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In recent years hair salons and barbershops have begun to incorporate different activities - a programmatic hybridization almost necessary in today's service economy.
Several architects have been commissioned to propose alternatives to the standard beauty salon/barbershop to not only address an efficient configuration but stunning interior aesthetics.
Take a look at 10 barbershops and beauty salons with their plan and section.
Earlier this year, I witnessed an intriguing situation. I followed, via an architect friend, the negotiation for the contracting of an architectural project for a single family home. The land owner, a public school teacher, sought professional help to build her dream home, estimated at about 60 square meters. It was a challenging terrain, with specific cutouts and a very steep topography that was compensated by the view of the city. The limited budget and the owner's history indicated that this would be the seaside version of the famous Vila Matilde House by Terra e Tuma.
Manga is an umbrella term for a wide variety of comic books and graphic novels originally produced and published in Japan, and unlike western comic books that we may be more familiar with seeing printed in full color, are primarily published in black and white. Manga is the Japanese word for comics published in Japan, with the word itself comprising of two kanji characters: man (漫) meaning 'whimsical' and ga (画) meaning 'pictures'.
Not to be confused with the popular Japanese medium of anime, manga is print media whilst anime stands as visual media that is either hand-drawn or computer-produced, combining graphic art, characterization, cinematography, and other forms of creative and individualistic techniques. It is most notable that a lot of anime is developed as a result of a successful franchise that began as mere manga novels, but what continually unites the medium of manga and anime is the use of diverse art styles throughout various narratives that have been constructed for us consumers to follow.
If today technologies are emerging for different forms of representation and interaction with drawing, understanding how architects communicate through hand-drawn strokes can be essential to delve into the topic of architectural visualization. Through the simplicity of gestures, small texts or a collage of references, it is possible to translate ideas in an innovative way, unlike the ways that a render can present. For this reason, we highlight here the work of great names such as Lina Bo Bardi, Renzo Piano, Pezo von Ellrichshausen and Mikkel Frost, who, using different techniques, reveal different ways of representing a project.
With an increasing amount of architectural visualizations being published on social media, it’s easy to get overwhelmed. Adding this to how the famous algorithm works, we end up always being exposed to social media publications that are, in many ways, similar to each other. But for us as architects, designers, and students, social media is not only a platform for networking and sharing our works. It also serves as a source of inspiration. If the algorithm isn’t helping us to discover new and different ideas, then it’s up to us to go out of our way and look for them.
Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.
In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.
The interior design of a coffee shop can make-or-break an establishment. With an inviting design, you can transform drinking a simple cup of coffee into a wonderful experience. However, when you only have a few square meters and various machines and properties to distribute, finding an efficient configuration is not easy.
This article was originally published on Common Edge.
In an age of ebooks and web-first publishing, Louis Kahn: The Importance of a Drawing (Lars Müller Publishers) is a defiant throwback: a lavish, 500-plus-page book, very much an object befitting its subject, whose buildings had a weight, both literal and figurative, that was part of their power and appeal. Conceived and edited by Michael Merrill, the book is both a deep examination of Kahn’s creative process, as told through the medium of the hand drawing, as well as a revealing portrait of the man behind those buildings and illustrations. Merrill is an architect and educator and currently serves as director of research at the Institute for Building Typology at the Karlsruhe Institute of Technology in Germany. He’s also the author of two previous books on the master architect, Louis Kahn: Drawing to Find Out and Louis Kahn: On the Thoughtful Making of Spaces.
ArchDaily continues a seven-year-long tradition of celebrating the best architecture drawings of the year. From painting to collages to blueprints, the 2021 edition highlights a carefully-curated collection of architectural drawings and visualizations with a wide variety of techniques and representations.
In its new exhibition Peter Cook: City Landscapes, Louisiana Museum of Modern Art showcases drawings by the influential architect, best known for his architectural theories and visionary concepts. Curated by Kjeld Kjeldsen and Mette Marie Kallehauge, the event is part of the exhibition series Louisiana on Paper, which presented the work of various artists over the years and is now debuting its first show featuring drawings by an architect.
Airports require architectural solutions that not only respond to the efficiency of their spaces and circulations - both operational and passenger - but also to their connection with other transport systems and terminals.
Take a look at 10 airports/terminals and their plans and section below.
2020 and the Covid-19 pandemic forced architectural students around the world to go virtual with their classes and coursework, transforming the way architecture was both taught and learned. Once based primarily on in-class participation, and collaboration, architectural workshops had to take on whole new methods of instruction. Conversations and debates between students and their instructors, a key element of architectural education were relegated to phone and video calls as well as written documents, making digital formatting an essential tool for students to share their ideas and receive feedback on their work.
An axonometric perspective, also called parallel projection or axonometry, is an orthographic projection on an oblique plane as a means of representing three-dimensional objects. It is a very efficient way to illustrate a project since it can represent not only conceptual schemes but also construction details in a very didactic style. It allows us to change the position of the viewer when rotating the axes and thus generating several visual combinations of the design, that can help answer any questions the contractor or client may have.
When we approached the Flores & Prats firm, we wanted to focus on their precise drawing just as much as their detailed mock-ups. We wanted to see a project that not only "values the time invested and accumulated in it but also sees said time as a virtue and not a defect;" an indication of paying attention to the process as well as the unexpected. (In this sense, it reminds me of reading about how to draw a forest, among other things, in "Las tardes de dibujo en el estudio Miralles & Pinós").
We conducted a long-distance interview with the Eva Prats and Ricardo Flores studio for this reason; to get a better idea of their thoughts on the impact of drawing on architectural representation.Their input makes clear the "why" of their decisions, and explains not only how they operate in a contemporary context but also indicates their relationship with construction among other disciplines.
Today, the overlap of the tools and software products utilized by filmmakers and architects reinforces the historical bond between the two disciplines more than ever. In one of their design studios, Master of Architecture students at the Melbourne School of Design try to master the techniques and methods of filmmaking and employ them in their architectural films and animations.
Amer Ismail, architect-turned-artist based in London, has developed a spectacular set of intricate “Globe Drawings” of cities around the world. Beginning in 2016, Ismail developed these 5-point-perspective drawings with heavy inspiration from artist Stephen Wiltshire. Having spent many years drawings architecture, including time at Foster+Partners, Ismail tasked himself with developing a series that encompassed his “interest for architecture, city planning, travel, drawings, and Star Wars.”
