In 1853, at the New YorkWorld Expo, a man climbed onto a suspended platform and ordered the rope supporting it to be cut. He dropped a few inches, but the safety system activated, and the platform remained stable, to the delight of the watching crowd. At that moment, perhaps not even Elisha Graves Otis realized how his invention would permanently change the course of architecture.
Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.
In 2020, in the midst of the first wave of lockdowns due to the pandemic, the municipality of Amsterdam announced its strategy for recovering from this crisis by embracing the concept of the “Doughnut Economy.” The model is developed by British economist Kate Raworth and popularized through her book, “Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist”, released in 2017. Here, she argues that the true purpose of economics does not have to equal growth. Instead, the aim is to find a sweet spot, a way to balance the need to provide everyone with what they need to live a good life, a “social foundation” while limiting our impact on the environment, “the environmental ceiling.” With the help of Raworth, Amsterdam has downscaled this approach to the size of a city. The model is now used to inform city-wide strategies and developments in support of this overarching idea: providing a good quality of life for all without putting additional pressure on the planet. Other cities are following this example.
Ever since the Industrial Revolution and the introduction of mass production, the ownership and use of simple products and services like flush toilets with running water, electricity, heating, and cooling are seen as human rights in many areas of the world. With the majority of homes and residential projects being individually designed and built to order – therefore without the speed and cost advantages of mass production – an underperforming housing construction sector means many people – even in the world’s richest countries – are being denied one of the most basic human rights, having somewhere to call home.
The UNHCR (UN Refugee Agency) states that there were over 100 million forcibly displaced people worldwide in 2023 – a figure that has tripled over the last 10 years. For host countries, finding safe, sustainable housing solutions for those in need, both in the short- and the long-term, is an ongoing and dramatically worsening challenge.
The future Saudi tower designed by Foster + Partners is expected to reach a staggering height of two kilometers. This multibillion-dollar project, towering twice as high as the current record holder, the Burj Khalifa in Dubai, will dominate the skyline of Riyadh, accommodating offices, residences, and entertainment spaces. It forms part of a development program led by Saudi Arabia, driven by the vision of Crown Prince Mohammad bin Salman to establish the country's presence through ambitious, large-scale projects. While these super-tall towers symbolize visibility and global recognition, they face criticism for their extravagant construction costs and environmental impact.
In the world of architecture, competitions serve as catalysts for innovation and creativity. By promoting the architectural community to contemplate a given theme and intervene in well-defined spaces, they provide some of the best platforms for experimentation, allowing architects and designers to explore new concepts, challenge conventions, and address pressing societal needs, all while comparing the wide variety of emerging solutions. This week's curated roundup gathers examples of worldwide competition proposals submitted by the ArchDaily Community.
The selected projects vary in size and program, from world-renowned competitions such as those hosted for the national pavilions at the next World Expo in Osaka, or the Temple at the center of Black Rock City at Burning Man, to local interventions that highlight unique spaces such as the creative reimagining of a popular market space in the historic center of Sibiu, Romania, or the subtle presence of a villa in the Mediterranean wilderness.
Spanning continents and cultures, architecture-focused events serve as platforms for the gathering of diverse groups of professionals to share innovations and embark on dialogues regarding some of the most pressing matters faced by our profession. Embodying the spirit of collaboration, highlighting local cultures and practices, and fostering open debates, this year’s list of events covers a diverse range of biennales, forums, city-wide celebrations, international fairs, and awards.
Paul Clemence has released images of the Amaris mixed-use development in Washington D.C., one of the latest works completed by renowned Uruguayan American architect, Rafael Viñoly. The photographic series reveals a distinctively shaped curvilinear building opening towards public spaces along the Potomac River. The volume is created to accommodate residential units with generous views toward the surrounding landscape, marking the terminus point to a row of new buildings in The Wharf development.
Inaugurated on September 21st, 2023, The Chicago Architecture Biennial is a city-wide festival that will continue until the end of the year. Titled “This is a Rehearsal,” the event is set up as a love letter to Chicago, activating ongoing dialogue around and in the city. One month after the biennial started, events are still ongoing, with open houses, theater performances, and virtual conferences happening throughout this week.
The result of a collaboration between OMA / Jason Long and Y.A. studio, the joint development of 730 Stanyan in the Haight Ashbury neighborhood of San Francisco broke ground. Upon completion, the 8-story building will accommodate 160 units of deeply affordable homes and amenities for low-income people, including formerly unhoused families, and homes and amenities for people with low incomes in San Francisco, including families, formerly unhoused families, and Transitional Age Youth (TAY). The project is scheduled to be completed in the Fall of 2025.
