The British Museum has revealed Studio Weave as the lead team selected to design its new visitor welcome pavilions and forecourt as part of a larger redevelopment initiative. The project is one of the Museum's key steps in its extensive Masterplan, which aims to modernize the iconic central London site while preserving its historical significance. The winning proposal was chosen through a competition organized under the Greater London Authority's Architecture + Urbanism framework, which prioritizes diversity and sustainability in design.
Salzburg, Austria, set along the Salzach River, is a city where history and architecture merge seamlessly. Dominated by the imposing M Castle, its historic core reflects a rich Baroque heritage. Landmarks like the Salzburg Cathedral, crafted by Santino Solari, and the elegant Leopoldskron Palace showcase a past marked by grandeur and cultural influence. Visitors can trace centuries of architectural evolution through the city's streets, from medieval strongholds to Baroque splendor, all within a UNESCO World Heritage site. Each winter, this setting hosts the Salzburg Christmas Market, recognized as one of the oldest Advent markets in Europe, with roots tracing back to a 15th-century "Tandlmarkt."
Yet, Salzburg is also a city of contrasts. Modern architecture has made its mark, blending harmoniously with its historic backdrop. Modern projects like Stadt Park Lehen and Paracelsus Bad & Kurhaus showcase contemporary design, while the Institute of Pharmacy and Gusswerk Extension add a fresh touch to the city's urban fabric. This balance between the old and the new defines Salzburg, where each architectural layer contributes to the city's dynamic, evolving story.
Notre Dame Cathedral reopened on December 7th, 2024, welcoming visitors for the first time since the 2019 fire. The restoration of Notre Dame Cathedral was a massive undertaking, led by chief architect Philippe Villeneuve, assisted by Rémi Fromont and Pascal Prunet. The project involved approximately 2,000 craftspeople, 250 companies, and about $900 million, demonstrating the immense scale and complexity of the work on a tight deadline. Despite the major milestone of opening before the end of the year, the restoration works are not yet complete, as they are scheduled to continue through 2026.
The Notre Dame Cathedral in Paris has officially reopened, five years after a devastating fire destroyed its roof and spire and threatened the integrity of the entire structure. The reopening ceremony took place on Saturday evening with a two-hour sermon, attended by global leaders and dignitaries. The ceremony also represented the first opportunity to witness the result of the estimated €700 million ($739 million) restoration, a process that included the thorough cleaning of the stone interiors, revealing a glistening white gothic interior.
As Athens hosts The Architect Show (TAS) 2024, the event brings together global and local voices to highlight the latest innovations in architecture and design. Against this backdrop, the city's evolving urban narrative is exemplified by The Ellinikon, Europe's largest urban regeneration project. Encompassing 6.2 million square meters, this €8 billion development has already attracted globally renowned architects such as Bjarke Ingels Group (BIG), Kengo Kuma, Foster + Partners, and Aedas. Together, they are shaping the smart city that integrates sustainability, connectivity, and community-focused design into the heart of Athens.
Kéré Architecture has revealed the design of a masterplan and series of buildings dedicated to the cultural and spiritual heritage of the Ewé people in the town of Notsé, in Togo. Commissioned by the Kothor Foundation, the center incorporates a sanctuary, several temples, a large-scale open-air amphitheater, as well as cultural functions such as exhibition halls, an auditorium, restaurants, and a reconstruction of the ancient royal palace of the Ewé Kingdom. The project, Francis Kéré's first in Togo, started construction in October 2024 and is scheduled for completion in February 2026.
The Getty Foundation's Conserving Black Modernism initiative, launched in 2022, represents a pivotal effort to preserve and celebrate the architectural contributions of African American architects in the Modernist movement. This initiative, a partnership with the National Trust for Historic Preservation's African American Cultural Heritage Action Fund, aims to address historical oversight and ensure the legacy of these trailblazing architects is protected for future generations. Over three funding cycles from 2023 to 2025, the program supports conservation planning, professional training, and storytelling to highlight the cultural and architectural significance of these sites.
Al-Imam Al-Shafi'i. Image Courtesy of Megawra - Built Environment Collective
Cairo, often called the "City of a Thousand Minarets," boasts one of the richest cultural and architectural tapestries in the world. Its heritage reflects centuries of diverse influences from Pharaonic monuments to Islamic and Mamluk architecture. However, preserving this legacy is an ongoing challenge in the face of urban pressures, climate change, and socio-economic dynamics. Heritage conservation in Cairo is not just about safeguarding these structures; it's about integrating them into the lives of local communities, ensuring they remain dynamic and accessible spaces.
At the forefront of this mission is Dr. May al-Ibrashy, an architect and conservationist whose innovative and community-driven approach has redefined how heritage is preserved. As the founder of Megawra–Built Environment Collective, she has worked tirelessly in neighborhoods like Al-Khalifa, Al-Hattaba, and Sayyida Zeinab to restore historic monuments while creating vibrant public spaces. Her work bridges the gap between architectural preservation and urban regeneration, ensuring that these historic districts serve both as cultural landmarks and as living, functional spaces for their residents.
