Every year, ArchDaily honors the best architectural drawings of the year in an annual tradition that has now been going on for eight years. The 2022 edition is particularly special, as it showcases a wide range of techniques and representations in the field of architecture. From traditional painting to digital collages and axonometric drawings, this year's selection truly has something for everyone.
Courtesy of Juan Barrios Duarte (Labrantía Estudio)
With an increasing amount of architectural visualizations being published on social media, it’s easy to get overwhelmed. Adding this to how the famous algorithm works, we end up always being exposed to social media publications that are, in many ways, similar to each other. But for us as architects, designers, and students, social media is not only a platform for networking and sharing our works. It also serves as a source of inspiration. If the algorithm isn’t helping us to discover new and different ideas, then it’s up to us to go out of our way and look for them.
Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.
In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.
Rendering has become indispensable to most architectural offices. To understand how these images can assist during the design process, how they have evolved, and especially, what aspects should be considered to create an outstanding visualization of a project, we talked to Guilherme Bravin and Marcus Vinicius Damon, co-founders of Estúdio Módulo, and coordinators of {CURA}, an open architecture school focused mainly on architectural visualization.
Design projects rely heavily on visual tools that illustrate the project's features and overall atmosphere, and whether you are an architect, interior designer, furniture designer, or engineer, the term 'mood board' has definitely come up at some point during the early stages of the design process. Generally speaking, images have immense powers of influencing and inspiring their viewers, so putting together a powerful mood board can be a game changer for the architect, the visual artist, and the clients, and can amplify the project's story telling process. So what is a mood board and how can you create one?
The Fundació Enric Miralles has launched MIRALLES, a series of exhibitions and events celebrating the work of the influential Catalan architect, whose passing marked twenty years in 2020. Curated by Benedetta Tagliabue and Joan Roig i Duran, the program will unfold over the course of this year in different emblematic venues in Barcelona. The first three exhibitions of the circuit inaugurated this month showcase the multiple facets of Enric Miralles through archival materials ranging from drawings and collages to photography and models, exploring his legacy in architecture and artistic creation.
Renders are representations that can convey the three-dimensional aspect of a design through two-dimensional media, i.e., an image, providing a preview of how the project will look in the future. However, unlike what people often imagine, rendering is not always a realistic visualization of architecture.
Since it is a tool for visual communication, renderings can have different styles depending not only on the project itself but also on the specific targeted audience and, above all, on the identity of the architect or architectural firm responsible for the design.
Silvia Garcia Camps has presented a series of collages of renowned works of architecture to show that, nothing is ever really invented, it's simply borrowed and mixed. In this article, we highlight her presentation.
As architects rely heavily on imagery to convey abstract information to a broad audience, there is a recurrent conversation on the role of visualizations in architecture and how they impact the general perception of the built environment.
Grey Cube Gallery proudly presents the first Black & White Show for the month of February 2020. Contest is open to all artists worldwide over 18 years of age. Entries must include the black and white or shades of gray as the primary focus. All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists ( Merit Award & Honorable Mention) will receive a digital award certificate. The application fee is $16 for the 2 images of artwork. You may enter more than
Contemporary Art Room Gallery is proud to announce their 1st “Landscapes” Online Art Competition for the month of January 2020. This is an international competition and artists from around the world are welcome to submit their work. The gallery invites all artists and photographers from around the world to submit ther best best representational and non-representational art related to the Landscapes theme. The Landscapes theme is considered to be any art with interpretation of natural elements such as mountains, hills, valleys, deserts, forests, farmland, trees, rivers, lakes, polar regions, rainforests, islands and tropical landscapes. All visual art mediums are
The history of the spaces presents an important diversity throughout the world, which corresponds to different geographical, economic and cultural moments and conditions. Technology plays an important role since the constructions through which time has passed also work with a kind of sample that breaks down all the advances and ambitions in force of the time, leaving reflections that it are important to keep today.
What would historic cities look like if scale didn’t exist and functions were manipulated?
Dutch artist Tamara Stoffers found inspiration from an old Soviet Union book published in the early 1960s, which featured images of mass-housing apartment blocks without any ornamentation or color. The book highlighted the symmetry and functionality of Soviet architecture, representing what a communist future strived to look like. It became clear to her that a lot of stories lie in the history of USSR that deserve to be explored.
Stoffers' admiration extended beyond Russian architecture, looking at everyday objects, banners, postcards, and books. In a matter of 4-5 years, she put together a series of surreal collages taken from more than 30 picture books. The images, which seemed intriguing on their own, were mixed and matched with complementary photographs in an exaggerated, amusing way, presenting the Soviet Union as never seen before.
With the mission of providing tools and inspiration to architects all around the world, ArchDaily’s curators are constantly searching for new projects, ideas and forms of expression. For the past three years, ArchDaily has showcased the best discoveries of each year, and in keeping with tradition, we would like to share the best architecture drawings published throughout 2018.
What is the role of contemporary drawing in architecture? We approach the definition of drawing as design itself. Drawings are used to explain principles, to deliver ideas, to construct new architecture, and to document creative processes. Below you will see the selection of drawings arranged under six categories: Context, Architectural Drawings, Sketches & Hand-drawn, Digital Collages, Conceptual Drawings & Diagrams and Animated Gifs. Each chosen drawing strengthens the proposed construction or enhances the built work.
We also invite you to review collections from previous years here or other drawing-related posts selected by our editors in the following link.
Matthias Jung's "Houses" series depicts finely stitched architectural facades against the picturesque landscapes of Northern Germany to create surreal architecture. Commencing as a childhood pastime in his father's photo lab, his passion for collaging has evolved into his career as a designer and artist.
Architect Filipe Vasconcelos goes beyond obvious alikeness and explores, through digital collage, the similarity between architectures and objects. He creates scenes in which the works are reimagined in displaced situations, with nothing to do with original context or use.
The hyperrealistic representation of architecture is not a new concept due to the ubiquity of tools that offer the possibility of creating perplexing images with photographs. However, those who defend the expressive capacity of hand drawings have found ways to take advantage of the digital tools of the last decades to represent their architectural projects.
A new group of young Mexican architects is committed to a form of representation that relies on tools from our era, simultaneously taking up concepts from the sixties and seventies, where the technique of collage made it possible to face the frustrating reality that took place at the time to represent the utopias thought up by architects.