From 1977 to 1983, the National Theatre in Prague underwent a major transformation with the opening of Nová Scéna, a modern counterpart to the traditional Neo-Renaissance theatre. For many years, Nová Scéna hosted the renowned Laterna Magika, the world’s first multimedia theatre. This groundbreaking performance style combined classical theatre with computer-generated visual effects, creating a unique dramatic experience. The striking glass building, a symbol of the communist era, became an iconic representation of the political power of the time.
As a landmark of contemporary religious architecture in Portugal, the Church of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a design competition organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and social significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of Sacred Art is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected public space, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and light, the church holds many surprises for those who venture inside.
The landmark of Piraeus, located in the heart of the largest passenger port in Europe, began construction in 1972 but remained unfinished and vacant for decades. Finally completed in 2023, after an international competition, it now stands as Greece's first green and digital skyscraper. The architectural firm PILA took on the design of the facades, while the office ASPA-KST designed the commercial spaces, and the new general architectural study was entrusted to Betaplan. After over four years of renovation, Piraeus Tower officially opened its doors to tenants and visitors on June 4th with a night of celebrations, establishing itself as a bustling hub and injecting vitality into the area.
Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek
The team comprised of David Kohn Architects, noA Architecten, and Asli Çiçek has won the international competition for the redesign of SMAK, the Municipal Museum of Contemporary Art in Ghent, Belgium. The project includes the reconfiguration of the museum grounds and the extension of a cluster of historic buildings in the center of the city. Established in 1999, the Stedelijk Museum voor Actuele Kunst aims to redefine its relationship with the city and to create more appropriate space for the design of its extensive contemporary art collection.
In an open competition, ICON’s Initiative 99 requested participants to design a home using ICON’s 3D printing technologies while keeping the construction budget under $99,000. Among the three selected winners for the Open Category, New Zealand-based office MTspace Studio proposes a robust flood-resistant design, in response to the housing crisis in New Zealand’s flood zones. Titled “Wai Home” after the Māori word for water, the concept revolves around the idea of working with this essential natural element. The design features innovative rainwater collection and storage systems, along with elements to increase the resilience of the construction in the face of increasing threats.
Zaha Hadid Architects (ZHA) has been announced as the winner of the international competition for the design of the Riga Ropax Terminal in Latvia. Collaborating with Latvian practices Sarma Norde Architects and Alps Landscape Architects, as well as Sweco Finland, ZHA’s proposal includes the repurposing of an existing shipping warehouse, to be transformed into a key multi-modal transport hub for the city, located along the Daugava River. The competition was open to anyone who qualified. Out of the ten registered entries, the third prize was awarded to US-based Berenblum Busch Architects, the second prize went to R-Konsult from Estonia.
Housing is a diverse architectural typology whose configuration is determined not only by those who design it but also by the use of those who live in it. Therefore, homes are fundamentally adaptable structures that evolve in line with their time and users, undergoing constant changes manifested in the ways of living. The house conceived today will not be the same as the one built tomorrow, so it becomes necessary to maintain a critical and profound approach to the role it plays in the built environment.
In this sense, modular architecture has consistently presented itself as a dynamic design strategy that has revolutionized housing, developing versatile solutions for sustainable spaces and construction practices. Thus, modular housing has been fertile ground for exploring and deepening ways of inhabiting space and addressing human needs. From the prefabricated catalog houses of the 19th century to the post-World War II housing boom, its evolution reflects both past proposals and the exploration of new concepts for the future.
https://www.archdaily.com/1015545/how-can-modular-design-be-used-to-revolutionize-housing-architectureEnrique Tovar
We Caught A UFO! by Xavier Madden and Katja Banovic, Croatia and Australia. Image Courtesy of Winter Stations
Winter Stations, now in its 10th year, has unveiled the winning designs selected from a pool of hundreds of submissions worldwide. Following an international design competition launched in November 2023, designers, artists, and architects contributed with bold proposals to reimagine the lifeguard stations along Toronto’s east-end beaches for the winter. Launched by RAW Design, Ferris + Associates, and Curio in 2014, the event aims to gather an international design and art community to join in this playful exercise of rethinking public spaces through bold temporary interventions. The winning designs were realized with the support of Anex Works, a Toronto-based fabrication group, and will be on display until the end of March.
