Through the analysis of an innovative bamboo grid structure created using augmented reality by architects Kristof Crolla and Garvin Goepel in August 2023, we delve into the intricate world of bamboo architecture, focusing on its application in dome structures through a series of detailed illustrations that uncover the depth of this sustainable material's capabilities.
The Sharjah Architecture Triennial opened on November 11, 2023, with the theme of The Beauty of Impermanence: An Architecture of Adaptability. Curated by Tosin Oshinowo, the program focused heavily on the Global South and alternative models the region can provide in the future. As part of the Triennial, the “3-Minute Corridor” pavilion by WallMakers explores our waste on a global scale, exploring methodologies of material reuse.
In March 1972, an article in The Architectural Review proclaimed that this structure was “probably the best building in Paris since Le Corbusier’s Cité de Refuge for the Salvation Army.”[1] The article was, of course, referring to Brazilian architect Oscar Niemeyer’s first project in Europe: the French Communist Party Headquarters in Paris, France, built between 1967 and 1980. Having worked with Le Corbusier on the 1952 United Nations Building in New York and recently finished the National Congress as well as additional iconic government buildings in Brasilia, Niemeyer was no stranger to the intimate relationship between architecture and political power.[2]
The Madison Square Garden Company has unveiled images of its proposed MSG Sphere in London, a next-generation venue seeking to “redefine live entertainment” through an array of technology geared towards transformative, immersive connections between artists and audiences.
To accompany the London scheme, an MSG Sphere will also be located in Las Vegas. Both are to be designed by Populous, a global firm responsible for a large number of stadia and arenas across the globe.
French firm Coldefy & Associates has unveiled images of their design proposal for the world’s largest tropical greenhouse under one roof. Situated in Pas-de-Calais, France, “Tropicalia” will cover an area of 215,000 square feet (20,000 square meters) featuring a tropical forest, turtle beach, a pool for Amazonian fish, and a one-kilometer-long walking trail. The biome aims to offer a “harmonious haven” where visitors are immediately immersed in a seemingly natural environment under a single domed roof.
Reinterpreting the teachings of Buckminster Fuller, North Face have announced the latest tent in their collection; a geodesic dome tent. Thanks to the most spatially efficient shape in architecture, it can withstand winds of up to 60 mph as the force is spread evenly across the structure whilst even providing enough height for a six-foot person to stand comfortably inside.
The extremely efficient design has allowed the tent to weigh not much more than 11kg and comprise of 5 main poles and the equator for fast and easy assembly and storage. The outdoor gear company has also considered a water-resistant dual-layered exterior skin for their incredibly strong and sturdy tent to endure whatever mother nature has to throw at it.
SPACE10's latest project displayed last week at Copenhagen's CHART art fair hosts the secret to combating malnutrition, greenhouse gases and ending deforestation - a pretty steep demand for a structure only four meters tall. The hero of this story is a microalgae that runs through the three hundred and twenty meters of tubing entwined around the pavilion.
IKEA's future living lab worked with bioengineer, Keenan Pinto and three architects, Aleksander Wadas, Rafal Wroblewski and Anna Stempniewicz to build a photobioreactor that facilitates the high production of microalgae that can be grown almost anywhere on the planet. During the three days of the fair, 450 liters of algae was grown as visitors got to experience the full extent of the neon green process.
Once dubbed a “flying saucer,” the Parish (Church) of the Holy Sacrifice is a Modernist expression which embodies the complex colonial history of the Philippines. Located on a university campus in Quezon City (formerly the capital of the nation, now a part of the Metro Manila National Capital Region), the domed concrete church was the product of Filipino architect Leandro Locsin, and of three other national artists who contributed to the building’s interior.[1] Locsin’s design, which combines elements of traditional Filipino architecture with postwar International aesthetics, is a potent symbol of a newly-independent nation following centuries of imperial control.
