This article is the tenth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints. In this feature, architect John Marx questions the limits and capabilities of AI in architecture and in creating buildings that resonate deeply with people and communities.
Gendo Design to Image Output. Image Courtesy of Gendo
The introduction of AI generative tools represents one of the most significant technological revolutions in the field of architecture and design. While there is concern about this changing the working landscape for professionals in the field, a significant number of practices are embracing the new technology. Architectural visualizations represent one of the main areas where these changes take effect. However, the array of AI tools accessible to non-specialist users rarely allows for true control over the design process, often offering general interpretations of scripts. This can be helpful during early conceptual design phases but loses its appeal soon after. Gendo, a new browser-based app, aims to change this, offering the possibility to not only generate visualizations in seconds but also to edit and customize them, even introducing real-life products in the design. Until August 3, readers of ArchDaily can register and use the code ARCHDAILY50 to get 50% off any plan.
This article is the ninth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints. In this feature, architect John Marx interviews Peter Hirshberg, chairman, and Anna Fedorova, principal at the Maker City Project.
Architects, urban planners, and researchers from around the world are working on solutions to address the rising threat of climate change and climate-induced rise in sea levels and storm surges. Among them, MVRDV, as part of the North Creek Collective, has released a series of proposals for the city of Vancouver, mapping out possible adaptations of waterfront buildings, landscape, and infrastructure. On a similar note, a group of researchers led by Adrian Lahoud has developed the Second Sea Calculator, a digital tool that estimates the financial damages owned to coastal cities by different nations, while Human Climate Horizons has developed a platform for visualizing how different levels of global heating will affect people’s lives.
The complexity of our world is constantly increasing, and with it, the pressure and demands placed upon our built environment. Architects are faced with a monumental task: to translate society’s ever-changing needs into tangible, effective and sustainable solutions. Pressing issues such as the climate crisis, rapid urbanization, population density and housing shortages call for a new architecture –one that isn’t afraid to questionthe traditional way of working and is prepared to take on the challenge. Today the industry must adapt, evolve and innovate to cope with these challenges. The availability of data is changing the game, and as technology continues to advance, it will open new ways of thinking, creating and engaging with the built environment.
In this article, we delve into the effects of the digital transformation, how it is reshaping the industry and the questions it raises about the future role of architects.
Refurbishment and adaptive reuse have been at the forefront of architectural discourse in recent years. This demonstrates that the profession is becoming increasingly aware of its impact on the environment and the opportunities presented by reusing what has already been built. Architecture 2030 has recently launched CARE, or Carbon Avoided Retrofit Estimator, a new digital tool that enables designers, owners, and communities to quantify the carbon benefits of adaptive reuse. By entering a streamlined set of project information, such as energy targets and potential building interventions, users can quickly estimate both operational carbon emissions generated by the use of the building and embodied carbon emissions, which are tied to the building materials employed.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
https://www.archdaily.com/995576/the-second-studio-podcast-is-bim-ruining-the-architecture-industryThe Second Studio Podcast
The Transportation Alternatives and the Massachusetts Institute of Technology have initiated a new digital tool, Spatial Equity NYC, to help users understand how space is distributed and restricted across the neighborhoods of New York City. The tool asses the use of streets, sidewalks, and public spaces, as they are key factors that influence data such as pollution, traffic fatalities, accessibility, or air quality. The data collected shows a direct correlation between neighborhoods with low-income communities and communities of color and the detrimental ways in which public space is used, leading to health and mobility issues in those communities.
EHDD has recently launched the Early-Phase Integrated Carbon (EPIC) Assessment tool, a free new web-based application developed to designers set goals and strategies to reduce carbon emissions from building and construction projects. The tool aims to fill a gap in the life-cycle assessment process and allow designers to identify the most impactful measures early in the project process. At the same time, other resources like Tally and EC3 are seen as crucial later in the design.
An online search away from any computer are eye-level views of many of the world’s cities. This technology is powerful – allowing people to have an in-depth look at the cities they might one day visit, live in, or work in. It’s a useful tool for understanding buildings on a more comprehensive level than photographs. This technology is, of course, Google Street View – which recently turned fifteen years old.