For its 10th anniversary edition, the chosen theme for this year is “Resonance,” hoping to challenge designers to reflect on the artistic legacy and enduring impact of the Winter Stations and to embark on a journey of reinvention and reimagination. The projects were invited to recreate and reinvent installations from previous Winer Stations editions, offering moments of contemplation and remembrance. The event also continues the tradition of the Lifeguard Sands, inviting designers to incorporate them into their designs without structurally altering the stands in any manner.
UNStudio, in collaboration with local partner HYP Architects, has won the competition for the design of the Kyklos building in Luxembourg. The project is part of Beval, a large-scale redevelopment initiative aiming to transform a former industrial site into an urban center complete with a university and technological center, in addition to residential, office, and retail spaces. When designing the Kyklos building, which will occupy a central position in the district's main square, the architects set out to find solutions to create the smallest carbon footprint for both operational and embedded metrics.
The Norwegian studio of Powerhouse, in collaboration with KIMA arkitektur, has won a design competition for the transformation and extension of one of the historical buildings located in the center of Landbrukskvartalet. Known as the Agricultural Quarter, a former farming and industrial site in central Oslo, the area is now scheduled to go through an urban revitalization process to be transformed into an active neighborhood based on the design philosophy of ‘new meets old’.
The Smithsonian Institution selected Perkins&Will to design the Bezos Learning Center at the National Air and Space Museum in located on the prominent National Mall in Washington D.C. Perkins&Will was one of the five shortlisted finalists for the competition. According to the Smithsonian, the selection was based on the architects’ ample experience in designing cultural and educational spaces, the reliability of their management team and the team’s aesthetic approach.
Chinese Pavilion Osaka Expo 2025. Image Courtesy of China Architecture Design Group
The China Pavilion's plan for Expo Osaka 2025 was revealed at a press conference held on April 26th, 2023, by the China Council for the Promotion of International Trade (CCPIT). Created by the China Architecture Design Group (CADG), the design revolves around "Inscribed Slips of China," resembling traditional Chinese inscribed slips and incorporating elements of bamboo, Chinese characters, and ancient books. This design showcases China's spirit and cultural essence, emphasizing the harmony between humanity and nature and China's commitment to sustainable development in the modern era.
Czech Republic Pavilion at the Universal World EXPO 2025 in Osaka, Japan. Image Courtesy of Apropos Architects - Renders by ZAN Studio
Apropos Architects has won the competition to design the Czech Republic Pavilion at the Universal World EXPO 2025 in Osaka, Japan. The architecture of the intervention prioritizes movement as a crucial component of preserving physical health.
The pavilion's content demands a creative connection with spiritual and cultural ideals while openly urging visitors to engage in physical activity. It focuses on the concept that the movement of the body and the soul can shape a place, with a dynamic ascending spiral designed as a metaphor for the ideal life path. As visitors actively move within the pavilion, the cultural content materializes, culminating in a journey that generates lasting inner energy.
MVRDV has revealed its design for the extensive renovation project of the Theater Koblenz, in Germany. The project includes an interior redesign and a significant backstage element makeover. The proposal, which operates within the confines of the existing structure, balances the many requirements of the brief: history preservation is taken into account alongside essential technical improvements and roof rehabilitation. Additionally, the operations building's façade on Clemensstraße will be renovated to give this backstage entrance a contemporary, expressive appearance that emphasizes its inclusion in the theater complex, clearly separating it from the building's original guest entrance. The repair preserved a significant portion of the structure for future use and used biodegradable materials as much as feasible to reduce carbon emissions.
OPEN Architecture has won the competition to design the Yichang Grand Theatre in China. The project is situated where the Yangtze River and its tributary Huangbai River converge at the tip of the Pinghu Peninsula. There are about 70,000 square meters of building space overall. The performing arts center will feature a 1600-seat grand theater, a 1200-seat concert hall, a 400-seat black box, and two outdoor theatres — one on the rooftop and one by the water. It is housed within the fluid and partially floating building. The building also has rehearsal rooms, event and exhibition spaces, coffee shops, restaurants, and observation decks. The diverse lineup reflects efforts to keep the big theatre a welcoming and active gathering place for the public at all times.
