Dior perfume, which was launched alongside Dior's revolutionary "The New Look" in 1946. Organized as a journey through seven rooms, the exhibition design features not only the perfume and related memorabilia but also explores the various inspirations and collaborations that have shaped its cultural significance.
The Architectural League Prize for Young Architects + Designers is an annual portfolio competition for early-career practitioners in North America. Established in 1981, the competition is entered around a yearly theme. This year, the 2024 Young Architects + Designers Committee proposed the theme “Dirty,” prompting designers to “look beyond their presentations of professionalism, respectability, and expertise” and reject the sanitized ways of working.
The original work of the six winners of the 2024 League Prize for Young Architects + Designers is now on view in an online exhibition. The installations created for this occasion showcase the wide variety of responses and interpretations of the overarching theme. The projects presented online and in some instances also locally on-site, challenge traditional architectural practices and offer an immersive introduction to the works of the winners. In addition to the installations, a diverse program of lectures has been scheduled to develop the theme further.
Finnish office Sigge Architects has been announced as the winner of the international competition for the design of the Museum of History and the Future in Finland's oldest city, Turku. The proposal, selected out of over 400 entries, creates a permeable structure along the waterfront, acting as a catalyst for the regeneration of the area. The museum aims to showcase the most innovative scientific research through a wide variety of exhibitions, audio-visual installations, and educational spaces. Construction is expected to start in 2027 and be completed by 2029, with a public opening scheduled for 2030.
Noemí Blager and Tapio Snellman are presenting a new video installation at the Architectural Association (AA) in London. The exhibition titled “A Lot with Little” set out to explore and showcase how architects can employ a more economical use of resources to create architectural works that are both sensible and sustainable. Previously shown in Germany, Switzerland, China, Czechia, the US, and the Venice Architecture Biennale, this London debut aims to highlight the global relevance of resource-efficient architectural practices. The exhibition is now on view at the AA School in London from April 26, until May 30, 2024.
A new exhibition presenting the works of artist Zeng Fanzhi has opened in the historic Scuola Grande della Misericordia in Venice, Italy. Running from April 17 to September 30, 2024, concurrent with this year’s edition of the Venice Arts Biennale, the “Zeng Fanzhi: Near and Far/Now and Then” exhibition showcases the latest breakthroughs in the artist’s practice in a space adapted by architect Tadao Ando.
We Design Beirut, Lebanon’s four-day design experience will take place from May 23-26, 2024. This multidisciplinary event aims to showcase and celebrate design and creativity through a varied program, including showcases, installations, talks, and workshops. Founded by Mariana Wehbe in collaboration with industrial designer Samer Alameen, the event seeks to foster a global conversation on design and sustainability through programs in the fields of interior design, architecture, furniture, product design, functional art, ceramics, and home accessories.
The Vitra Design Museum presents 'Transform! Designing the Future of Energy', an exhibition running from March 23rd to September 1st, 2024. As energy stands as the cornerstone of modern society, the subject encompasses political, social, and environmental dimensions. The exhibition aims to highlight design’s role in the effort to transform the energy sector into a more efficient, reliable, and sustainable one, relying more on renewable sources, smart mobility systems, and moving towards self-sufficient cities.
Brooklyn-based firm SO-IL has revealed the design for a new campus art museum at Williams College in Massachusetts, created to become a primary teaching resource for the institution renowned for its art history program. Since its inauguration in 1926, the Williams College Museum of Art has gathered an expansive collection of over 15,000 works. Through the design of SO-IL, the museum will be able to move into its first freestanding purpose-built home. In May 2024, the museum will present an exhibition on SO-IL’s design.
The Pritzker-winning architect Thom Mayne is presenting his display “Constructing the Spontaneous” in the Paul Kyle Gallery in Vancouver, Canada. Known for his contributions to architecture and design, the architect founded Morphosis in 1972, embodying his philosophy of architecture as an ever-evolving, dynamic process. Mayne’s latest display features his artworks, diving into the intricate relationship between cutting-edge technology and timeless human expression.
Salone del Mobile.Milano has announced the opening dates and events program, expanding the trade fair event to encompass more narratives and projects relevant to the design community. The 62nd edition will take place at Rho Fiera Ilano from April 16 to 21, 2024. It is expected to include over 1900 exhibitors from around the world, with contributions from emerging designers and several design schools under the recurring SaloneSatellite, now in its 25th-anniversary edition. The cultural program also includes immersive installations, like David Lynch’s “Thinking Rooms.”
