Are the concrete buildings we build actually a sign of architectural progress? Defunct housing projects abandoned shopping malls, and short-sighted urban projects are more often than not doomed to a lifetime of emptiness after they have served their purpose. Their concrete remains and transforms into a lingering reminder of what was once a symbol of modern ambition. Stadiums and their legacies, in particular, come under high scrutiny of how their giant structures get used after the games are over, with few Olympic stadiums making successful transitions into everyday life. With a new approach to sustainability, the Shell Mycelium pavilion is part of a manifesto towards a more critical take on building. Say the designers on their position: “We criticize these unconscious political choices, with living buildings, that arise from nature and return to nature, as though they never existed.”
The Shell Mycelium Pavillion is a collaboration between BEETLES 3.3 and Yassin Areddia Designs and offers an alternative to conscious design through temporary structures. Located at the MAP Project space at the Dutch Warehouse, the pavillion formed part of the Kochi Muziris Biennale 2016 Collateral in India.