In the heart of Tallinn, where history weaves through cobblestone streets and ancient towers, stands the Ungern-Sternberg Palace — a monument that bridges the opulent past of Estonia's aristocracy with the vibrant world of contemporary academia. Now home to the Estonian Academy of Sciences, this historic building embodies Estonia's enduring dedication to knowledge and cultural preservation. Through Open House Tallinn, which highlights the city's architectural heritage, the palace's significant history, and remarkable architectural details are brought to a wider audience, offering unique insight into Estonia's cultural resilience.
Constructed in the 19th century as a symbol of aristocratic power, the palace has transformed from a private residence into a national hub of intellectual life. Its grand halls, once the scene of lavish gatherings, now foster scientific and academic pursuits, illustrating how heritage architecture can evolve alongside societal change.
Throughout their relatively recent history, museums have evolved to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.
Across Europe, museums are being organized within or expanding upon historical monuments and buildings that have lost their original purpose. Then in a state of decay, this decision to reorganize them as cultural venues stops the decay and preserves the historical material, adding a new layer of complexity to the intended exhibits. The architect's role becomes that of introducing order and a system that can balance the heritage of the place with the needs of modern functionality, ensuring that the essence of the original structure is preserved while meeting the needs of contemporary exhibitions and public engagement.
Studio Aalto and its garden area have just been officially granted protection by the Uusimaa Centre for Economic Development, Transport, and the Environment. Originally constructed in 1955 as an architect's office, with an extension in 1962-63, it holds major significance as the workspace where Alvar Aalto's acclaimed architecture was conceived. Additionally, the Studio reflects the architectural-office design ethos of the 1950s and 60s. Its interiors, including layers of furniture accumulated over decades, remain intact and are integral to the site's protected status, marking it as the first Aalto location in Finland to be listed in this way.
Cultural centers are vibrant places where art, community, and innovation intersect—each uniquely crafted to embody and celebrate its local character. This month's projects, submitted by the ArchDaily community, showcase a diverse array of cultural spaces, from the transformation of a historic townhouse in Montreal to a dynamic creative hub in Riyadh and an eco-conscious visitor center in Tennessee's mountains. Each design offers a new perspective on what a cultural center can be, whether a hub for creativity, a sanctuary for nature, or a bridge to the past.
In this roundup, ArchDaily consolidates this year's transformative updates in cities worldwide, organized into thematic clusters that capture the evolving nature of urban design and policy in 2024. Projects like the extensive renovations of Barcelona's La Rambla and the preservation efforts around Chicago's historic skyscrapers highlight preservation of urban heritage, while initiatives in Venice and Los Angeles respond to overtourism and housing pressures, balancing livability with growth. Meanwhile, ambitious master plans have been announced, including the revitalization of industrial sites in Tallinn and Connecticut, reflect how cities are reimagining their urban fabric. Finally, post-disaster rebuilding in Kharkiv and Türkiye underscores the urgency of resilience-driven design, ensuring that cities can endure and evolve even in challenging times. Together, these updates offer a glimpse into the global forces reshaping urban landscapes
Standing out among the array of cultural programs, the opera and theater typology is often understood as encompassing the luxurious and elitist spirit of a bourgeois society focused on entertainment. Across the Soviet Union, this represented the opposite of the principles to be promoted. However, despite the opposition of the political class, the program remained widely popular. As the historical structures, symbols of the previous regime could no longer be promoted, the search began for a new image of the Opera House, one aligned with Socialist ideals and the concept of "art belonging to the masses."
This is the case of Soviet Lithuania, which, in the 1940s, began the process of developing a new Opera and Ballet Theater in Vilnius to replace the theatre in Pohulianka. The process resulted in an unusual commission, as young architect Elena Nijolė Bučiūtė won the 1960s competition for architectural design, turning the initial socialist realist proposals into a welcoming and expressive design, blending elements of early and late modernism. This also represents a surprising accomplishment for a young architect who was a woman and not a member of the Communist Party. The project is featured in the program of Open House Vilnius, focused on the theme "People who create the city."
Muraba and RCR Arquitectes, recipients of the 2017 Pritzker Prize, have collaborated on Muraba Veil, a modern architectural project in Dubai that aims to incorporate traditional elements alongside contemporary innovation. This 380-meter-high tower is the latest result of a decade-long partnership between Muraba, a Dubai-based developer, and RCR Arquitectes, a Spanish architectural firm. The project introduces a skyscraper designed to engage with the local environment and culture, seeking to combine modern architectural techniques with regional heritage.
The National Pavilion UAE has announced that Azza Aboualam, an Emirati architect and Assistant Professor at Zayed University, has been appointed as the curator for the UAE's participation in the 19th International Architecture Exhibition – La Biennale di Venezia, which will take place from May 10 to November 23, 2025. Aboualam's research, which explores the intersection of architecture and societal memory, will be featured in the pavilion's exhibition in Venice, accompanied by a publication. This appointment follows Aboualam's involvement with the UAE Pavilion, where she served as a Venice Intern during the 14th International Architecture Exhibition in 2014.
From 1977 to 1983, the National Theatre in Prague underwent a major transformation with the opening of Nová Scéna, a modern counterpart to the traditional Neo-Renaissance theatre. For many years, Nová Scéna hosted the renowned Laterna Magika, the world’s first multimedia theatre. This groundbreaking performance style combined classical theatre with computer-generated visual effects, creating a unique dramatic experience. The striking glass building, a symbol of the communist era, became an iconic representation of the political power of the time.
