Cultural Center: The Latest Architecture and News

Cultural centers are vibrant places where art, community, and innovation intersect—each uniquely crafted to embody and celebrate its local character. This month's projects, submitted by the ArchDaily community, showcase a diverse array of cultural spaces, from the transformation of a historic townhouse in Montreal to a dynamic creative hub in Riyadh and an eco-conscious visitor center in Tennessee's mountains. Each design offers a new perspective on what a cultural center can be, whether a hub for creativity, a sanctuary for nature, or a bridge to the past.

Bjarke Ingels Group (BIG) is leading the transformation of a former supermarket into the new Museum for Paper Art in Denmark's North Jutland region. With paper art deeply ingrained in Danish cultural heritage, symbolized by Le Klint's folded lampshades and H.C. Andersen's intricate paper cuttings, this renovation and expansion aim to elevate the museum's profile and double its visitor numbers. The design will celebrate paper as both an art form and a craft, extending the museum's role in promoting this unique heritage.

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3XN GXN and landscape architect DETBLÅ have won the commissions for the design of a new Centre for Coastal Nature and Sport Fishing in Assens, Denmark. The proposal features a subtle oval structure to showcase local stories of the natural environment. The building aims to enhance public awareness and appreciation of the marine environment, reflecting a growing understanding of the need for better marine stewardship. It will also act as a hub for knowledge exchange about the impact of humans and climate change on the sea.

Pritzker Prize Laureate Renzo Piano has just revealed designs for Boca Rotan’s new creative campus, The Center for Arts & Innovation in Florida. The Center seeks to transform Boca Raton into an internationally recognized destination for culture, arts, innovation, and technology. In fact, the three-story structure features functions that bridge creativity across the realms of arts, education, business, and community.

Still in its early and iterative stages, the Center aims to pioneer a new approach to how the world designs, imagines, programs, and embraces its cultural infrastructure. Catalyzing future leaders and visionaries, the scheme offers a dynamic platform for new ideas, AI integration, and end-to-end STEAM education. Seeking to cultivate knowledge and community engagement, The Center is dedicated to shaping tomorrow’s cultural landscape through equipping its future leaders and occupants with the resources they need today to build a better tomorrow.

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Construction has just begun on the Tor Alva, or the White Tower, the world’s largest 3-D printed tower. Designed by architects Michael Hansmeyer and Benjamin Dillenburger and printed with concrete by the technology university ETH Zurich, 8 out of 32 structural columns have been completed. Nestled in the village of Mulegns in the Swiss Alps, the White Tower is designed as a venue for music and theater events. Standing at 30 meters, the design features 32 distinct Y-shaped columns, each boasting a pattern of textured details.

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Foster + Partners has just unveiled the designs for the Xicen Science & Technology Center at the heart of the Yangtze River Delta Region in Shanghai, China. The project is strategically located along the Shanghai – Huzhou development axis, ensuring connectivity to the city center through high-speed rail links. Drawing inspiration from the timeless allure of the surrounding water towns, the center blends new and existing waterways to create a community featuring residential, commercial, and recreational spaces.

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Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.

Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.

Snøhetta’s Beijing City Library has opened its doors to the public, introducing a unique space for learning and knowledge-sharing in Beijing’s cultural scene. As one of the most anticipated projects of 2024, the library features the world's largest climatized reading space, in addition to various facilities aimed at creating a vibrant cultural destination in the city. Snøhetta was awarded the Beijing City Library in 2018 through an international competition and the project was completed with local partner ECADI.

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A considerable part of architectural innovation involves the use of materials. Technical development and new formal languages utilize them to "announce" the "next" architectural era. Of course, materials are essential for construction and significant for the consolidation of languages. Glass, steel, concrete, or brick convey messages about buildings. However, like any language, the meaning of words can vary according to the prevailing social organization; there is a dispute over the meaning of certain expressions, or there is pressure for the abolition—or at least the dissociation—of certain senses associated with some words. It would not be any different in architecture.

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“ReviveR,” a new exhibition by MVRDV opened at the Shenzhen Women & Children’s Centre, focused on the different narratives surrounding its hosting building, from the role of play and social interaction, to the importance of fun environments for people of all ages, along with the need to reduce carbon emissions by applying principles of circularity. The exhibition is on display in the building’s 5th-floor auditorium from December 6, 2023, until February 28, 2024.

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Sir Peter Cook and Gavin Robotham’s CRAB Studio has unveiled the design for a new cultural center to be constructed in New Delhi, India. Located on the site of a former quartzite quarry, the BRIJ offers facilities for the visual, performing, literary, and culinary arts as well as a new arts academy. The scheme, aiming to promote interactions between artists and audiences via an immersive environment, is designed by CRAB Studio, now led by Gavin Robotham, and CP Kukreja Architects (CPKA) as Executive Architect.

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