We are still at the dawn of the Metaverse, the next wave of the Internet. The current “mainstream” Metaverse platforms serve as experimental containers to host the wildest dreams of virtual worlds where we are supposed to unleash the imagination. However, from a spatial design perspective, they have so far been lame and ordinary. Without the constraints in the physical world, how do we draft the urban blueprints in the metaverse? I believe metaverse planners can find inspiration from Italo Calvino’s Invisible Cities, in which he revealed a poetic and mathematical approach to “urban planning” in the imaginary worlds.
In 2021, CRA-Carlo Ratti Associati’s proposal to create sustainable alternatives for urban heating networks was selected as one of four winners of the global Helsinki Energy Challenge. The project entitled Hot Heart proposed “island-like, floating seawater reservoirs to heat the city of Helsinki in a green way”. Using Twinmotion, Epic Games’ real-time visualization platform for the architecture industry to design the intervention, the large scale infrastructural project needed a digital representation tool to possibly put scale into perspective, offer a real immersive experience to engage the client, and exhibit instant changes related to natural factors such as daylight. Come SpaceForm, a data-driven virtual presentation and design tool. Created to facilitate remote cooperation, the technology allows clients or stakeholders to be more immersed in the story of the design.
Nike recently acquired RTFKT, a design studio that was founded in Jan 2020, and is known for its virtual “metaverse-ready sneakers and collectibles”. Metaverse land purchases are making headlines with multi-million dollar price tags. We’ve also seen mainstream adoption for NFT art this year and the sales are expected to surge to $17.7 billion by the end of 2021.
Beneath the hype and frenzy, we can spot a fundamental shift that unlocks a new creator economy. It provides the creators with direct access to the market, builds ongoing relationships with fans, and unites strangers in self-governed communities. In this article, we will discuss why every 3D designer/architect should embrace the Web 3.0 movement to adopt a new business logic and benefit from the creator economy in the metaverse?
Courtesy of Balenciaga Launches a Video Game for Its Fall 2021 Collection
You might have heard that Mark Zuckerberg wants Facebook to become a Metaverse Company, and earlier this year, Epic Games, the company that develops the Unreal Engine announced that it completed a 1 billion round of funding to support the long-term vision for the metaverse. Metaverse is definitely the hottest buzzword in the tech scene. In this article, we will briefly discuss what is Metaverse, who will build it, and most importantly why it matters for architects, and how can designers play a significant role in this upcoming digital economy?
Henning Larsen has been creating projects that address cross-cultural design, tackle diverse climatic zones, and try to achieve ambitious sustainability objectives. All of this wouldn’t be possible without the use of technology and specially crafted digital and generative design tools that allow architects to treat any element as a parameter in design.
In a special interview with ArchDaily, Jakob Strømann-Andersen, Partner and Director of Henning Larsen’s Innovation and Sustainability Department talks about digital tools and their incorporation in the design process. Focusing specifically in this conversation on Sandworm, a new modeling program that uses sandboxes, Anderson explains how they have achieved to scan and directly transfer manipulated landscapes into a 3D model.
UNStudio and Bjarke Ingels Group have partnered up with Squint/Opera to develop SpaceForm, a virtual, cloud-based platform that facilitates design, review and collaboration processes for architects and developers. The new virtual workspace explicitly developed for the architecture and construction industry aims to fill a gap by creating a viable and sustainable way of collaborating and designing remotely across global teams, thus reducing the need for travel.
Perhaps nothing can kill a project budget or give an owner heartburn quite like costly code fixes during (or in the worst case, after) construction. As architects, we do our best to navigate construction codes during design, but there’s no denying their complexity. Projects have to comply with multiple different codes at both the federal and local levels; different codes sometimes even contradict one another, leading to headaches for the design team.
However, a new website and mobile app hopes to make understanding and complying with building codes easier for architects and designers. “The solution we provide is a search engine tailored for architecture,” explains Scott Reynolds, co-founder of UpCodes. With his background in architecture, Reynolds has partnered with his brother Garrett Reynolds—who has a PhD in machine learning—and through UpCodes, the pair to ease some of that building code-driven frustration.
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.jpg?1632299643 "Courtesy of Townscraper, developed by Oskar Stålberg")
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