This Earth Day, U.S. Vice President Kamala Harris highlighted the many benefits of nature-based solutions and recognized the important role of landscape architects in this work. At the University of Miami, she also announced $562 million in funding for coastal resilience projects, supporting 149 projects in 30 states, through the Climate-Ready Coasts Initiative of the National Oceanic and Atmospheric Administration (NOAA). Vice President Harris’ remarks build on the Biden-Harris administration’s support for planning and designing with ecological systems in an equitable way.
The Architectural League of New York has announced the winners of its 42nd cycle of the Architectural League Prize for Young Architects + Designers. The theme for this edition of the competition was “Uncomfortable,” asking young designers to contemplate their position while wrestling with many uncomfortable responsibilities, like challenging traditional paradigms, dismantling architectural legacies, grappling with the costs of comfort, or responding to rising ecological concerns.
Established in 1981, the competition is open to young architects and designers in an effort to recognize the visionary work of young practitioners. This year’s theme was developed by the 2023 Young Architects + Designers Committee, which included recent League Prize winners Jose Amozurrutia, Germane Barnes, and Jennifer Bonner. The jury included the committee in addition to Barbara Bestor, Wonne Ickx, Kyle Miller, and Tya Winn.
Every year since its establishment in 1970, Earth Day aims to bring into focus not only the increasingly threatening effects of climate change but also highlight the effective measures and adaptation efforts that can improve the quality of our environment. This year’s event comes after a report from the United Nations’ Intergovernmental Panel on Climate Change (IPCC) in March, which presented another warning on the magnitude of changes produced by human-induced global warming and its impact on people and ecosystems. The same report does offer some hopeful prospects as well, showing that adaptation measures can build resilience, but those urgent systemwide transformations are needed to secure a net-zero future. In response to these findings, the 2023 Earth Day is focused on the theme of “Investing in Our Planet,” as an encouragement for governments, institutions, businesses, and civil society to accelerate the change. Read on to discover several citywide initiatives aligned with these objectives of building resilience and a more sustainable future through legislation, civic involvement, and innovative systems.
For many, schools and kindergartens represent the first contact with public architecture. They, together with every educational facility, serve as the foundation for learning and knowledge dissemination, playing an important role in shaping the formative years of children and young adults. In consequence, these buildings need to respond to the needs of different age groups, while creating functional and flexible spaces for learning, but also for play and unstructured interaction. Light and ventilation needs contribute to the complexity of these architectural programs. However, designing educational facilities presents opportunities for innovation and creative expression, as they are required to adapt continuously to the changing needs of students and faculty while creating a conductive environment for learning.
This week’s curated selection of Best Unbuilt Architecture highlights designs submitted by the ArchDaily community dedicated to cultural institutions. From a learning center created to offer the girls in Mozambique an equal opportunity to learn, play and connect, to a naval station redesigned as a research center on the coast of Puerto Rico, this selection features projects created to encourage learning, curiosity, and the exchange of knowledge and expertise. The article includes designs from both established and emerging architectural practices, including Moore Ruble Yudell, C+S ARCHITECTS led by Carlo Cappai and Maria Alessandra Segantini, Hello Wood, and snkh studio.
Perkins&Will has been selected as one of the five finalists in the nationwide artistic ideas competition for the design of the new National Museum of the U.S. Navy. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and BIG. Organised by the Naval Heritage History and Command’s (NHHC), the competition’s aim is to create a modern museum for Naval veterans and the public, a new building and ceremonial courtyard to reflect the Navy’s values and legacy. The campus would consist of approximately 270,000 square feet, with 100,000 square feet of gallery space. The Navy’s preferred location for the museum is on a site adjacent to the Washington Navy Yard.
Bjarke Ingels Group (BIG) was selected as one of the finalists in the Naval Heritage History and Command’s (NHHC) competition for the design of the new National Museum of the U.S. Navy. The competition’s aim is to create a publicly accessible modern museum for Naval veterans and the public, a memorial to the U.S. Navy’s heritage, and a center for education and cultural events. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and Perkins&Will.
Architect William (Bill) Hellmuth, the chairman and CEO of HOK, passed away on April 6, 2023, after a long illness. Hellmuth was elected president of HOK in 2005, then CEO in 2016. He accepted the new role on the condition of remaining design principal for HOK’s Washington D.C. studio, as he enjoyed having a hands-on approach and working directly with clients and HOK project teams. One year later he was also named chairman of the firm, helping the office to raise its profile as an innovative and influential company within the design community.
Addressing diverse scales, users, and themes, Rafael Viñoly has been involved in numerous architectural projects ranging from museums and educational facilities to airports and skyscrapers. Beyond the economic, geographic, technological, social, or cultural variables he has faced, the wide range of works he has left us as a legacy is the fruit of a trajectory that we propose to go through from his beginnings in the profession to his most controversial and most recent projects.